A basic modern-looking font. Comes with ligatures (first time making those so sorry if they look bad), basic accent support (bare cedilla and acute are there), and some "more latin" characters.

Continuing my frog series, this time with pirate hats!

I made this font because why not?

Based on the logo of the movie Prototype (1992).

A recreation of the Super Hexagon Font (also known as "Bump It Up") with more letters

Made entirely on the Mobile phone 

A square monospace font, inspired by Slatewire (a previous project of mine), Agency FB, and Terminus. This font includes the full Latin and More Latin character sets, as well as Latin Extended A, most of Latin Extended B, and the basic Greek alphabet.

VON NEUHAUS — Geometric “Bauhaus”-inspired style
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This is the latest evolution of a “Bauhaus”-inspired constructivist style typeface design that originally started 5 years, or two font versions back.
To me personally this is a long awaited triumph, that has finally materialized after years worth of been haunted by this idea, and the crazy speculations about this ghost that would never be...
Well, that was untill now...  So at last, I can now finally proudly present to you this latest of arrivals to come from this unforeseen series of typeface progressions.
This newborn addition is in fact the 3rd phase of this letter concept's evolution, and caused the font project to undergo a series of addaptations that graduatelly increasing the levels of sophistication possible by chaging it's internal structure and behaviour within the FontStruct-editor. This 3rd addaptation unlocks the FontStruct editor's “Expert Mode” full power potential.
Enabling all editor functionallity to provide the most versatile font creation capabilities available within FontStruct.

STF_BLAUHAUS was the font's very first version, created back in early 2019. It's the font's original concept as it innitially was first intended. It essentially started out as a personal study into the design of letters on a small grid. And more importantly, the creation of required composite bricks to do so.
The idea back then was to craft the most complex geometry possible without the use of any “Expert Mode” functionality whatsoever. Now, what this innitially did was still quite novel to me at that time, as this had led to the development of a FontStruction that was solely built from the extensive use of composite bricks. Not just a couple, but a staggering 272 composite bricks in total. Many of which in fact are quite intuitive and required certain amounts of careful thinkering with the maths found in it's geomtry to craft these custom brick compositions.

So as explained above, there was no use of any of FontStruct's “Expert Mode” functions. This meant that the option to nudge, flip or rotate any of the bricks wasn't available. Now this changes everything in respect to building complex fonts, since in order to get all the bits and pieces of a letter such as: crossbars, intersections, curves and corners properly aligned requires, a precisly fitting composite brick to be tailor-made. In terms of the FontStruct limitations, this cause the physical properties of FontStruct's brick composition tool to be fundamental as to how much complexity and refinement can be put into it's letter geometry. In other words this is fundamental as to how well crafted the design is going to look in the end, since there is no option to further manicure shape or form other than from within those bounds of the adjacent 16-brick-array grid squares of a selection for composition.

I've choosen to design the alphabet concept in this “Bauhaus”-inspired geometric style, simply because of the simplicity this style has in terms of its basic pure geometric forms. The final result became this simple and bold looking small grif display type with a “3-bricks” Em-size only.

but it had some crucial compromises that had to be made due to FontStruct's design limitations. Not terrible, but not quite perfect either.
One very important byproduct from this limitations as were described above was a huge collection of very intuitive custom brick compositions that offer seemless alignement and perfect fits, basically an extensive set of custom bricks that work in a very similar fashion as FontStruct's default “Connect” bricks.

Bringing us to the main reason for 2022's version of this font.
STF_BLAUHAUS (Plus) was the font's second version, and most recent state that it sat in for the last year, up till this now. In this 2022 version of the of this font design modification the FontStruct editor's “Expert Mode” functionality was introduced into the design. Hoping to further manicure some of these compromised critical area's in an attempt to see what refinements could be implemented to revise the 2019's original version.

Now that the option to nudge, flip or rotate bricks was available, new more complex geometric shapes suddenly became possible. This sparked an explosion of new characters and additional alternative forms. Although now the FontStruct editor got vastly more versatile and potent, it remained strongly limited by that still present 1:1 brick size filter setting. Nevertheless, this made possible a very substantial update of the older font, and allowed many new shaping capabilities.

STF_VON NEUHAUS is the 3rd and final evolition to have come from my earlier FontStruct endeavours; STF_BLAUHAUS and STF_BLAUHAUS (Plus)
This version  basically saw the transition from a font only using 1:1 brick size filter into a font at 2:2 brick size filter settings to unlock all power potential of the FontStruct editor's “Expert Mode” functions.

I could now write another eqyually as long body of text, explaining what's new in this final version or which other improvements were made, or say about it whatever the hell I want, but I figure that the picture becomes even more apparent when simply comparing the 3 fonts from old to new, and see the evolution happening before your eyes.

Start with STF_BLAUHAUS, folowed by STF_BLAUHAUS (Plus), and witness the full glory of "next-level" FontStructing that made possible the last version STF_VON NEUHAUS.

I hope you like it,

Cheers

spelling is hard ok

peppermint candy inspired

This is my first font on here in a long time. It is a sans serif typeface that represents modern unity.

TYPOGRAAF — Geometric modernist display typeface

Typograaf is simple looking modernist style aimed for display use. It doesn't work well in a long line if text nor at smaller sizes. But perfect for large display work, logo's and such. The letterforms have several little nuances and multiple custom crafted curved parts with smooth (near) real Bézier contour quality.

So far only general concept plus some extra's was created, no multilingual suport for now.

Let me know what you think

Cheers

Made for a typogrophy class. I really enjoyed creating these little froggies and their lilypad accessories.

Font with Monospaced Letters

This font is free for personal uses.

This font is also free for commercial uses.

Each character is 1 unit away.

Font Comes in Languages: Danish, English, Estonian, Faroese, Filipino, Finnish, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanish, Swedish, and Zulu. It Supports the Following Blocks: Alphabetic Presentation Forms, Basic Latin, Currency Symbols, General Punctuation, Geometric Shapes, Greek and Coptic, Latin Extended-A, Latin Extended-B, Latin-1 Supplement, Letterlike Symbols, Mathematical Operators, and Spacing Modifier Letters.

KrLonjt is a pixel-optimized, sans-serif typeface which is free for personal and commercial uses. It has monospace letters and it supports ligatures, the Florin currency symbol, lozenge, and more.

An intentionally illegible font inspired by Agma Schwa's Heterography video and based on AbFarid's Analogue OS

GROOVERIDER — 70's future retro display sans
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Grooverider is another groovy looking display style with that distinctive 70's retro aesthetics.

The concept for the lettering is that of a solid future retro / space-age style with inversed-stress.  It's reversed weight contrast adds some additional groovin' funkyness and good old boogie wonder flavour to the font's overall characteristics. Making it somewhat of a hybrid mixture between two distinct 70's and 80's retro styles.

Simple at the surface, but rather complex down at the Editor level, since the letterforms have several tailor-made geometry and curve shapes. Pulling off some glyphs without disrupting the (near) real Bézier curve geometry was tricky I must say. Like for example the joined letters such as lowercase Æ/Œ, question mark, @ sign, number 2 digit, percent sign and lowecase letter S all proved difficult. But also some unlikely ones that are typically pretty straight forward now were trickier within the font's parameters. But I'm pretty satisfied with the end result so far. Little to no compromising imperfections slipped into the design,  one or two real minor ones are present, but only truly become noticeable once the size is fully blown up.

It was very fun to make though, I hope y'all like it...

Cheers

"Retrogrammata"? Where did the name came from?
From Latin and Greek word for Back and Letter.

MOVIEMAX  — Groovy bold & roundish 70s display sans
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Moviemax is a bold display sans-serif that has a groovy 70s offbeat look. Essentially an all-caps lettering concept with simple looking letters. The basic geometry and inversed contrast with its soft rounded finish create an immediate endearing effect.
The default characterset comes as all-caps (unicase) only, with no glyph alternative forms. It has been completed with additional symbols and punctuation marks.

To make thing a little more interresting I have also included a full (A-Z) alphabet set of small-caps letter modifications with drastically altered proportions. Complete removal of the inversed stressed contrast to make a more simplified and cleaner looking minimalist letter style. Their size was also reduced to 50% of the cap-height (scale ratio ≈ 1:2), providing an optional alternative for the missing lowercase forms in the font.

To finished off this extra set of small capital letters, another additional full (A-Z) alphabet set of large capital letters was included. These letters have also been scaled down a bit to better fit with the small capital letter set (scale ratio ≈ 6:8 or 75% of cap-height).
The 2 sets include a slight more unique and stylized level of sophisticated characteristics to the font, and when used combined together in a mixed-case text format creates nice text capitalization.

These alternative forms are located in the Halfwidth and Fullwidth Forms unicode block.

A set of basic punctuation marks that align with the small capital letters had also been included and could be found in the Halfwidth and Fullwidth Forms & Private Use Area 2 unicode blocks.

I hope y'all like it

Cheers

BEACH RESORT — 1920s Art-Deco style
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Beach Resort is a tall geometric display sans inspired by the Art-Deco aesthetics.

It's condensed style makes up for a rather tall and narrow looking letter concept. The design is further characterized by this distinct asymmetric curve geometry. A tiny touch of stress was added on the vertical axis to create this gentle stroke contrast. The stressed weight of the horizontals automatically compensating it's optical correction issue.

— Only minimal kerning for now, more will be added soon

Hope y'all like it,

Cheers

 BiaSachXua - Bìa Sách Xưa - Old Book Covers
If you look at this font, you'll think that this is just some display font with 3-1-brick contrast (actually it is), but this font is special because it is actually used in a lot of old books in Vietnam in the 1980s (for covers), there's a font for this before (in DaFont), but it wasn't popular, so I want to re-popularize the font to the FontStruct community to see the history of Vietnam through font. 

Some of the characters on this font will be weird such as the z looks like a small number 2, but it is what it is.

The UPPERCASE height (cap-height) is 16 blocks tall.
The LOWERCASE height (x-height) is 10 blocks tall.
The DESENDER will be (maximum) 5 blocks.

You can find the original font here: https://www.dafont.com/biasachxua.font
The original font have 367 glyphs, I will try to add more alternative glyphs to increase it.

CHECK LIST:
Uppercase: Done (26/26)
Lowercase: Done (26/26)
Numbers: Done (10/10)
UPCOMING: Punctuation and more Latin-based characters

THE FONT IS BEING MADE, IT'S NOT COMPLETED YET.

a cyberpunk font with sharp corners. inspired from a variety of sources but mostly the vectorheart aesthetic (which the "vect" part of the name refers to) from the 2000s. the "ix" part refers to the 9-block height of the capital letters and numbers. you may use this font for anything as long as you credit me. vectix is the future, now is the time to embrace it.

GlyphLandyn/Lilly is a sans-serif, pixel optimized with monospace Latin, Greek and Cyrillic letters and PUA (Private Use Area) characters. The  Object Replacement Character is a full square.

This font also includes Thai characters and Linear B Syllabary.

This font is edited with Fontstruct.

SPOKOYNOY NOCHI — 1920's Art-Deco style
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This is a simple monolinear Art-Deco unicase font. Upper & Lower case glyphs are the same sets. But in addition to the unicase (default style) there is a full alphabet of glyph alternate forms located in the Half Width And Full Width Forms Unicode block.

I done global kerning, but extra pairs are still required..

I hope you like it,

Cheers

FABRIKATA —1920s Art-Deco & Dada Constructivism inspired style

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This is latest in experiments into constructing high quality customized curved shapes in small grid fonts.

For FABRIKATA I intended to break away from the grid completely, and create complex geometric letterforms with ultra smooth custom curvatures (near real Bézier).

This is what became the end result of that endeavour.

FABRIKATA sits somewhere between Alphabet Soup's Grafika typeface, countless of old Dada Constructivism print material and the brand logo lettering for Plantur 39.

Exercise

The alternative of Stf nobuntu

Groutaskk - a humanist/geometric sans serif typeface

Version 1.0.0

 - Making more custom smooth rounds, Improving the inktraps & the tapered spurs of some glyphs(M,N,a,b,d,g,m...)

 - Making more custom bricks and composites

- completed all the chars in the Unicode block "Basic Latin"

Version 1.0.1

- added  more accents and finish the Unicode block “Latin 1 supp.” & some chars in  “Latin extended a”

LSans

666 characters

NICE LEGS

This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
This is a monolinear hairlined sans-serif typeface inspired by Art-Deco-ish classic modern and old ultra narrow typeface designs that evoked a feeling of sophistication and luxury..
A condensed slim & elegant style that has this classy look. The tall upper-case evokes elegance and it's asymmertical high- / low- waist distribution.

NICE LEGS was built using simple geometric shapes to make clean and legible letterforms. The super tall uppercase letters and the low x-height,
making this an eccentric, yet elegant san-serif type

— “Condensed, slim & stylish tall glyphs with that classy look that evoke elegance”.

It's asymmetric high- / low- waist positioning gives the lettering a distinct retro look & bohemian feeling that is great for logos & branding, packaging, titles, magazines, posters, signs, and scrapbooking.

As far as it is a clean looking font, it is not designed for large amounts of Body Copy text. It does work at small size, but it is perfect for branding , logos, and posters.

This font comes in both Capital & Lower letter cases. It's also equipped with many other charaters, such as; Ligatures, Numbers, Punctuation Marks, Accented Latin and a supply of special characters

It’s a minimalist sans-serif, delicate and romantic! The smooth and light execution of it’s clean and sharp lines making this font look sleek and elegant, feminine which is perfect for modern fashionable branding designs.

A condensed font with visual elegance, and smooth curves that make your work look true and attractive. Making this a perfect sans suitable to a wide variety of designs due to its neat and simple style.

More details soon

PS: I'm still working on kerning the font...

Cheers

Now with more characters!