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The bold weight of Ari-W9500 Condensed.
This is a clone of Ari-W9500 BoldThe bold weight of Ari-W9500.
This is a clone of Ari-W9500The condensed style of Ari-W9500.
This is a clone of Ari-W9500Presenting... Ari-W9500 - a complete pixel font family with multiple weights & styles.
This is basically pixelated Arial. Nothing interesting, really. The font is heavily inspired by the pixelated font used in Microsoft's Windows 95. The project was originally meant to be an improved and revamped version of the popular W95FA pixel font.
With more than 1600 glyphs, the font can support a wide range of languages (primarily supports Latin, Greek and Cyrillic).
The alternative glyphs of all the font styles included in the family are stored in the "Braille Patterns" Unicode block.
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Extra context:
For those who are wondering, Ari-W9500 began under construction BEFORE Roguewas even planned. After done publishing Rogue, I just wanted to finish this project up and move on.
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The entirety of the Ari-W9500 font family (6 styles):
• Ari-W9500 Display (Extra-bold)
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Future plans:
Looking forward to adding Hebrew support soon.
Due to technical difficulties, I WILL NOT be making italic versions for the styles.
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If you see any glyphs in the font that's incorrectly designed, please tell me by commenting.
Feel free to clone the project and add additional language support (e.g.: CJK, Thai, Arabic, Devanagari) as you wish.
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Honorable mention FOR VIETNAMESE USERS: (PLEASE READ)
For the Vietnamese users who try to type Vietnamese using this font, I apologize for compromising the diacritical marks to the point of illegible (especially in the display/extra-bold weight). I get the fact that stacked Vietnamese diacritical marks are supposed to be recognizable and easy to read. I mean, I myself am a local Vietnamese and know how it works. But, I have to except the fact thatpixel fonts have limitations. Trying to keep the Em Height properly and NOT expanding it is hard, keeping the stacked diacritical marks' height in that small amount of horizontal space is even harder. To make the job even possible, legibility MUST be sacrificed. Otherwise, the Em Height would be ruined and the horizontal space of the font would look unreasonably large. I hope you locals do not get too mad over this. I am just trying to make it as good and legible as possible.
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Thanks for enjoying this moment with me.
Gr4ftY presents:
SCORN
“Does this font look trustworthy to you?”
This took a while to make but I’m very happy with how this turned out (even though this is far from finished!)
If you have any suggestions for improvements, please tell me in the comments and I will try them out if I can.
❤️fs
van nelle
ゔぁん ねるるえ
ван нэллэ
Rogue is a semi-upright slab-serif font. My first ever project to use ×2 Brick size filter.
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This originally started out as an attempt to recreate Anonoma Less Characters. But then, things took a turn and Rogue was born.
The reason I made the font "Semi-upright" was because bold upright serifs (at least to me) tend to look cool and stylish. Though, I still wanted to keep the sense of roman serif in the font. So the a, g and u are roman. The style of v, w, x, y, z in most italic serifs look too obscure and grotesque for my design, so those are all roman with y being the only exception. Basically, a mix between upright and roman.
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I have plans to expand the project into supporting Greek and Cyrillic as well as provide alternative glyphs for the font.
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Of course, the font has imperfections here and there. Comments for improvements or feedbacks are all welcome.
That's all I had to say.
This is a cloneBOOTSHAUS — Geometric "Bauhaus"-inspired modernist sans
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Bootshaus is another endeavour into the Bauhaus realm of typography.
Focus for this font lies mainly within it's broad choice of glyph alternate forms to select from for stylish texts or logos.
Much of the extra glyph alternative forms are loosely based on the lettering by Sascha Lobe for the Bauhaus-Archiv
Many more glyph alternative forms are planned to be included, stay tuned..
— WIP
Cheers!
a square typeface intened to be used for single words, small phrases or for brand names and logos. However i feel it does have a nice textural look when used for large bodies of text. My first published type of Fontstruct. Any feedback would be very much appreciated.
This is what an edited 35A-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 35-Digit 5x7 Matrix DisplayThis is what an edited 35-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 31-Digit 5x7 Matrix DisplayThis is what an edited 31-digit 5x7 matrix display looks like.
This is a clone of 24-Digit 5x7 Matrix DisplayThis is what an edited 24-digit 5x7 matrix display looks like.
This is a clone of 13-Digit 5x7 Matrix DisplayThis is what an edited 13-digit 5x7 matrix display looks like.
This is a clone of 9-Digit 5x7 Matrix DisplayThis is what an edited 9-digit 5x7 matrix display looks like.
This is a clone of 7-Digit 5x7 Matrix DisplayTYPOGRAAF — Geometric modernist display typeface
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Typograaf is simple looking modernist style aimed for display use. It doesn't work well in a long line if text nor at smaller sizes. But perfect for large display work, logo's and such. The letterforms have several little nuances and multiple custom crafted curved parts with smooth (near) real Bézier contour quality.
So far only general concept plus some extra's was created, no multilingual suport for now.
Let me know what you think
Cheers
GROOVERIDER — 70's future retro display sans
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Grooverider is another groovy looking display style with that distinctive 70's retro aesthetics.
The concept for the lettering is that of a solid future retro / space-age style with inversed-stress. It's reversed weight contrast adds some additional groovin' funkyness and good old boogie wonder flavour to the font's overall characteristics. Making it somewhat of a hybrid mixture between two distinct 70's and 80's retro styles.
Simple at the surface, but rather complex down at the Editor level, since the letterforms have several tailor-made geometry and curve shapes. Pulling off some glyphs without disrupting the (near) real Bézier curve geometry was tricky I must say. Like for example the joined letters such as lowercase Æ/Œ, question mark, @ sign, number 2 digit, percent sign and lowecase letter S all proved difficult. But also some unlikely ones that are typically pretty straight forward now were trickier within the font's parameters. But I'm pretty satisfied with the end result so far. Little to no compromising imperfections slipped into the design, one or two real minor ones are present, but only truly become noticeable once the size is fully blown up.
It was very fun to make though, I hope y'all like it...
Cheers
This is a cloneMOVIEMAX — Groovy bold & roundish 70s display sans
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Moviemax is a bold display sans-serif that has a groovy 70s offbeat look. Essentially an all-caps lettering concept with simple looking letters. The basic geometry and inversed contrast with its soft rounded finish create an immediate endearing effect.
The default characterset comes as all-caps (unicase) only, with no glyph alternative forms. It has been completed with additional symbols and punctuation marks.
To make thing a little more interresting I have also included a full (A-Z) alphabet set of small-caps letter modifications with drastically altered proportions. Complete removal of the inversed stressed contrast to make a more simplified and cleaner looking minimalist letter style. Their size was also reduced to 50% of the cap-height (scale ratio ≈ 1:2), providing an optional alternative for the missing lowercase forms in the font.
To finished off this extra set of small capital letters, another additional full (A-Z) alphabet set of large capital letters was included. These letters have also been scaled down a bit to better fit with the small capital letter set (scale ratio ≈ 6:8 or 75% of cap-height).
The 2 sets include a slight more unique and stylized level of sophisticated characteristics to the font, and when used combined together in a mixed-case text format creates nice text capitalization.
These alternative forms are located in the Halfwidth and Fullwidth Forms unicode block.
A set of basic punctuation marks that align with the small capital letters had also been included and could be found in the Halfwidth and Fullwidth Forms & Private Use Area 2 unicode blocks.
I hope y'all like it
Cheers
BEACH RESORT — 1920s Art-Deco style
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Beach Resort is a tall geometric display sans inspired by the Art-Deco aesthetics.
It's condensed style makes up for a rather tall and narrow looking letter concept. The design is further characterized by this distinct asymmetric curve geometry. A tiny touch of stress was added on the vertical axis to create this gentle stroke contrast. The stressed weight of the horizontals automatically compensating it's optical correction issue.
— Only minimal kerning for now, more will be added soon
Hope y'all like it,
Cheers
a cyberpunk font with sharp corners. inspired from a variety of sources but mostly the vectorheart aesthetic (which the "vect" part of the name refers to) from the 2000s. the "ix" part refers to the 9-block height of the capital letters and numbers. you may use this font for anything as long as you credit me. vectix is the future, now is the time to embrace it.
SPOKOYNOY NOCHI — 1920's Art-Deco style
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This is a simple monolinear Art-Deco unicase font. Upper & Lower case glyphs are the same sets. But in addition to the unicase (default style) there is a full alphabet of glyph alternate forms located in the Half Width And Full Width Forms Unicode block.
I done global kerning, but extra pairs are still required..
I hope you like it,
Cheers