Black and rounded display font. Made with 2:2 filters, x height = 2 bricks (yes, truly), UC height = 2,5 bricks, and descenders = 0,5 brick. Plus: "ff" and "tt" ligatures placed at the "fi" and "fl" glyphs, and a lot of kern done but more in progress. Enjoy, please.

A basic modern-looking font. Comes with ligatures (first time making those so sorry if they look bad), basic accent support (bare cedilla and acute are there), and some "more latin" characters.

Based on the logo of the movie Prototype (1992).

I personally love that @ symbol

Inspired by Chissil.

My fave letters in this font are K, S, X, k, x, and y.

See more:

https://fontstruct.com/fontstructions/show/1800284/rubber-block-2

https://fontstruct.com/fontstructions/show/2250036/test11-12

See more:

https://velvetyne.fr/fonts/tiny/

https://fontstruct.com/fontstructions/show/2133172/penoplast-1

https://fontstruct.com/fontstructions/show/1680452/lcd-dot-c

https://fontstruct.com/fontstructions/show/1967683/brut-rings-1

https://fontstruct.com/fontstructions/show/1701780/minimallow-1

Brother of a cousin of the 7x5, inspired by the pixel preview while making Iso.
Not done

Fyrir þá sem tala íslensku, er form bókstafsins «ð» í lagi?

WIP

See more:

https://fontstruct.com/fontstructions/show/1500535/contortion-c

https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3

https://fontstruct.com/fontstructions/show/2256589/sidetracked-6

"Kick Font" is the Unofficial Version of the Kick Streaming Logo Typography. This is my take on what every letter should look like beyond the initial three letters provided in the Logo.

MOVIEMAX  — Groovy bold & roundish 70s display sans
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Moviemax is a bold display sans-serif that has a groovy 70s offbeat look. Essentially an all-caps lettering concept with simple looking letters. The basic geometry and inversed contrast with its soft rounded finish create an immediate endearing effect.
The default characterset comes as all-caps (unicase) only, with no glyph alternative forms. It has been completed with additional symbols and punctuation marks.

To make thing a little more interresting I have also included a full (A-Z) alphabet set of small-caps letter modifications with drastically altered proportions. Complete removal of the inversed stressed contrast to make a more simplified and cleaner looking minimalist letter style. Their size was also reduced to 50% of the cap-height (scale ratio ≈ 1:2), providing an optional alternative for the missing lowercase forms in the font.

To finished off this extra set of small capital letters, another additional full (A-Z) alphabet set of large capital letters was included. These letters have also been scaled down a bit to better fit with the small capital letter set (scale ratio ≈ 6:8 or 75% of cap-height).
The 2 sets include a slight more unique and stylized level of sophisticated characteristics to the font, and when used combined together in a mixed-case text format creates nice text capitalization.

These alternative forms are located in the Halfwidth and Fullwidth Forms unicode block.

A set of basic punctuation marks that align with the small capital letters had also been included and could be found in the Halfwidth and Fullwidth Forms & Private Use Area 2 unicode blocks.

I hope y'all like it

Cheers

WIP suggestions welcome

NOTE: This project was previously privated and has already been done a long time ago.

I'm only making this project public and open-source it to clean out my dumpster of (complete, incomplete and discontinued) privated fonts.

(Side note: It's so nostalgic looking back at this project that I started more than a year ago. Gosh, reminds me of how bad I used to draw bold pixel fonts like this one. Please don't actually use this though, I swear it looks so bad when you try the font out.)

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A bold matrix font, inspired by Helvetica and MS Sans Serif. Also can be known as my Pixel-Optimzed version of Helvetica Bold.

Only caps/unicase font. Also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. More kerning work is in process, btw.

This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats. To further this idea of a 'time gone by', I created this font in the set to look like ink stamped letters.

This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I also designed these letters to look like bubbles on the surface of water, hence the name 'Analogue Fizz'. I focused on the old method of transport in Bristol: boats.

I am a graphic design student at UWE bristol. I have created a digital typeface inspired by bristol docks, i looked alot at the hooks on the cranes and used the shapes from that and other machinery for the structure of my letters. 

 This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats.

Made with the well-known Grafilone typeface (by Bo Berndal) in mind, but more elongated and avoiding its curious roughness. In addition to the basic set of glyphs, some special ones have been added and the Cyrillic alphabet has also been included. The ligatures "ff" and "tt" are located on the characters "ff", "fi" and "fl". Enjoy it, please.

my take on a minimal bauhaus font

uppercase i gives an alternate glyph

A futuristic/pseudo-kanji font, also somewhat reminiscent of LCD displays.

ハイフンで真ん中の線を伸ばせるよ。

イタリックにするとかっこいいかも。

視認性？そんなのないよ。