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An experimental design using 1/8 weight lines alongside 1/16 ones. The 1/8 lines are the smallest that can be accurately nudged. Centering them is still a problem at times, and I need a few impossible composites to perfect the glyphs ABEFHKQRXYijkx34789, but overall I'm quite fond of how this doodle turned out.
I think I could use some intensive compositing to get rid of the central dividing line in glyphs like A and H. I'll give it a try when I can.
A continuation of ideas in Candylander Plain. Half-arcs couple with short ascenders and descenders to make this.
Version 1.2
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A slightly futuristic and stencilesque design using halfwidth bricks.
The idea here was to make every glyph simple and minimal, not only in terms of overall geometry but individual line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.
A font made to the height of the visible field when the FontStructor is zoomed all the way out on my screen. I've always wanted to make something that vaguely pushed one of FS' limits - in this case, the height of the field which I can observe without scrolling.
Well, I could've made this even taller, but I wanted it to be somewhat useable at least. :D
This was originally a pixel design, but then I changed my mind and converted it to high-res. That gave it a more architectural look.
I wondered what a plain version of Candylander would look like, so I made this. :D
I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon. (EDIT: Done, see Migrator)
This is a clone of CandylanderA work in progress, much like its parent font "Sonder Slab". More glyphs and improvements will come.
This is a clone of Sonder SlabMade experimentally as an alternative to "Nimbus Mono L". The serifs just sort of do what they want, sometimes fitting in naturally, sometimes not.
It's not meant to be monospaced, but is meant to have the same sort of neat constant-width look. All uppercase letters and numerals are 5 width, while most of the lowercase letters are 4 width.
See also:Slabberton
Framed, perfect symmetry, seamless tiling, no composites, no filters, no MSG.
This was made in the style of a reticle or selection field, but it is capable of much more. It can create the appearance of a cargo net, electric grid, or caution-taped area. It's high impact and captures attention quickly, much like an electric caution cargo net.
Use with 0 line spacing for the best effect!
Just an octagonal sans-serif design that I kept working on here and there.
"Are ya EVIL?" - Racer X, "Evil Joe"
High-res version of Marengi.
This is made to be ultramodern and ultraregular, just as high-tech futuristic corporations are wont to make their fonts.
MIV: 7.94
Recommended: Use with kerning and antialiasing turned ON!