Inspired by a commercial font advertised within the 'gallery' listing: FORE
A bit of artistic flying ;) This design would have benefitted from the original 8x8 composite possibility but 5x5 or 4x6 would have worked, too. Done as far as I need it for normal communication in modern English.
Made as part of the “Found type” project for UWE Bristol. Inspired by the word “Squishy” I explored ‘doughy’ avenues and decided to base a font around first donuts and then finally settled on jam. This font is inconsistent, no one letter is uniformed. It portrays a wet and fluid feel that could be seen in any cookbooks or type for children. I would imagine this font to be useful for a very small audience as it is very specific. It could be used beyond the jam idea and be useful in terms of science fiction as it looks ambiguous out of context of the materials. This is not the finished product and it will be worked on over the next few months.
I finally made it: the font based on the few letters that my favourite Biscuit carries.
I wanted such a font to add to my font collection of unusual or art-craft-themed fonts (started when we had our first internet-capable computer in 1999). As I couldn't find this font I looked at Art Nouveau and AArt Deco style fonts, also at furniture and wall papers of that period --- that kind of guided me when working on the 'missing' letters of this font which must have been designed before it could be chosen for the biscuits, and which I neither have found nor do I know its real name.
The UC are on biscuits. The LC are only the letters, on the level they have on the biscuits to enable a kind of 'Majuscle' arrangement for texts.
Diacritics of more Latin are done, also useful symbols and punctuation. A crumb-free "+" is on the "%", a biscuit with surface dips is on the "(" and one with a flat surface is on the ")". The square brackets, when used without a space or letters, will make into a narrower biscuit, and are also used like round brackets.
I love the traditional French biscuits made on the French west coast where Loire meets Atlantic.
The biscuits are thin, crunchy, light, not too large, not very sweet, melt on the tongue, and biscuits very like the original can be made/baked quite easily.
The traditional version has a limited range of letters, enough to write the name of town, manufacturer and product. I've been unsuccessful in finding an image of the font which contributed just a few letters to decorate these biscuits.
I spent some time looking at other type of the Victorian/Art Nouveau era until I had collected enough information to help me design the missing letters. I added the French diacritics, naturally. I think my additions look successful and the whole font looks quite Art Neauveau and in the style used originally.
The square brackets [ and ] make a biscuit shape when used 'blank'.
Bon appetit, enjoy your "Biscuit de l'Ouest".This is a clone of Petit Biscuit
This typeface form is adapted from a typical Indonesian street food meatballs, a round shape on typeface describes the shape of meatballs, which are round and always served in a bowl of beef broth. The distinctive taste of the meatballs is so enjoyable that it has always been a favorite food of Indonesian society.
This typeface is inspired by a traditional chicken noodle street food store in Indonesia. I want to make this typeface as simple as possible but also appealing in people's eyes. The chicken noodle contain noodle, minced chicken, chicken dumpling and of course some fried crispy pangsit. In each every stroke of the typeface there something sharp at the middle and that's represent the fried pangsit and also the typeface that i made is rather slim and semi elastic that represent the thin and almost chewy noodle.
Indonesian traditional meatball food's font style that inspired from shape of meatball itself.
this font is inspired by pangsit mie dwi which is a traditional noodle shop in Siwalankerto-Surabaya. pangsit mie is usually served with chicken and pangsit in a bowl and we usually use chopsticks to eat it. it tastes so freaking good!
This Typeface was adapted by the shape of duck. In the end of the stroke there is an arch that symbolizes as ducks' tail. In letter B you can see the shape a duck clearly, the upper bowl describe the duck's head and the lower bowl describe the duck's body.
This font inspired from a Duck :D! I made this decorative duck typeface look cute by using a curvy shape. I also add some signatures of a duck wich is beak and wings. This work is not yet done, but i will finish it as fast as i can, so please kindly leave commend if i did something wrong, i hope you can give a good suggestion to support my work. :D
Typeface inspired by the shape of catfish, this catfish also used for the ingredients of pecel lele (Indonesian Food).
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~This is a clone of Like a Tofu
Tugas mata kuliah Tipografi 2.
Keber adalah sebuah gabungan tulisan yang dibuat oleh pedagang kaki lima untuk menyatakan apa yang di jualnya.
font ini dibuat untuk keber pedagang kaki lima yang menjual nasi bebek & ayam goreng di kawasan Universitas Kristen Petra.
Black Duck is a typeface that is inspired from modern-blackletter typeface and duck characteristics combined. Duck meat's crispiness and strong taste, and the duck figure itself are the main characters inserted in the making of this typeface. The slanted figure shows its timeless and versatile characteristics.