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Did some more glyphs for JOEY-TOYS.
This is a clone of Floridaman FinishedA much updated version of the Chicago font used in early Macintosh computers from the 80's. Changes include: Made numerals tabular, extended language support, and additional symbols.
This is a clone of Chicago 12An unofficial demake of Monaco Regular at 9 point.
Monaco is only available as a pre-installed font on Apple computers.
This font currently contains the FontStruct Basic Latin character set (ASCII + curly quotes). If it gets 100 downloads, I’ll add OpenType Std (Windows ANSI + Mac OS Roman) characters.
Clone of Knucklehead.
This is a clone of KnuckleheadClone of Knucklehead.
This is a clone of Knuckleheadsimple sans is... well... a simple 7x4(ish) sans-serif pixel font. but not really. there are a lot of funky details hding in the glyphs. try to catch them all!
this is currently the most-glyphed font i ever have which is not a clone of some other font.
this font is gonna have 1000+ glyphs very very soon!
this experiment is now abandoned. i will work on a new unicode font soon.
Part of a series of fonts called Italian Farm. The name comes from the fact all the fonts' names are Italian words for farm animal species names.
This is inspired by Rotis, a 1988 typeface designed by German designer Otl Aicher, who also designed pictograms for the 1974 Munich Olympics.
Capitals only. Working on numbers, lowercase, and punctuation.
A WIP for now, there is basic kerning in the font. Accented latin letters intentionally not kerned at the moment as I'm still figuring out how the accented letters should be kerned and I cannot directly type them on a keyboard. I might post a sample if/when I get the other letters kerned. Speaking of spacing, Should I have the left and right most bounds of the accented letters touch the left and right guides respectively?
Monospaced version of CheddarSans by Fußmatte (aka Fussmatte, Doormat). As of now, the character set is limited compared to the original font (~400 glyphs vs. ~1000). Released under CC-BY-SA 3.0. Current version: 20.11.23.0
An even-more-modernized and expanded version of Geneva 9, one of Apple's system fonts in Macintosh System 1.
Full list of changes:
• Removed extra space after lowercase y
• Redrew & so its height matches that of capital letters
• Re-redrew # symbol (more condensed)
• Alternate glyphs for Greek alphabet ΔΩμ that fit better with text (math symbol versions of all 3 characters are unchanged)
• Added even more Unicode characters
• Checked accuracy of font in emulated MacPaint; added characters (e.g. integrals) that were in original font but not Geneva 9.1
• The accented and unaccented lowercase a's were in fact different in the original font, but I made them both double-story here for consistency
This is a clone of Geneva 9.1There you go! I made a usual recreation of the dialogue font used in Kirby’s Avalanche (a.k.a. Kirby’s Ghost Trap in Europe), Nintendo’s attempt at localizing Puyo Puyo in the 90’s, before the time when SEGA bought the Puyo Puyo license. Almost all glyphs from the game are included, as well as custom glyphs for other languages. Have fun! Bayoen~!
Another attempt to make a readable font narrower than Arial Narrow. I am basing the letters on ovals now, to try to make them easier for my eyes to deal with at small sizes. Works well at size 9. Arial Narrow is still better than this at size 8.
This is a clone of UrialHere is a quick font I made based on my Tedoless Eriseci font. I was curious to see how Eriseci would look if it was written with completely separated characters like Altrimaya or Atemayar. I hope you enjoy. :D
Eriseci is featured on Omniglot where you can find the original alphabet and creator, the numbers are credit of Atemayar (also featured on Omniglot). I understand this font is not how the alphabet was intended, it is simply an artistic take on the script. If you truly enjoy Eriseci, please do see my first Eriseci font on this website which has the capability to type the alphabet as intended. Thank you.
This is a clone of Tedoless EriseciClone of Stark by riccard0. riccard0 was inspired to do this font by the Iron Man logo. It's so good I had to grab it and played with it a little (added drop caps and some punctuation, still a work in progress).
This font is Copyright Riccardo Sartori ( Fonstruct username riccard0 - homepage http://www.mompracem.net/ ) & Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License. You are entitled to use this font however you want, but please credit us for our work somewhere (website, blog or social media, preferably with a link back to our portfolio or web site). Credit attribution IS greatly appreciated.
Categories: Logo Inspired, Techno, Collegiate & Sports (Jersey Lettering)
Type: Sans (sans serif)
Weight: Black (or at least Super Heavy)
Web font: Yes, sure.
Commercial use: Any use, yes, please credit us somewhere? Thanks!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct Profile Links...
riccard0: https://fontstruct.com/fontstructors/171217/riccard0
SymbioticDesign (me): https://fontstructors/595075/symbioticdesign
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations to Doug (to encourage continued freeware font design efforts):
https://paypal.me/sitedesigner
See more:
https://fontstruct.com/fontstructions/show/1450250/treetops
https://fontstruct.com/fontstructions/show/1294710/mx-hbs-alt
https://www.fontstruct.com/fontstructions/show/473688/shishoid
https://fontstruct.com/fontstructions/show/1593059/codework-1
https://www.myfonts.com/fonts/justanotherfoundry/mashine/
https://fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr
https://fontstruct.com/fontstructions/show/87805/pyramid_1
https://fontstruct.com/fontstructions/show/203704/tagliana
https://fontstruct.com/fontstructions/show/178834/octastruct
https://fontstruct.com/fontstructions/show/1576255/f77-blockie
https://fontstruct.com/fontstructions/show/619723/the_45_alt_01
https://fontstruct.com/fontstructions/show/217312/track_filled
https://fontstruct.com/fontstructions/show/249112/ncd_phusion_bold
https://fontstruct.com/fontstructions/show/207773/comitto
https://www.fontstruct.com/fontstructions/show/1572485/f77-handwrite-1
https://fontstruct.com/fontstructions/show/229356/thm_thin
This is a clone of DigitalisThis is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Cartographic" (sans-serif) font, plus a number of glyphs imported from the "Mathematical" font, as well as many additional glyphs drawn in the same/similar style to the original glyphs. This font actually dates to at least as early as June 1963, as it is featured on some diagrams in Hershey's "The Plotting of Maps on a CRT Printer" paper.
Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.
- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;
- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;
- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;
- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.
Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!