Years ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!

Optical experiments continue. "ff" and "tt" ligatures are in the "fi" and "fl" glyphs. Hope you like it.

Use ` to add a connector to any glyph that doesn't have one.

This typeface was created on the main theme of 'Protection' that i later explored in the idea of fences and how they can protect us from the outside world. I wanted my letters to connect with one another creating the illusion of a fence and potraying unity.

I love these kinds of fonts that have geometric puzzle-solving quality in the design. I was quite happy with how the lowercase found a way to be connected. Then I thought let me not mess with anything else. But a Z is so much like a 2, so I created the 2 out of the Z. Then when 2 was done, I was aprehensive of tackling the 1 because the vertical stem would be off by one brick, and how would that be resolved. Reluctantly I tried it...and it worked. 3 can be created from the B, but the B hasn't been created yet. OK, I guess I have to do the uppercase. A was easy. B was surpringly easy. Which gave me motivation to go on. And surprisingly soon, the whole thing came together. The hardest letters to shape were X and S. Not all letters are very successful, but they are distinctive enough to be recognized as themselves. Not sure about the =, but it will do, I suppose. In any case, no kerning required.

MIKITA - A "Chrome Script" style font based on the "Makita" logo type.

It is a simple 'semi' connected script, with only the basic character set.  I don't feel like this requires having tons of typographic features. It is just aimed at writing simple things in this script style.

I hope you like it nonetheless

Cheers

See more:

https://fontstruct.com/fontstructions/show/829881/fs_neon

https://fontstruct.com/fontstructions/show/1501556/dx-minima-rounded

https://fontstruct.com/fontstructions/show/1695748/all-together-now

https://fontstruct.com/fontstructions/show/445209/arancito_1

https://fontstruct.com/fontstructions/show/796901/fs_slate

ELEVATED (PRINT) - A 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

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This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)

This rework has one major difference compared to all previous versions, once more it was constructed with a different size to grid ratio, one that corrects the size distribution, enabling the recreation of the original sketch with high accuracy.

The stroke weight in this "PRINT" version more accuratly mimics the original sketch and therefor is not optimized for digital display use.

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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.

Enjoy!

& = Alt 7 For 17

~ = Alt 1 For 17

| = Alt i For "Li"

{ = Alt C For "C_"

} = Alt i For "Ci"

` = Alt C For "rc"

[ = Alt e For "le"

] = Alt e For "te"

you get the point.

Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.

I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.

The secret PAL Robot font in the Mitchells and the machines (AKA Connected) De-Coded By CinemaWins, Fontstructed by me. Now with lowercase and custom-made symbols and numbers.

With this font I am late to the competition, but I still love Art Deco a lot.

Laevi is an Ancient Themed Font

Uppercase Letters: normal letters
Lowercase Letters: has some modifications (ß is an exception)
C, E, F, H, K, N, S, and X: has connections upwards
L, N, R, and Z: has connections downwards
G and Q: has a swoosh
O: has a different design

Numbers : normal numbers
< : different design of 0
> : connection upwards 2
$ : connection upwards 4
^ : connection upwards 6
` : connection downwards 9

No capital letters, but with cyrillic and katakana

ELEVATED (REWORK) - A 3D outline display typeface design with shadow effect.

It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".

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This re-work differs from Jurriaan's original sketch and my previous versions.

I changed the size to grid ratio, drastically reducing overall glyph size and increase stroke weight. The changes are optimizing the design, making it more suitable for digital display use. (more accurate 'print' version forthcoming).

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Due to the inexperience I had in my early days of FontStructing, and the lack of proper knowledge about raster scaling, I faced some serious issues regarding the correct size distribution. This made it impossible to include the diagonal lines correctly into that old version of the font, with the diagonals also having equal seporation and white space throughout the entire design.

So instead of making a clone of my previously published version "STF_ELEVATED" in order to include the shadow style variation into that existing family as a seporate FontStruction (like I did with most other style variations in my "LETTERS OP MAAT" series), for this one I decided to rebuild the entire typeface from scratch.

Putting all the style variations together into this single re-worked design.
Some extra characters were added to the set, making it a slightly more functional basic font.

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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.

Enjoy!

I wanted to try my hand at something I've never done before, a connected font. Inspired by, "Stabby - Unreachable".

Enjoy*

Version 0.2

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Well, how about it?

my inspiration for this was the font on a packaging of bricelets ...

if there's interest, i will add more letters ...

ZAP ZAP ZAP

A texture font with its own convoluted logic. The design rules and techniques are similar to those of Esperhand, but with different priorities assigned to them.

a connected version of "folletto fino"...