13773439205
Published: 16th January, 2009
Last edited: 11th May, 2011
Created: 15th January, 2009
Lay The I Flat on top of this to fill in the missing parts.
15398649
Published: 1st February, 2010
Last edited: 22nd December, 2010
Created: 31st January, 2010
Inspired by a picture found on this website.
Another diagonal line font so soon after fs Overlap. A mere coincidence. The application of each is very different. Overlap is about negative space while I-Tilic is about patterns and meta shapes. Post samples if you end-up playing with this fontstruction. Have fun.
[ = fi ligature ] = ti ligature < = background fill (negative) > = background fill (positive) ` = reverse tile (above base line) ~ = reverse tile (full height) { = top border } = bottom border | = side border
242114242
Published: 9th June, 2009
Last edited: 9th June, 2010
Created: 20th April, 2009
Lower case of "pole-position u/c" + digits and some symbols...This is a clone of FS Pole Position u/c
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
7798734
Published: 31st May, 2010
Last edited: 1st June, 2010
Created: 29th May, 2010
Another stencil font...with obvious influences from Glaser Stencil (because I love it so!). But to be fair, Glaser Stencil was not referenced even once in the making of this fontstruction.
Allow me to wax technical about FontStruct 2.0 for a bit. A lot of my fontstructions have been even thickness all around. However, the evenness have been approximated thus far—not so anymore. First there were the 45° bricks; then came the 26.57°/63.43° bricks. With the 2.0 Make Composite feature, 14.04°/75.96° angles became possible. These two additional angles provide a finer tune of thickness of stems. The preview does not do justice to the font, but I tested the thicknesses of stems in Illustrator—horizontals/verticals/diagonals. Each stem now is as close in thickness to other as possible. This really is an even stroke font[struction]. Other 2.0 features are also used (but may not be obvious at a glance). See that 'o'? That's just one quarter curve created and then rotated three additional times. Very handy. The horizontal and vertical flips were used extensively throughout the creation process. Quarter-ing of angled bricks became necessary when it became evident that the only even thickness of a stroke is possible at x.5 thickness when combined with a curve. This meant that each vertical/horizontal stem is 5.5 bricks thick, which in turn made it necessary to use angled bricks at a quarter scale, which, of course, was made possible with the Make Composite feature. The only place I couldn't get the brick I wanted was in 4 (zoom in to see the slight misshape). It was a joy to work on this fontstruction to get what I really wanted almost every time. Great update, Rob. Cheers!
As long as I am on the soap box: What's up with diaeresis? I understand the reason for their existence, but are they the best possible way to handle various additional sounds? Also, are they even necessary? For example, café in French means a particular thing. But does cafe (without the e with the grave on it) mean something else? If not, wouldn't the French automatically know how to properly pronounce café (with or without acute on the e) the correct way whichever 'e' is used? It helps in the pronunciation for the uninitiated but are languages really designed for the novice? There are 26 letters in the English alphabet but they cover the gamut of up to 44 different sounds (according to some). Improbable as it may seem, it does not stop people to choose the correct pronunciation of letters. Hop has one sound for the 'o' and adding an 'e' at the end does not add the 'e' sound at the end of 'hop' but changes the sound of the middle 'o'. Convention. Sure. What I am trying to get at is that written script functions much better with distinct shapes without the flow-interrupting addition of the diaeresis. So unless there are two words spelled the same with the only difference being the kind of diacritic on the letters, the diacritic are redundant, no? If there is a real need for certain letter+diacritic combo, wouldn't a new shape be better? There are no shortage of additional shapes in the scripts of other languages. Can't do without an 'é'? Replace it with, say, 'ө' from the Greek script...or whatever. It bears repetition: What's up with diaeresis?
104136733
Published: 18th August, 2010
Last edited: 18th August, 2010
Created: 17th August, 2010
Well, there was this way to go.This is a clone of fs SquaredUp (and nowhere to go)
511311733
Published: 3rd October, 2010
Last edited: 3rd October, 2010
Created: 2nd August, 2010
Fresh baked. [Not inspired by Nike®]
Each character is max. 32 grid blocks tall. However, the total height of the fontstruction exceeds that. Couldn't be helped; the curves just make it so. Maybe that disqualifies it from the competition, which is OK, but the design had to take precedence over the rules.
This fs has been in the works for a while and was not specifically begun for the handmadecomp. It started off quite crude...and evolved into the baroque-ness over time. With all the shape possibilities, it may never be 'done' done.
121176233
Published: 24th August, 2009
Last edited: 24th August, 2009
Created: 23rd August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. ----- Works best at 64pt. Set leading to 48pt for a single dividing line in between, 52pt for a double dividing line, and 56pt for a clear break between lines. No kerning required.
Start a new line with < and end it with >.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched [Nyle]
124104828
Published: 28th September, 2009
Last edited: 22nd November, 2012
Created: 28th September, 2009
It's elemental.This is a clone of fs Bas Relief
77124627
Published: 23rd May, 2010
Last edited: 23rd May, 2010
Created: 23rd January, 2010
An unoriginal idea that's been sitting around for a while. Don't go by the January 2010 creation date, no; this is a clone of a clone of a different idea (which may see the light of day yet...or not, whichever comes first ;).This is a clone
51078423
Published: 18th February, 2009
Last edited: 16th July, 2009
Created: 8th February, 2009
It started when kolarek posted the RÖFIX logo as his inspiration for his Blokinjo FontStruction. I wondered if that logo could be recreated exactly in FS. Turns out, it could. Having done that exercise, it was time to move on to play with other character designs. In a short while the whole set was done that matched the logo characters. Then the playing really began. Over the last 11 days, enough variations for each character were generated to fill three fonts. This is just one of those three.
$=Alt. s %=Alt. alt. s <=Alt. V >=Alt. W [=Alt. U ]=Alt. alt. W \=K |=Alt. S
6998316
Published: 29th August, 2009
Last edited: 29th August, 2009
Created: 27th January, 2009
For use at pixel level. Also works at 32pt×x, where x=1,2,4,8,etc. ----- This font has been a long time in the making. The dots are such that the curved shapes and squared-off letters just would not resolve to an equal height no matter what I tried. Then after the mixed x-height that came about in yesterday's la Cross, it occurred to me to just let the letters be as tall as they wanted to be. It seems to work for some odd reason. Can someone please explain why it works?This is a clone
71106016
Published: 25th August, 2009
Last edited: 10th December, 2022
Created: 24th August, 2009
This one started out quite different; a simple three-line font. While making an alternate B, the curlicue was introduced. A clone and many hours later, Etched was born. Later added borders and decorations when the sample called for it. Then cloned the clone and stripped it bare...because DJNippa was going to ask for it, wasn't he!. :-) ----- Works best at 64pt. Set leading to between 48pt and 56pt. No kerning required.
Top borders: [ \ ] Bottom borders: { | } Top border decoration: ~ Bottom border decoration: / Left border: ( Right border: ) Text decoration: _ Text decoration end (ambidextrous): `This is a clone of fs Etched
55622113
Published: 6th January, 2011
Last edited: 5th January, 2011
Created: 25th August, 2010
An on-going project. More glyphs will be added periodically.
47109712
Published: 13th July, 2010
Last edited: 17th July, 2010
Created: 12th July, 2010
Ignore the preview window. View the sample.
[If you are going to use the preview widget, slide the PXL setting to around 60% point.]
A long while ago, I came across some logo or font or something that said something like 'raptor' or 'captor' or something. This font owes its existence to that...er...logo. But it has been futzed with umpteen number of times so it only has a distant cousin look to the original. I searched and searched my files but couldn't find the original. Checked google, bing, behance and logopond too; no luck.This is a clone
114128110
Published: 19th February, 2009
Last edited: 19th June, 2009
Created: 11th February, 2009
This came out of the same exercise that produced FIROX.This is a clone of fs FIROX
566856
Published: 15th February, 2010
Last edited: 13th April, 2010
Created: 15th February, 2010
Nothing new here. Just a little something at a 'minimum' scale for the user-pic.