Inspired by Studio Innate's Mayhem and architecture.

A font inspired by the Scratch game "Loops" and it's logo. Designed to be a 1:1 recreation of the original logo and with artistic liberties for every other letter.

Credit to @7eps80 on Scratch for the game and the logo.

Even smaller caps in E000 - E019.

Long long ago, I created this bitmap font for use on my Handspring Visor so I could cram a huge amount of text on the screen without disrupting vertical metrics. It's still pretty good at that! This could also adapt well to pixel-art games. As always, I'll happily add more characters on request!

A blockier and more angular version of my previous font, Malfunct.

Xtra Black font. Inspired by some works of the great Loyalkaspar Studio.

actually blackletter (somehow)

inspired by the work of @elmoyenique and @sed4tives

btw "kaldus" is slanted in estonian

i combined three aspects of "heavy" and it resulted in a somewhat familiar edgy font

This is an attempt at digitizing Stan Davis' Stan Conform, using that face's small cap alternates for the lowercase. Alternates for the lowercase forms of a, f, e, m, and r are included.

someone please clone this

i wanted to create an experimental typeface with a lot of nicks but i trashed the idea

I am very surprised at how readable this is in Microsoft Word. I did not intend this font to be readable. The whole idea was to use all angles and no curves so that I could hopefully have thousands of glyphs without the font getting too huge. Readability is a nice bonus.

A techy, sci-fi font with sharp angles and a unique design, perfect for all sorts of projects.

Inspired by digital audio meters.

The reason for this font's name is because it was originally intended for the number of the spell card history in a Touhou fangame.

A plain, geometric, and an angular sans-serif typeface. It added Greek support and geometric shapes. The lowercase "c" had to connect with other letters and looked like an uppercase "E", the "e" had a curved bar with no straight segment, the "i" had a tail, the "j" had no tail, the "q" had a primer tail, the "s" had to connect with other letters and looked like an uppercase "E", the "t" had a curved top. It also includes Hebrew. These two of the Cyrillic yers had a curvy point. The Capital Cyrillic two of yers changed before sladding the font.

In 2021, this family has been added all italics and it also includes Private Use Area.

What's New in 4213 Contacts:

Added Greek support

Fixed 'c'

Fixed script 'e'

Removed 'i' with tail on bottom

Added Hebrew support

Fixed 's'

Fixed Cyrillic Pe

Fixed script Phi

Fixed Cyrillic Ef

Fixed rounded Cyrillic Tse

UPDATE 1.5 – Made new Greek Latin and Cyrillic Letters

UPDATE 1.55 – Added kerning

UPDATE 1.575 – Updated kerning and higher Cyrillic characters/glyphs

UPDATE 1.6 – Updated kerning

UPDATE 1.9 — Fixed sladding

UPDATE 2.1 - Fixed letters

double-storey g = best

This font is another of the products that a challenge as lively as TwentiesComp generates in FontStruct. You spend two weeks (or more) devising and building original and competitive fonts in a crazy race, but your brain does not stop when the Comp is over and continues through the nooks and crannies that you had demanded of it before, searching and producing new suggestions. This was one of those post-hoc ideas that came up when the fonts to present were already finished. Hope I don't detract too much with it the great level that this Comp has had. Thanks for your compreension.