fs GALAXUS
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You know when you get sudden motivation in the middle of the night? This font came from that motivation, which almost never comes during the day.
Some of the letters need editing, and some need to be scrapped and re drawn.
- WIP
A font I initially created for an album cover but later expanded into a full typeface. Thanks to J.R.'s sci-fi font for the inspiration.
This font is not an aubergine (100%)
Please do not place suspicion that this is an aubergine, because it is not...
I ensure you, it is not an imposter font and definitely not an aubergine.
To the mods of this place (I don't know if you exist) - I am 100% certain this is not an aubergine. I am a noble and thrustful man, so you can trust me that this is NOT an aubergine.
Disclaimer:
Please refrain from commenting that this is an aubergine because;
THIS FONT IS NOT AN AUBERGINE.
Thank you in advance for not doing it!
This font was made for a university project where we designed a typeface based on a chosen theme (Mine being rebirth)
I hope you enjoy my deconstructed abstract font which explores an alternative take on typography
Don't know if anyone's done this before, but I wanted to recreate the Fontstruct logo as an actual working typeface! Hope all of you enjoy it, I might add all of the foreign characters soon too.
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This type face was created inspired by the theme ‘rebirth’. It took a lot of hand rendered type and photographical experimentation to create a font that I believe captures people coming together through rebirth whether that’s in a spiritual means or something else. I began by photographing people linking together to create shapes in the form of letter with their bodies. After drawing from the photographs, I decided to take a more abstract approach and applied this to my sans serif font.
My fontstruction inspired by building structures, each letters ascenders and descenders inspired me to shape each letter in their individual way. I tried to include different aspects of what you see in buildings throughout the alphabet like stairs, windows, doors, roofs etc.
My chosen theme name was systematic and I followed that theme through to my style of type face by how buildings and structures are systematic, they work together as a big system and fit into a city.
Agent Dagger is a font inspired by the 1983 Atari arcade game
"Cloak and Dagger" / "Agent X" featuring a full range of retro hacker styled characters with various glyphs and symbols
created by: Abstract Lion (Christian "Kiko" Lopez)
2019 (C)
The current month seems to hold a meaning of threads: of fog, dew covered spiders' webs, barely-there things, feint perceptions defying scientific understanding and fine links with ancestors, to keep us in the present and enable open minds and caring souls to better the future. This abstract interpretation of Halloween has been designed to echo the traditionally mysterious mood to show the past (known glyphs, earlier FS bricks) linked in the present (on paper, in the FS previews, and using some of Meek's newest bricks I experiment with in this design) to create future (text will carry meaning to the reader, diversity of thought not experienced until after every glyph is finished, and beauty of text flow is visible only after it has been written). Totally within my personal plan for Night Pegasus' work: adventurous, alternative, divergent, different, exploring, experimental, unusual -- after all, the flying horse is free to visit any time any item or existence in this universe and any place in Fontstruct, to discover and weigh possibilities, to create its future from the past in it's present body and mind, and it does this cloaked in black as deepest night, undiscovered unless someone has their feelers tuned into mystery and taps into experiences of presence.
:.:.:.: Information to help you when using this font :.:.:.:
If a LC glyph follows a UC glyph: you need to use the space bar 6X to get the correct letter space (it will then match the natural spacing between LC); using only LC glyphs (or only UC glyphs) will give satisfactory text results as letter space is set by the programming. But you'll need to manually add the word space you want: between UC (or LC) words a minimum of 3 space taps for a just visible gap, use the space bar 6x for good spacing. Experiment!
Note: the full stop and comma have a line on the baseline to link with UC. There might be no need for a 'space' after those two marks even on LC? The apostrophy has a short line to link it to previous/following UC glyphs (note those link lines retain the meaning of the glyph when used with LC glyphs or an LC following an UC glyph).
SPACE BAR = a 1px space; tap 3x to get a small word space that's obvious
% key = a set of reasonably wide lines to match upper case verticals
_underscore = a space consisting of a long single line on base line only
I'm trying to figure out some diacritics before the 31st so this remains WIP
A display typeface (probably best viewed small, I'm aware!) based upon some physical type I made from dark food colouring etched into sugar syrup. This was to represent the brief theme I picked of 'unstable', hence why all the characters are completely induvidual in size and shape. I have also published a second version which displays what happens when the food colouring bled into the sugar syrup.
'PASTE'
A font which can be used to add a handrawn effect. The font evolved from me intially using toothpaste to create an alphabet and finding it effective , My aim was to try and recreate similair characteristics within my font. The tootpaste flicked off at the ends and collected in certain areas which created a really intersting typographical style. The lines are wobbly and unique on each letter as I wanted the font to have movement, energy and a bounce.