FORMALISMS - Modernist inline display type
Rigid square-based inlined modernist display style with incised (fake-) 3D effect, mimicing a quirky and non-logical take on twisted geometric form and sometimes folded appearance.
Some characters, but mainly symbols still need slight improvements, some are still missing as well.
The bi-linear stroke was incised at certain specific positions and had one or more (cross-)intersecting line segment included that connect the two colinear strokes. This is creating 2 additional extra geometric hyper-planes, and allows the option of including the illusion of looking at three-dimensional geometric objects.
But the way this is implemented into the design in fact obeys no relationship to any actual fundamental propeties and isn't necessarily a correct three-dimensional form, nor fully or faithfuly folded.
The glyphs also have somewhat of a monogram logo style quality
Hope you like it
Cheers
See more:
https://fontstruct.com/fontstructions/show/1310494/pannonica-c
https://fontstruct.com/fontstructions/show/1754699/gogo-14-1
https://www.myfonts.com/fonts/spareartist/crassified/
https://www.fontstruct.com/fontstructions/show/286174/adlex
https://fontstruct.com/fontstructions/show/1719850/gruz-1
~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.
You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.
The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.
The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.
Letter couples are as follows: Aa Bb Cc Dd Ee Ff Gg Hh Ii or I{ Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt or T} Uu Vv Ww Xx Yy Zz
Number couples are: !1 @2 #3 $4 %5 ^6 &7 *8 (9 )0
Blanks: ~, space
Center blank: `
Pipe: = (which will offset the monospacing)
Others; ? is at ?/ ! is at |\
Punctuations are where they are supposed to be: . , ; : ' " ’ ” ‘ “ -
Sample: Type the following in User Input to see the font as it is supposed to be: A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=
6 bricks tall.
The sample is a font pun: TWO in ONE.
PS: Not sure how future it is.
ARS NOUVEAUX - Art Nouveau inspired display typeface
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A personal digital reimagination of the lettering style by "Charles Rennie Mackintosh" (1868-1928), a pioneer of the "Glasgow School of Art" and so called "Arts & Crafts" movement.
His distinctive style of lettering has been seen many revisions, revivals, reimaginations and inspired designs alike over the years, and has evolved into a broad collection of available fonts.
This basic stylistic lettering concept from Mackintosh sort-of losely funcioned as the structural guiding principle for the creation of "Ars-Nouveaux".
This FontStruction is an experimentation into creating similar flavored, but still unique letterforms within that same design framework.
First I started to layout the overall basic asymmetrical core geometry from a set of custom rectangles, half arc's and slants for each of the letters bare skeleton shape. Once I completed the full set of 36 glyphs [a/z, 0/9] These basic shaped were then further modified into more sophisticated finalized letterforms.
Caps-only, but with many alternates, accompanied by a set of ornate initials.
Hope you like it,
Cheers
This is a clone