Well, I was not happy with the final look of my zelestia, so I tried to change the center of gravity of the font, which I managed to lighten its weight and basically alter its general appearance. I like this new, more dynamic and special look better... and I wish you would like it too. Let me know your opinion. Thanks a thousand.
Unicase italic font with many alternates (in the lower case zone), so much that it's almost like two fonts in one. Hope you like it.
This is a clone of zelestia eYe/FSLefty version of zavantia. It's very funny mix both fonts.
This is a clone of zavantia eYe/FSMade to make the 2nd layer for zabbaleena.
This is a clone of zabbaleena eYe/FSUnicase with alternates. I've used Astronef Super (by excellent typographer JF Porchez) and others like Neil Bold (by the inspirer Wayne Stettler) as a starting reference, but I've redesigned the general aspect of all the glyphs and added a lot of new details, which makes this font quite different and special. I like to review and get a personal second look at some already released fonts, and I like to do this in FS. Thanks again for support me and understand that.
Small caps version for zendera eYe/FS, making the set grow, but this also works as a font by itself. Some kerning works are still in progress, I'm sorry.
This is a clone of zendera eYe/FSBlack and rounded display font. Made with 2:2 filters, x height = 2 bricks (yes, truly), UC height = 2,5 bricks, and descenders = 0,5 brick. Plus: "ff" and "tt" ligatures placed at the "fi" and "fl" glyphs, and a lot of kern done but more in progress. Enjoy, please.
PS: Thanks to @Sed4tives for his continuous, selfless and very helpful help on improving this font. I'm in debt, compa!
Last weekend I was feeling a little nostalgic and decided to review my first ❤️ FontStruction (I made it in 2009, over 14 years ago). Time and fonts have passed since then, but I still like the overall look of it, so I decided to give it a facelift: I changed some important things about the diagonals and the building of quite a few glyphs, as well as restructuring the overall design, homogenizing it a little (taking into account my inexperience then), adding kerning... Now I present it to you again, hoping that you like its current appearance and that someone sees in it the value that I see. Thanks in advance.
This is a clone of zamzibar eYe/FSSimple scrape optical experiment with eroded characters. You can find a lowercase "c" in the "¢" glyph and "ff" and "tt" ligatures placed in the "fi", "ff" and "fl", if you need any of them. Suggestions to improve the font are welcome. Hope you like them.
This is a cloneA narrowed zrebmun version, trying another different point of view for the original font. Let me know what do U prefers, please.
This is a clone of zrebmun eYe/FSNumbersComp's brief saids: "As always, please do interpret the theme as loosely, literally or figuratively as you wish – it’s there only to inspire, not to confine." That's my point. Here in FS, we can also draw with NUMBERS (= brick coordinates). This is a tribute: my humble fontstructization of a linear portrait of the great Master Erik Spiekermann made by Bill Dawson (©2015). To get the full image, please type: ABCDE (return) FGHIJ (return) KLMNO (return) PQRST (return) UVWXY (return) Zabcd (return) efghi -these last five glyphs are for the name, if you want add it-. And don't forget to adjust the line spacing if you want a good result when printing it. Thanks for sharing it.
The NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.