2091135356
Published: 8th April, 2008
Last edited: 23rd June, 2009
Created: 8th April, 2008
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
A big fat angular industrial strength chromatic font. The lowercase contains the fill for the uppercase.
UPDATED 25 February 2009: Made the space character 2 grid units wider.
UPDATED 27 February 2009: The 'J' has been off this entire time and nobody noticed. Now it's fixed. Also fixed width of 'Q' to match new members of the Big Fat family.
43643538
Published: 4th October, 2008
Last edited: 22nd June, 2009
Created: 20th September, 2008
This font is a template. Clone it, make it beautiful, and share it. Don't just tweak it, make it your own. I'm sure you can think of something. There are a few circles floating around on spare characters in case you need them. Be warned, it has more squares per glyph than I've ever seen in a fontstruction, so there could be downloading troubles. Enjoy!This is a clone
384235388
Published: 12th May, 2015
Last edited: 9th May, 2015
Created: 2nd October, 2014
Gorgeous, isn't it? This is a reproduction of a cross-stitch pattern from the French series of embroidery books "Maison Sajou". It dates to around the turn of the 20th century. After seeing such a beautiful, ornate pattern, I just had to convert this one to a font, a process that took several months.
The design is made of intricate flower buds, stems, leaves, and check patterns. The design of the letters is similar throughout the pattern, however no two letters have exactly the same layout (for example, flower buds are facing a slightly different angle). Each letter is intertwined with a branch that winds its way up the letter, and features representations of leaflets and berries.
The 'I' and 'W' were not present in the original design. 'J' doubles as 'I' and 'W' is a rotated 'M'. While I would love to make up numerals based on the current letters, it would be a daunting task as each letter is about a 100x100 size grid. Anyone is welcome to clone this font and give it a shot.
This pattern was found on http://patternmakercharts.blogspot.com/2010/11/sajou-no-601.html . There are lots of Sajou and other embroidery patterns there.
32725523
Published: 27th February, 2009
Last edited: 16th June, 2009
Created: 25th February, 2009
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
Inspired by the award winning Optica by Manuel Guerrero, this is Big Fat Shaded's big sister. Same letter shapes but with a more vibratory, well, vibe. Great for drop caps. The two-tone effect still works - just set one layer in uppercase, one in lowercase.
A blank vibrating square can be found at "-" and space, and the uppercase is at "_".This is a clone of Big Fat Shaded
1440574
Published: 24th May, 2008
Last edited: 22nd June, 2009
Created: 24th May, 2008
Hybrid case including basic punctation. Lowercase gliphs are with outline.
133163954
Published: 8th August, 2010
Last edited: 9th August, 2010
Created: 4th August, 2010
So, this is basically a very dirty font. Took me a lot of effort to make it. I will add more letters and things like that to this font later, but for now enjoy this fine piece of work.
654776
Published: 6th August, 2015
Last edited: 13th August, 2015
Created: 5th August, 2015
An update of Big Fat Shaded, using bricks that weren't available during its initial release. Diagonal shadows are now a little thicker. I've also re-drawn a few letters I didn't quite like, and added numerals, a period, and a comma. As always, lowercase is the fill layer for the uppercase.This is a clone of Big Fat Shaded
61836615
Published: 28th August, 2015
Last edited: 3rd March, 2016
Created: 25th July, 2015
A work in progress. Quite simply a pixel modern roman typeface. The yogh (ȝ) I have designed as a mix between x and g. I thought of it as a latin letter gamma (ɣ) to distinguish it from the greek letter gamma (γ), but maybe it would do better as an insular g (ᵹ). What do you think?
I have gone with a classic seriffed look for the greek letters. I have looked a lot at Times New Roman to see the stress of the different characters. Do my solutions work?
Oh, and about the name: "Sprogreolen" is Danish for 'The Language Shelves', the pun being that "Bogreolen" would be 'The Bookcase' or 'The Book Shelves'.
455986
Published: 23rd April, 2024
Last edited: 7th November, 2012
Created: 13th October, 2012
Actually this font does not have capital letters. Uppercase only the negative form of the lowercase.
This font is perfect as an accent.
441534
Published: 27th February, 2009
Last edited: 28th February, 2009
Created: 27th February, 2009
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
Finally - a solid version of Big Fat Shaded. The uppercase contains the shadows; the lowercase, the solids. note, the shadow of 'Z' is slightly different than in Big Fat Shaded.This is a clone of Big Fat Shaded
44261528
Published: 20th August, 2013
Last edited: 18th December, 2015
Created: 17th August, 2013
Chiara is a decorative font evolved from Chiara regular, with lots of embellishments in ascenders and descenders, Higher caps, chopped-of letters and so on. Thanks to the wonderful/incredible/amazing set of bricks you can find here
(http://fontstruct.com/fontstructions/show/all_composites_saved_in_my_bricks) I could develop a hord of curvy stuff that was incredibly useful.
(djnippa, I love you. Really. XD)
This is still a work in progress, I'm redefinig some characters, and I want to add a new set of alternates to make this more versatile. Feel free to comment whatever you like/dislike.
340840
Published: 30th August, 2008
Last edited: 22nd September, 2008
Created: 29th August, 2008
I call it a redefined bold version of missie. You can call it anything! This one is surely going to be included in many of my designs. I am amazed at myself to have made such a type. Of course it may not have a perfection to it but I guess thats the beauty of this type! As ever, waiting to hear your thoughts and seeing it in action! :)
322352
Published: 8th May, 2010
Last edited: 24th June, 2010
Created: 8th May, 2010
It's bold. It's big. It's Collida!
I tried to make something similiar to Impact font. Could be used for a movie title.
I used composite brick feature for filling the center gaps between the left and right sides of letters.
2801372
Published: 22nd January, 2015
Last edited: 22nd January, 2015
Created: 10th July, 2014
Quadratic, unpractical, good.
You can barely read it. Useful only for short headlines. But a heavy eyecatcher. So what?!