The newly introduced font from the Evelution Family
This font is created using the 2x2 square size to assist with developmemnt
In GA Stage with coverage Latin, Greek, Cyrillic, Hebrew and some symbols
U+F8FF contains a stencilized Capital Open E
Pixelcraft, my second font (v0.0.7), I’ll make this many glyphs
v0.0.0 - Beginning
v.0.0.1 Extended Latin B
v0.0.2 Extended Latin A
v.0.0.3 Greek and Coptic
v.0.0.4 Cyrillic
v.0.0.5 Extended Cyrillic
v.0.0.6 Arabic
v.0.0.7 Even More Latin (tomorrow at 3:11pm)
probably my w̶o̶r̶s̶t̶ best font yet
give sugesstions in the coment section plz ://////;/;/;
CURRENT GOALS (* means top priority):
finish latin 1 supplement to latin extended B****************
MOAR greeeeek;:;:**
add cycllc
finish tahi (thai is until PUA)
georghinan******
This is font named "Ultimate Windows 1,000 Font" Was Designed by Twiaktzlud Description:
Has =65536 glyphs (font file limit is the cause of this)
My good font and best font ever!
『INSPIRATIONS』
Good font
Dylastrongercomputer
My Font (the one thats not mine)
Anthonistruct
『GLYPH MILESTONES』
1000: ✅
2000: ❌
4000: ❌
8000: ❌
10000: ❌
20000: ❔
『LINKS』
Enjoy this, good luck and have fun!
This is still a work in progress! I will edit this again in the morning.
This is a clone of Mining & CraftingORIENTFAHRTEN (Pro) — Semi-connected script-style font design
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Losely based on the lettering that was seen on a 1929 poster design by German painter Ottomar Carl Joseph Anton (1895-1976) for the “Hamburg-Amerika Line” * (click for image of the original poster)
Whereas the original (non-Pro)-version aimed at extracting that “stylistic essence” of the lettering, and made an attempt at extrapolating and restoring a full alphabet from the letters provided by the original poster. And this basically became sort-of a font revival with a little extra's.
ORIENTFAHRTEN (Pro) than took this to a whole other level, This refor-mation wasn't guided by Ottomar's original poster-lettering, but rather a remodeling and amelioration of my initial work.
Many glyphs were fully re-invented, others only just partially improved.
In addition to this, many new things were introduced as well. For example, the font was further ornated with various typographic elements and bits, reminiscent of calligraphic hand lettering. Turning this into a much more attractive looking little novelty.
Also some “technical” restructuring of the Unicode character mapping, to creating more user-friendly text formatting properties.
Since it is a semi-connected script, certain characters were deliboratly disconnect and some weren't. For example, the uppercase letters almost all disconnect, whereas the majority of lowercase letters will connect by default. A set of glyphs alternate forms was included that allow to break the 'connected' flow of a text.
These also function sort-of as “Contextual Substitutions”, but without OpenType's automated glyph-stream lookup classes. Yet these do allow the manual control over word-endings and word-space situations. So when a default-glyph is followed by a white-space, a glyph-alternate form could than be selected to replace the default-character encoding and improve overall aesthetics and natural flow of text. These substitutions are located in the “Halfwidth and Fullwidth Forms” and “Private Use Area's” Unicode blocks. In addition to the default alphabet letters the font also includes numerous symbols and punctuation marks, as well as ligatures.
As for the “numberscomp” that is currently in progress:
This font was specially fitted with 5different schemes for text figure arrangement.
• Didot-(old style) non-lining (font default)
• Traditional-(old style) non-lining
• Clean-(modern) lining
• Tradidotional-(old style) non-lining
• Ornate-(modern) lining
— This does temporarily create a new problem for me though... As this would be my fourth submission to the competition, where a maximum of only three font submissions is allowed. Now, which of these previous entries am I going to eliminate?!
I hope you like it,
Cheers
This is a cloneITC Grotesk ― an contemporary geometric grotesque typeface.
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so i was associated with the bauhaus, i decided to make alternatives from other fonts that has glyphs, like BD Orange, BD Discount, Architype Renner, and VAN NELLE (Blueprint).
This was an attempt for a thin line rounded numbers based on straight circles, but could not manage to consistently expand on the idea trough a whole font. Originaly meant for the competition, but it was not worth it at first.
A megacollab starts from here! Start adding more unicode letters but follow the rules!
*Required
^Recommendation
*1. Accented letters must be modified versions of the original letter!
^2. Set guides and *follow them!
^3. 5×5 width is recommended!
*4. No other bricks can be used except the default one!
*5. Increase the number on the title when you clone! (eg. Megacollab 1 to Megacollab 2)
Font for Šouvirva, the script for my conlang, Šouvek. The script is supposed to be vertical, but due to technological constraints, I need to make it horizontal, so some symbols are rotated.
More informantion about the script here: https://new.reddit.com/r/neography/comments/1bbwbiy/%C5%A1ouvirva_the_script_for_my_conlang_reupload/ and the conlang here: https://conworkshop.com/view_language.php?l=SOVK