h4ck y0ur$3lf!

4 numbers: I Z e A S G T B g O

FAKOS VARYTITAS - Futuristic Sci-Fi stencil design
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A Stencil letter with a rather unorthodox form.

The main concept is that of the Sci-Fi / Tech aesthetic. But the asymmetrics in its geometry, various custom build curves and incisions somewhat tune down the mechanical geometric tone of the letterforms, and introducing a slight more humanized touch to its rhythm. These non-traditional attributes making this more of a novel stencil typeface with a strong personality.

The typeface was inspired by space age tech.  Its a display style font that is perfect for when your project has to have that typical techy or futuristic aesthetic look. Its best used at large size, but it does work in smaller size format as well.

The font includes:
 • uppercase, lowercase & numerals
 • accented latin
 •diactritics
 • symbols & punctuation marks
 • ligatures
 • some glyph alternatives
 • ornamental decorative elements

All "lingual" characters are functional stencils, the only exceptions that aren't stenciled are the ornamental decorative symbols and dingbats.

Cheers

easily one of my largest fonts.

Includes Latin, Hebrew, Cyrillic, and more.

this font helped me get into Pratt

My first font i ever made! I hope you like it

Edit: Good news! I cancelled to make this font in fontstruct because im going to transfer it to Inkscape (to design glyphs) and Fontforge (to copy paste the glyphs here from Inkscape for metrics, kerning, and font data stuff) so I don't have to rely on internet connection anymore. I even want to make lots of varieties of this font from sharp corners to gear looking corners to a bit of shifted glyph chaos.

I think I can let you use this font now.

I published this because I just want to know what would happen if I published a fontstruct. It was initially undownloadable.

Here's a preview of my first font I made in fontstruct. I initially made this font in Geometry Dash level editor (yeah, you've read it right) and left unfinished and I decided to reconstruct the font here in fontstruct.

Fontstruct is really good font creating website (I wish there was offline app/software version of fontstruct). I've encountered an annoying jumbled brick bug, but fortunately I've manage to fix the bug, by replacing "my bricks" with the correct bricks from below (don't know how to explain).

Tried coming up for one of a few default fonts for a fictional computer operating system I came up with called COMIX_NT. I based it a bit off of Computerfont (a personal favorite of mine) and gave it serifs - overall, a janky, yet (hopefully) charming typeface.

I designed this type font for a project in college, and found myself really connecting deeply with the themes I represented in this font. Ideally, this wouldn't be used for a novel, but rather a graphic novel or comic. Please send me an email if you choose to use this font, and I hope you share your work with me!

-Soap

A display based on Minicomputer by Typodermic.

We live in a world controlled by technology. As a creative professional I rely on tech to perform my primary business activities, whilst I am extremely pro-technology, I also recognise the negative impacts it has on society.

The theme for this project is ‘Dangerous’.

Please feel free to use this font as you wish, I would appreciate being told in advance as I love to see my work in use.

Ed Garrett / edgarrett1982@gmail.com

Based on the (relatively) recent AMD CPU branding (Ryzen, Ryzen Threadripper, Ryzen PRO, EPYC, Athlon).

Typeface does not contain:

• locked multiplier

• inefficient thermal interface material

• ancient 14 nm process node

• Meltdown and Spectre vulnerabilities

Ryzen name and branding is a trademark owned by Advanced Micro Devices. The AMD Arrow logo is a trademark owned by Advanced Micro Devices.

Retro sci-fi computer typeface

My font theme is systematic, I aimed to make a font that was precise and but also referenced technology in the patterns of a motherboard and the pixelated style. The dots also help form the illusion of curves.

My font was inspired by the way pixels have been used by other designers in the late 20th century, in particular, Peter Saville’s Original die-cut sleeve album cover for New Order’s Blue Monday single, Wim Crowel’s new alphabet used by Brett Wickens in Joy Division’s compilation album Substance cover. The font was modeled on digitalized letters. To produce it I have used techniques from traditional calligraphy (drawing, use of pencil and ink on paper) to create an effect usually generate instantaneously by computer coding in order to stress the tension between the finished piece and the production behind it. The tension between the two and the uncertainty are represented in the font by the missing and misplaced pixels in each letter.

A skinny, uniform, and asymmetrical typeface.  Could work well with signage and logos for the more technological projects.  Seems condensed in kerning, but the letters hold a large amount of empty space.

The best of mid-1980's technology. All 256 colors. 

Crazy Font with a Digital glitch kind of feel to it. 

PLEASE TELL ME IN THE COMMENTS IF YOU ARE GOING TO USE IT COMMERCIALLY.

A logotype for retro-tech hardware inspired by Roc Mitchell's Corporate phototype series (aka Limited/Limited View and Logos/LogoStyle) from the 1970's. Free for personal use only. Alternate characters list: @ - P * - J # - L < - A > - t ^ - e { - F } - R ~ - K © - g ® - D § - S ¤ - E ‹ - A › - A ¹ - A ¼ - 4 ½ - m ¾ - w ² - V ³ - V ª - a « - p » - q † - f