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16 Comments
I took the liberty of trying out a few T alternatives ... you have probably already discounted them, but just in case ...
@p2pnut: Great T variations. I think I'm tracking in a similar vein. In FontLab, I'm able to create the T variation that I really want see here. It is essentially your third variation except with the consistent split down the middle. I've also applied the same technique to the Y. What do you think?
May I offer a few suggestions for the numerals?
Two T alternatives possibly worth exploring: 1.Your current M without the outer stems. 2.Paste M and A into a single glyph, erase everything except the right M and left A stems (plus connected top horizontal crossbars) for a double stem T. May work for the Y too. (or not, most likely). Just an idea for you to try (or discard) at your discretion.
Not that it was in question, but might I suggest a reversal of the diagonal for the Z...meaning the right vertical stem dips down, then diagonal sea-saw up (left up, right down), before dipping down to form the left vertical stem. In other words, like an S, but with the vertical bars transposed.
Super set, in any case. Especially nice are the vertical bar diagonal terminals. Nice sample, as usual.
I considered raising/lowering the middle of the 6 and 9, but opted for consistency. I now see I should have followed my gut. Your updates to my 6 and 9 and better.
@minimum: it took me a minute to visualize what you were getting at but I understand it now and will give it a try.
@p2pnut: I don't think at this scale it's possible to achieve the desired result for the T and the Y. Perhaps if I went higher res I could do it. But I think what I'll do is fix those letters in FontLab. There's also a few other tweaks I want to make that fall outside the realm of FontStruct. If/when I do that, I'll post the new file up here in the comments for download.
Progress
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