A cursive pixel font.

Series title: Minerva

Type: Cursive Script

Properties: Bold & Italic, 5.7pt

Currently Available in:English, Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish, Norwegian, Faroese and Icelandic.

Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin) Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.

Any Suggestions?

Mathla ['maθla] is a Germanic language that is mainly spoken in the dimension of the gods. But also all magic creatures and magicians make use of this tongue and call it their own, for it contains magic powers. 

It is counted among the inflected languages, i.e. it uses four cases for nouns and pronouns (nominative, genetive, accusative, dative), two genders (common, neuter), and two numbers (singular, plural).

Mathlas has got 21 monophtongs (i, I, y, Y, u, U, e, E, é, o, O, æ, Æ, c, C, a, A, ä, Ä, å, Å), 5 diphtongs (P, R, Q, V, B) and 22 consonants (p, b, t, d, k, g, q, m, N, ng, f, v, T, D, s, S, x, h, w, r, l, j). 

There only exist a few punctuation marks: . ( ) + - : < = >

The numbers are always written out.

This is the printing script of the maþla (mathla) language I created. Check out the original handwriting on my profile. 

Following keys are used: i, I, y, Y, u, U, e, E, é, o, O, æ, Æ, c, C, a, A, ä, Ä, å, Å, m, b, s, f, t, N, j, d, p, w, r, D, n, h, g, x, T, v, S, q, k, l, P, R, Q, V, B

My smallest cursive font.

A semi connected script style font design. It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (image shown in comments)

I completed the full alphabet, I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.

It is a semi connected script style lettering, so certain characters are deliboratly disconnect and some aren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect. This can also be seen in the original Ottomar poster.

For the lowercase characters that connect there has been made a alternative glyph that is disconnected and adjusted to make a more pleasing flow and better looking breaks. These are located in the Unicode Block “Halfwidth and Fullwidth Forms”.

It contains both proportional oldstyle (default) & lining numerals, which are located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.

I hope you like it!

cheers

It took me so long damn it

original work by Sed4tives

A cloned and semi connected variation to  to SCHOLTEMEIJER (CONTIUOUS)

Continuous script style logotype inspiredby retro automotive industry types

This font is a simple handwriting font, based off of Greg's handwriting in Diary of a Wimpy Kid. Feel free to use it however you like.

This is a font I made that's inspired by the minuscule form of the insular script used by the Anglo-Saxons in Medieval England. It includes the special medieval characters "æ" (ash), "þ" (thorn), "ð" (Eth) and "ƿ" (Wynn) as the letter "w". Happy typing! :D

My Twitter

Folder strips of paper style blackletter attempt. I wish I had better solutions for some charaters, but I had some tough struggles getting good looking glyphs for this style, for example uppercase T took me like 60 attemps and none ever really pleased. So I ended up with choosing the best of them en just went on with the rest. BUT, Zephram came to the rescue and delivered me a propper T, Arrrrr thanks matey!!!

Enjoy

Version 1.1: More Latin added.

*

Haven't done anything like this in a long while. This is a form of pseudocursive script, and it's termed this because many forms deviate from the cursive standards. I had to find my own solutions to account for different types of loops and to add details.

You dipped a spoon into the [masterwork Azwelke alphabet soup] and retrieved... this!

Torcan is inspired by the Georgian Nuskhuri alphabet, but upside down. It is written latinically, rather than phonetically. Double letters can be achieved by adding a dot above or under the letter. Numerals are made with corrosponding letter with dots above and under it. A semicolon is used as a question mark, while the exclamation mark is an upside-down version of it. Torcan comes from an Irish word meaning "porcupine".

Work in Progress

The font combines a bit of two styles, which are 70's streamline art-deco style letters for the uppercase range and a more handwritten script inspired sans-serif lowercase letters that are somewhat looking like a comic book script too.

Besides still trying to get a more complete character set I'm also still experimenting with it so expect things to change most certainly future on.

Kerning is done only to a limited number of pairs.

WORK IN PROGRESS!!!

Pixel font based on Civilite Vigesimal by flat-it.

See more: https://www.myfonts.com/fonts/profonts/rhapsody/

https://www.myfonts.com/fonts/flat-it/civilite-vigesimals/

https://fontstruct.com/fontstructions/show/1073397/wrath_of_mordor

https://fontstruct.com/fontstructions/show/1410086/myrtille-pixel

https://helghelg2.livejournal.com/48502.html

http://www.rbardalzo.narod.ru/4/skor_rus.html

Tilde may look a little weird, but it's the best solution I can think of...

WIP! -  A new experiment into handwriting fonts.

I was inspired to do a handwriting script font of my own after I saw the recently submitted couple here at fontstruct by ecluniverso. This member's work is very good and unique, check it out here: https://fontstruct.com/fontstructors/1376510/ecluniverso

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The design concept for my font is handwriting with a broad-tip permanent marker.

I completed the LC string and numerals, plus some punctuations so far. UC (hopefully) coming soon.

Hexagonal cursive

Stern from GEOS FontPack PLUS on the Commodore 64.  Script font with joins.  I haven't done more than basic kerning on this so it may be a bit "rough" in places.  Still, it's the full basic ASCII set, and it's easier to read than Mistral.

It's finally done, it took me nearly 2 days to get the kerning done and balance this baby, but here she is!

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SCRIPTORIUM - A Gothic script/Blackletter typeface design with drop shadow.

Corded modernist minimalism script typeface design.

It is trying to mimmic letters written with a bend metal wire or a chord.

It is only in lowercase letters at the moment no numerals and only very limited punctuations. But It is still very fun to play around with.

And my apologies for putting a sting of glyphs with only a line showing in the numeral block but I did this to make the pangram for the font show up in when viewed from the gallery

This is the small version

I'll make a small version cuz this is kinda too big as a pixel font and too small as a usual font lol

Another calligraphic tryout.

An attempt to create a calligraphic script typeface!

Mostly for wall or border decoration (you can read letters, but probably not the numbers). Every vertical line column is a letter(plus connection to previous column)! Have fun!

For dozenal counting system, " ' " serves as "0", "0" is "10", "-" is "11", "_" is "-", ":" is division, "*" is multiplication, ";" is for roots (as the opposite of powers, "^")

A project I've been working on for some time that combines a readable writing system with a means of creating decorative streams of symbols, allowing for practical or artistic use. It is designed to be writable in the same way as English, with a couple key differences:

end of sentence within a thought:
. = SPACEBARx2
? = ?SPACEBAR
! = !SPACEBAR

end of thought:
. =SPACEBAR-
? = ?-
! = !-

end of paragraph:
. = .
? = ?-
! = !-

numbers:
numbers at the beginning of a sentence = ###-SPACEBARtext
numbers at end of sentence = textSPACEBAR-###SPACEBAR-
Use as applicable to avoid numbers and letters bleeding into each other.

For purely artistic streams of writing, Start every sentence with a capital, skip spaces, and use '-' as a period. This allows for a smooth bar of symbols without any random bits jutting out that can be used for framing or backgrounds.

Semibold version of Nobody's Treasure. Most glyphs have the same width as before, and the overall width of the font is the same.