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Remember that time in the future now where we would blame immigrants for taking our jobs, and nobody talked about how robots can now execute many repetitive industrial manufacturing tasks, do gymnastics, disarm bombs, while working 24/7 without breaks, health insurance or labor unions, and how cars/drones could drive themselves with artificial intelligence that improves daily? That was the good ol' day. Now robots can perform surgical procedures. That video of a robot carefully removing the skin off of a grape was awesome. 4 out of 5 medical robots prefer the G1 Prone font for their personal visual linguistic representation due to its surgical precision and linear execution. The future of TeleRobotic medicine, or any laborious human endeavor, will be in the hands of our cold, unfeeling robot overlords. =)
This is a cloneSee more:
https://fontstruct.com/fontstructions/show/1111886/fs_squangular_square
https://www.fontstruct.com/fontstructions/show/1441909/tm-build
https://www.fontstruct.com/fontstructions/show/217981/medical_station_alpha
https://www.fontstruct.com/fontstructions/show/1262563/lattis-1
I'm back...
11x19 font
Xilla Pro Regular, part of the Xilla family.
Other weights are on my profile.
Pixel slab serif typeface in 3 weights with italicised variants. Inspired loosely by Zilla, the Google open source font. This is type is twice the scale of Xilla.
Further work and links here: willalbinclark.com.
I wanted to create a font with big circles and arcs that ascended and descended, and what became of that experiment was this Art Deco font.
The at sign and registered trademark symbol were inspired by Roadway's unique at sign.
An experimental design using 1/8 weight lines alongside 1/16 ones. The 1/8 lines are the smallest that can be accurately nudged. Centering them is still a problem at times, and I need a few impossible composites to perfect the glyphs ABEFHKQRXYijkx34789, but overall I'm quite fond of how this doodle turned out.
I think I could use some intensive compositing to get rid of the central dividing line in glyphs like A and H. I'll give it a try when I can.
Dublin is a slanted slab serif with a corky personality. The mechanical lowercase set was supposed to go with highly ornamental Script caps, but I'm still frustrated trying to make those to work on this...
Meanwhile, comments on the different alternatives of this as it is would be highly appreciated.
It's been a while since I've been very active here FS. I had this very incomplete font sitting around in my library and I really adored the slick, yet modern feel of these characters.
These characters are relatively small, and I felt that I needed to truly push the boundaries with a limited set of blocks.
A continuation of ideas in Candylander Plain. Half-arcs couple with short ascenders and descenders to make this.
Version 1.2
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A slightly futuristic and stencilesque design using halfwidth bricks.
The idea here was to make every glyph simple and minimal, not only in terms of overall geometry but individual line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.