A mono code scripting typeface, was intentionally to be a sequel to my unsuccessful FontStruct launch - Scholten Sans. Most of the characters were modified and reworked comparing to the original font in order to fit the compressed, mono look of some certain characters.

Grid base: 14x9 bricks, I thought that any shorter width would look terrible for already extremely condensed characters such as “W,w,M,m” and others like “A” since it’s a bold font.

Alternative style suggestions for characters are welcome.

the fattest it can get

 A bold, sport and vintage style combination typeface, inspired by Tourney (by Tyler Flinck & ETC). This is a work-in-progress project so rapid changes for the typeface will be made such as adding new characters and patching glitched bricks.

The letters like “Q”, “R” (…and more) that has the tails out of the grid base and characters like “t”, “< >”, “{ }” (…and more) that isn’t a full brick width will have its character width fixed and/or adjusted as a feature, which includes kerning.

a fat variant of one of my previous pixel fonts

I’m making new pixel font.                IN PROGGRESS

My first Readable and Ultra heavy font.

Mostly inteded to be used for bigger sizes.

Lowercase charecters are a variation of the Uppercase charecters.

Enjoy!

Open to comments and suggestions!

A bold and blocky typeface with both a thick and thin edge. Works well in a large letter size. Meant or posters, flyers, and print.

Unicase font. You can find alternates to "A" & "E" at the lowercase "a" & "e" (and their accents, of course), an additional design for the "Q" at the "q" and a "c" typing the "¢" sign. This font is directly inspired on Nickel created by the cool typographer David Jonathan Ross from DJR Foundry. Why? I don't know if this will happen to any of you, but me, when I stop to look at a font that I like, I find myself evaluating how the author has solved the usual "design problems". There are times when I agree with the chosen solutions (the most), but there are others when I think I would do it differently. This is the case. I wanted to modify a bit the general appearance of some glyphs of the font, especially characters like C, E, F, G, M, Q, R, S, X, Z and more, or the numbers and some secondary others. The differences were extensives and are more or less subtle in each of the complete set... And here you are the final result, I hope you like it. I've learned a lot during this experience, and FontStruct has been shown to be a very valid tool to work at this level. Thanks for read my little explanation and enjoy with this work, please.

When the diacritics get so large that they crush the letters and merge with the others.

Reviving an old unfinished font.

Fontstruct sucks at curves so I decided to make a pixel sans.

A modular sans for bold headlines that stand out

--- This is a demo / experiment---

Tall Font with the Uppercase and Lowercase letters being variations of each other.

Usable font coming soon

Open to comment and Suggestions!

Font created from the logo of Rock Band AC/DC

Only Basic latin almost all charecters are available

--...work in progress...--

Open to comments and Suggestions!

A font where every letter is cut out from a square.

Photo by Abdelkarim Achtaou from Pexels

Inspired by the shapes of G1 Decoreus. Vertical serifs only (not sure if that makes sense, but seems to work)

Idk, it’s a font

I wanted to incorporate stars and this is how it turned out!

Or Urr Ir has the wrong kind of weight. It is a bad, bold, and sans-serif typeface from the differential to 4213 Contacts.