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8x16/8x8 monospaced arcade-style Latin font inspired by Old Church Slavonic manuscripts and Cyrillic Vyaz majuscules. Designed for all-lowercase body text with occasional all-caps headers, as in historical manuscripts- but works well with mixed caps.
500+ glyphs including extensive support for accented Latin letters, world currency symbols, and custom Roman numerals, along with assorted dingbats and multiocular O scribal glyphs used in Old Church Slavonic in text referencing eyes.
Support for majuscule punctuation, Vietnamese, more extended Latin & dingbats, and non-Latin scripts possibly upcoming.
Inspired by the Metallica logo
How to use the font
First letter- Upper case letters
Last letter- Lower Case letters
Middle letters:-
1=A 2=B 3=C 4=D 5=E 6=F 7=G 8=H 9=I 0=J !=K @=L #=M $=N %=O ^=P &=Q *=R (=S )=T -=U _=V ==W +=X /=Y ?=Z
Open to comments and suggerstions!
Cassie is a Decorative font with connection brick forms with a connecting macaroni triline and connecting macaroni biline with a Straighten half snapped-stripes that give the font looks clean & rounded.
This makes for a more natural reading rhythm more commonly found in decorative types. This font was made by Swedish Type Corp.
This font was made for a university project where we designed a typeface based on a chosen theme (Mine being rebirth)
I hope you enjoy my deconstructed abstract font which explores an alternative take on typography
Hello again! Here's someting I started dabbling with years ago, but never finished or published. Fontstruct bricks and functions have evolved since then so I decided to give the ‘font’ a facelift and make it a little more complete (still no plethora of glyphs but I'm ok with it for now). Circus wild west meets casino and slot machines. Gambling, gunpowder, acrobats and jesters. Wash down with tequila.
blocky yet rounded feel. With decoration on the edges for some added fun. The hearts are also something i wanted to incorporate just because they are fun and why not. almost gives a christmas ugly sweater feel.
When my mother was young (and specially after my birth) she supplemented the family's income from home by typing for students and businesses. When I was a student I used the same machine for my assignments, lesson plans and thesis. The years were not kind to the machine, the mechanics rusted or broke, the letters worn with frayed edges or disintegrating serifs and fine lines. Ruth's typewriter is a declaration of my appreciation of many years of service the brave little machine gave... As you can see I clearly didn't get the letters repaired ;) The font looks like I rearranged and glued down what was left of the raised surfaces, to continue using the typewriter and give my words a very modern look ;)) A "grunge-writer" ?? Did you notice that no typewriters were ever sold with this kind of modern destructured typefaces?! ;)
Since I started this font many years ago (Ruth was very amused and appreciated this hommage) this work has now become a memorial to her
Decorative, ArtDeco-ish all uppercase font for TwentiesComp. Got carried away and added Cyrillic too ;) Enjoy!
db RAW Sans is a clone of db Whisper, but there are many changes: Lower cases, special characters and kerning are new. Also many small details (glyph shapes, “outlines”...) have been modified. db RAW Sans is still in development. Please be patient.
This is a clone of db WhisperUnder construction : )
Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’