Recreation of one of the C64 fonts i saw, idk why.

Recreation of the large pixel font from Ocean's "Hunchback: The Adventure" (1986) on the Amstrad CPC, Commodore 64, and ZX Spectrum.

This font is used as a versal/raised capital.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Ocean's "Hunchback: The Adventure" (1986) on the Amstrad CPC, Commodore 64, and ZX Spectrum.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Graftgold/Hewson Consultants' "Ranarama" (1987) on the ZX Spectrum.

This recreation includes the handful of futhark runes used in the game, though one of the runes appears to be made up.

The same font is used in the Amstrad CPC and Commodore 64 ports, though the runes are slightly different.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Palace Software's "The Sacred Armour of Antiriad" (1986) on the Commodore 64, ZX Spectrum, and Amstrad CPC.

Only the characters present in the game's tile set have been included.

Found this on CSDB.dk.  It's called "Dorm" by a guy from Norway known as Nuckhead of the Backbone society.  Caps only with a few punctuation marks.  You can make a cool effect starting with pipe (|), several equals (=) and finishing with at (@).  No numerals yet but I'll come back and add those, plus I want to do a sans version without the shadow-lines.
I've found a few other demo-scene typefaces that I wouldn't mind Fonstructifying.

Recreation of the pixel font from Mastertronic's "The Curse of Sherwood" (1987) on the Commodore 64, Amstrad CPC, and ZX Spectrum.

Only  the characters present in the game's tile set have been included.

Recreation of the pixel font from Simon Hobbs/Players Premier's "Deadly Evil" (1990) on the Commodore 64. Only the characters present in the game's tile set have been included.

Recreation of the pixel font from CRL Group's "Ninja Hamster" (1987) on the Amstrad CPC and Commodore 64.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Jon Wells/Atlantis Software/Psytronik's "Sceptre of Bagdad" (1987) on the ZX Spectrum.

The font was kept for the 1993 conversion on the Commodore 64. This recreation also includes a few of the additional characters (like the copyright symbol) from that version. Beyond that, only the characters present in the game's original tile set have been included.

Recreation of the pixel font from Gargoyle Games' "Tir Na Nog" (1984) on the ZX Spectrum.

Note on the Spectrum and C64 version, the font defined in the game includes uppercase letters (not used in the game), as well as special characters and punctuation. In the Amstrad CPC version, only the lowercase alphabet is present, and any other characters (numbers, punctuation, etc) are pulled from the standard Amstrad system font.

The same font was reused in the prequel to this game, "Dun Darach" (1985).

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Codemasters' "Striker in the Crypts of Trogan" (aka "Stryker in the Crypts of Trogan", 1992) on the ZX Spectrum and Commodore 64.

Note that on the C64, it seems that the game occasionally doubles up one of the lines, to make characters one pixel taller. In addition, the Spectrum version also uses the thin variant of the font for the credits.

Only the characters present in the game's tile set have been included.

Recreation of the large pixel font from Julian Gollop/Target Games' "Laser Squad" (1988) on the Amstrad CPC, ZX Spectrum, Commodore 64, and MSX.

This font is simply a double-height version of the regular font.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Julian Gollop/Target Games' "Laser Squad" (1988) on the Amstrad CPC, ZX Spectrum, Commodore 64, and MSX.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Mastertronic's "Spellbound" (1985) on the Amstrad CPC, ZX Spectrum, and Commodore 64.

The same font was reused (with a few minor changes to punctuation/special characters) in the sequels "Knight Tyme" (1986) and "Stormbringer" (1987)

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Epyx/Mastertronic's "Rogue" (1988) on the Commodore 64, Amstrad CPC, and ZX Spectrum. Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Bulldog Software/Binary Design's "Feud" (1987) on the Commodore 64, Amstrad CPC, and ZX Spectrum.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Stephen Crow/Impulse/Hewson's "Firelord" (1986) on the Commodore 64, Amstrad CPC, and ZX Spectrum.

Only the characters present in the game's tile set have been included.

Where in the World is Carmen Sandiego?  Many of us asked that back in the 1980s as we learned our international geography through a computer game.  If you played it on the Commodore 64, this is the font used on the computer readouts, and yes it was proportionally spaced!  Which would be why it wasn't resource-ripped before.  I had enough screen shots to work with, then worked out what the missing punctuation marks might look like.

Recreation of the pixel font from Binary Vision/Palace Software's "Stifflip & Co." (1987) on the Commodore 64, Amstrad CPC, and ZX Spectrum.

Note the special characters, mapped to U+2318, U+269B, U+26A1, U+2733, and U+AA5C.

Only the characters present in the game's tile set have been included.

Recreation of the pixel font from Palace Software's "Cauldron" (1985) on the Amstrad CPC, ZX Spectrum, and C64.

This recreation includes a few additional punctuation characters from the sequel, "Cauldon II: The Pumpkin Strikes Back" (1986). Apart from that, only the characters present in the game's tile set have been included.

Also found this on CSDB, called Foldfont.  Meant to look like folded paper.  This could be a great colour font, but I'm cheap and only have a free account, so you're getting it in black and white.  Still, it looks pretty good when enlarged so it's perfect for headings.  Enjoy.

Beer font.  Found this on CSDB (Commodore Scene Database).  Looks like a bit of fun so here it is as a Fontstruction.

Recreation of the pixel font from The 8-Bit Guy's "Attack of the PETSCII Robots" (2021) on the Commodore 64.

Only the characters present in the game's tile set have been included.

A simple Commodore 64 font, with a few extra characters that weren't actually included in the original C64's typeface.

Recreation of the pixel font from Ocean's "The Neverending Story" (1985) on Amstrad CPC, ZX Spectrum, Commodore 64.

Only the characters present in the game's tile set have been included.

Super Mario Abyss is based on "Super Mario Bros by Abyss", a hacked version of Great Giana Sisters for Commodore 64.  The game had its own character set, here, with a few additions.  Its faux italics make for a good scrawl.

Pulled this from a graphic called "Devils Collection 16".  All yours

Well, it's been a while because I've run out of fonts I want to convert/build.  This one is LeConte from GEOS on the Commodore 64.  It is pretty much a clone of Susan Kare's Chicago for the Apple systems, so you can use it as a pixelly Apple font in your works.

Wouldn't have minded redoing this with curves, but decided on going with full retro pixelled corners, as that's my main schtick.

Evans, mathematical font from GEOS FontPack 1.  In case you want to write formulas.  Minor kerning, digits will fit comfortably under the square root's horizontal.

Here we go, another GEOS font, this time it's Ellsworth from FontPack PLUS.  Based on the 24 point version of the original.  Custom glyphs for @#$%&()[]\"<>_

Yet another GEOS font!  This is a recreation of Venetian from FontPack PLUS, which was a 24-point font.  It had its own inherent imperfections, some of them I fixed, others I haven't... decide for yourself if it's good or not.  I haven't kerned anything either.  Spacing was 4 pixels between characters in the original.

And why the name?  Venetian blinds!  I decided not to rename it "Venice" here because there's other fonts with that name.