So this is basically how you can design each letter of the alphabet using 2x4 wooden planks. I can also show you the difficulty level for some of these letters. For example: the letters L, T, and I are the easiest to make, letters like R (which is what I'm gonna make) is in the medium level, and the letter G is the hardest to make. Examples of letters that have similar difficulty levels include Q and O (where Q is just an O with an extra thing at the bottom), E and F (where E is just an F with an extra 45° angle at the bottom), and W and M (exactly the same difficulty, with W just being an M upside-down). But, even though G and C have similar shapes, the letter G having an extra line makes it indeed much harder to make than the letter C, making it actually the hardest to make out of all the letters.
Bloac Typeface is an experimental typography study project. The objective of the work was to develop typography that expressed its own identity and was consistent with the formal archetypes of the Latin alphabet. The design guideline chosen was to create the set in uppercase, in the regular style. The display custom font, inspired by building forms, carries the anatomical construction based on geometry, also brings the repetition of the rectangular stem as an identity element. I hope you enjoy that!
Kintsugi is the Japanese art of putting broken pottery back together by sealing the cracks with gold - built on the idea that embracing flaws and imperfections, you can create an even stronger, more beautiful piece of art, this is idea is also a metaphor for self growth 'rebirth'. The typeface is designed to replicate the cracks in kintsugi ceramics. I wanted to create a bold font to suggest strength and how imperfections and flaws can make people stronger and even the strongest of people go through hardship.
I created this typeface based on the theme ‘Hope’. While being or becoming blind is extremely hard, there is always light after the dark, even for the people who cannot see. I tried to include every character from the Braille alphabet (white dots) to the original English alphabet (black dots), so it would be learnt and understood easily.
Subtract is a minimalist typeface, reducing detail to the simplest legible form of each character, using a fluid mix of curved and linear forms for an aesthetic that is refined, uncluttered, precise and stylish.
Elegance in typeface design is usually associated with decorative, scriptive or serif fonts. Subtract takes away from the basic letterform rather than adding.This is a clone
This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.This is a clone
This font was the final production for a project designing my own font based upon the theme 'squishy'. The design concept was to use different shapes and angles to create the feel that each letter has been compressed or squished in some aspect.
Graphic is a simple font that is best used for big text.
This type was made in our class of typhografy, we are from Portugal and we want to show you our work. This font have very elegant forms and contrast between stems, so that's why our font called "alterna" that means alternate in english. It's apropriate for tittles but you can use it for other things only as long as it's bigger than 20pt.
I designed this font based on the word 'Thunderous'. My thinking in how the word relates is due to the Norse God Thor. I then started to look in to old Norse culture, this got me interested in runes. So with deeper research in to the Futharks spawned this type.
Error is typeface desinged to feel like static glitching - inspired by the theme 'unstable'.
MOS 2018 /moʊz twɛntɪ eɪtin/ is a minimalistic, designy font aiming to simplify English lowercase letterforms as much as possible while keeping them recognizable to some degree, using a 3x3 grid.