Я начал FontStruct с желания сделать шрифт как на клавиатурах у RAZER, но не получилось - мог ли я подумать, что падение в кроличью нару окажется настолько долгим? Я не ухожу, но этот шрифт - как прощальное письмо на этот случай, я уже сделал.
I started FontStruct with a desire to make a font like on the old RAZER keyboards, but it didn't work out - could I have thought it would take so long to fall into a rabbit bunny? I'm not leaving, but this font is like a farewell letter for this occasion, I have already done.
See more:
https://fontstruct.com/fontstructions/show/1599445/lastation
https://fontstruct.com/fontstructions/show/719668/basement_5
https://fontstruct.com/fontstructions/show/700389/fs_random_junction
https://fontstruct.com/fontstructions/show/1920215/atomic-overdrive
https://fontstruct.com/fontstructions/show/1924023/tilitar
https://fontstruct.com/fontstructions/show/1526657/stf-the-empire-structs-back
This is a clone of TLoF NatureAttempt to recap the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
Apart from some small variations I made between a couple of upper and lower case characters the two are mostly copies!
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1704181/systems-pure
https://www.fontstruct.com/fontstructions/show/1679386/derty-1-1
https://fontstruct.com/fontstructions/show/988227/de_stijl_11
https://fontstruct.com/fontstructions/show/1531237/stf-de-stijl
https://www.fontstruct.com/fontstructions/show/1656605/minimal-fraktur
https://fontstruct.com/fontstructions/show/1389996/lines-38
http://letterhead.store/generoso
https://rentafont.ru/fonts/dublon/regular
https://fontstruct.com/fontstructions/show/487001/squarific_stencilicious
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/298451/impossible_2
A remastered version of the classic lettering by "Theo Van Doesburg" for avant garde architectural magazine "De Stijl".
So, rather than a replica of the original, this is a 2018 view of the classic letters. It still follows the global contour of the original letters but instead of being stenciled it features solid glyphs.