Based on Damien Guard's Amstrad PCW font but redrawn with narrow, rectangular pixels to look more like the PCW's display. (No doubt there's some clever thing you can do to redraw them automatically, but that's too advanced for me, and I did them all by hand!)
BTW I'm still not happy with the accented letters. IIRC the PCW reduced the size of the letters on screen to fit the accents in their 8x8 grid. I might try doing a version like that at some point.
This is a clone of Amstrad PCWNarrowed version of Bytogryph code. More suitable for coding.
This is a clone of Bytogryph CodeAn unofficial demake of City Regular at 14 point.
Get the original: https://www.myfonts.com/collections/square-slabserif-711-font-bitstream
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.
MODERN TYPEWRITER - Typewriter style Slab-Serif
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The idea was do a simple, clean and solid looking design that mimics the looks of a classic typewriter style typeface used for form fill writing style.
The rectangular shaped concept was carefully chosen to provide this nice mechanical looking forms, and to further enhance the technical style concept of this design.
XATURATE - Heavy weight Egyptian slab
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Here is another throwback of my original older works, now refurbished and expanded into a complete font that includes multilingual support.
As part of the recent endeavours into my older FontStruct works, digging for the forgotten and lost potential gems, I stumbled upon this Egyptian style Slab-Serif, called 'XATURATE'.
This classic looking heavy weight Slab-Serif design was left rather inconsistent and pretty incomplete. I don't remember why I abandoned
this back then, since this letterforms had great potential. They just needed a healthy fresh perspective and a little bit of extra love to make them shine after all.
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• polished shape and form
• Rebalenced full character set
• Added multilingual support
• Included many symbols & punctuations
• Overhauled entire metrics
• Partial kerning (WIP)
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I couldn't be more happy with the final result,
Let me know what you think...
Cheers
The Bit-Config font series is inspired by the Lucida font family.
This specific font is inspired by Lucida Bright.
Context:
An average 5x7 pixel slab-serif font. Originally meant to be a replacement/alternative for other Pixel Optimzed slab-serif fonts, Times New Roman in particular.
This is a clone of Bit-Config SansVEROORDEELD - A geometric slab serif
This is a small type family with two style variations, see links bellow!
• Display Bold contrasted display version ◄- U are here!
• Text Light weight monostroke version
Accidental Fontstruct remake of Senator by Emigre. Initially reconstructing the lettering seen on this book cover, later found out about it being an existing comericial font. I decided to completed it anyway. But for this reason it will not be available for downloading. Sorry...
STF_SKYR SLAB - A modern slab serif design.
First of all, Hi everyone,
I hope you all doing great...
Seems that for now I have found my way back here, after being away from Fontstruct for nearly 2 years.
I got to admit that I experienced some ring rust at first. lol
Anyway, here is my latest fontstruction, the first one in 2 years.
So far the main design concept and the basic minimum glyph set is about completed, and I am pretty pleased with the result up untill this point.
More technical details on the design and concept as well as demo gfx can be found down in the comment section.
I hope you like it too so far
Cheers
Me trying to make a Serif font.
NOTE: Click "TrueType Font" when downloading!
I don't fucking know anymore!
This is a clone of EK Sonikku NRThis typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.
This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.
The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.
Theo D'Cruz 2020
Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic & creative rights. Version 1.0
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"Knot" font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights.
This is a clone of Knot Cartoon FS