Font inspired by the Neo-Noir genre of movies like L.A. Confidential, Drive, Blade Runner, as well as taking inspiration from older Noir movies such as Sunset Boulevard, The Night of the Hunter, and Laura 

Just when you thought I was out of 5x5 pixel font ideas... 

Pax Romana is a Roman inspired font with wedge-like upper and lower terminals and sharp serifs. Inspiration also comes from a new font called Prospectus by Dave Bailey. 

By request, a polygonal font with a slightly militaristic feeling.

The truncated polygonal perimeter of most glyphs is somewhat inspired by the lettering on World War I planes, tanks, and ships. These forms of lettering tended to have more square aspect ratios. I changed that to give this font more personality and to condense it so more text could fit on a line.

The concept for Cürve is simply curves and holes. The typeface can be used in any context. The name Cürve came about from research on letters with diacritical marks. It is very interesting how a simple character can change the way an entire word is pronounced. Each letter was made to be original and eye-catching but at the same time simple and artistic. 

Just a font with many round corners and eyes; there is no particular inspiration, it was just a random idea. 

I needed a pixel font that was optimized in space but still comfortably readable, so I created Simpixel.

As three by five (3x5) seemed a reasonable size for capital letters and numbers (cf. A, B, E, S; 2, 3, 8 etc.), I tried my best. This didn't always work, as particular letters naturally need more horizontal space (cf. M, W; N, Q), such that some ended up four or five pixels wide (Though I have created a monospaced version - Simpixel Mono - where I managed to also condense those letters to 3x5).

I then worked on the small letters and eventually the rest of the Latin and even the Greek letters, just for fun. Of course, the less basic letters tend to be larger in size. Emoticons, pictograms and miscellaneous symbols fall into that category too (cf. ½, ⅓, ⅔, ¼, ⅛, ⅜, ⅝, ⅞, ⅟, etc).

With all that being said, thanks for checking this out!

Bu benim kendi alfabem. Büyük- küçük harf ayrımı yok. Lazca için tasarladım. Ama Lazca'da ki farklı telaffuzlu harfleri koyamadım.

By request, a condensed and quirky outline font!

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Original size: 7.5pt (use multiples of this size for pixel perfection)

Version 1.1

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For this font the idea was to make something which looked extremely clear at small sizes and which was optimized for speedreading. The low-polygonal style combined with the thick lines makes this a good font for footnotes and marginalia, thus the name.

Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)

Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.

I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!

alternate 6 and 9 are on the 0 and 1 subordinal indicators.

Suavé

Designed by Jordan C. Tharpe – Typography 1 – York College of PA – Spring 2019

The concept for Suavé is to represent a robotic or digital appeal. The typeface can be used mainly for captions or titles, but can only be used for body text. The name Suavé came from my nickname Jay Suavé and means cool, fun and spontaneous. Suavé is supposed to display curves, corners, and sharp points to be playful, but sophisticated.

Download it and start using Suavé today @www.fontstruct.com

Old style typeface, rounded end, can be used for commercial catalogs.

what can i say...

just a stencil sans font