BODINI BALWAUM (Regular) — Didone-style 18th century modern serif
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Dobini Balwaum (Regular) is a Didone, or modern, serif typefaces, inspired by the works of Bodoni, Didot and Walbaum.
This is the solid (or regular) style for the Dobini Balwaum typeface.
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In an attempt at getting that typical sophisticated look, the letters have been provided with a stylish mixture of various different designed Serif attributes.
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═════] Type elements ]
Serifs
• Foot—abrupt (unbracketed) bilateral hairline
• Spur—adnate (wedged) unilateral reflexive
Terminals
• ball/beak/barb/flag/ear/finial/tail terminals & spurs
Apex
• pointed cup
═════] Glyph alternate forms ]
Letters:
• a & g—double- & single-storey"a" and loop-tail & fish-hook"g" sets
• K k & R—curved & straight legged letter alternate sets
• u & w—unilateral reflexive & bilateral hairline alternate spur sets
• x—alternate asymmetrical lowercase letter
• J & j—narrower glyphs alternates
• t (2x)—stylistic alternates
• s—alternate form with slight wider top section
═════] Text figures ]
• (default)Old Style—(non-lining)
• (alt 1) Modern—(lining)
• (alt 2) "Didot" Old Style—(non-lining)
═════] Optical corrections ]
• top/bottom curve overshoot
• tapered transitions for shoulders & arc of stems
• stroke-weight compensation for horizontals
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I hope you like it so far,
Cheers
This is a clone of STF_DOBINI BALWAUM (Inline)DOBINI BALWAUM (Inline) — Didone-style 18th century modern serif
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Dobini Balwaum is a Didone, or modern, serif typefaces inspired by the works of Bodoni, Didot and Walbaum.
This font had been in the making for quite a long time as I ren into several design difficulties along the way. Most challenging parameter was the inline width. By default the width for the inline was set at 0.125 (or 1/8th) grid units.
Maintaining a constant width for the inline proved to be next to impossible. Therefor it evolves around a 'close' approximation of 0.125 units instead. Stroke weight for the letterform contours also proved to be somewhat of a constraining factor for the overall design concept. As it limits the ability to build complex geometry.
Due to the complexity in brick arrangements the font remains having some minor imperfections that I wasn't able to polish out so fat yet, and some may never will..
For now only Basic Latin letters, it remains a WIP
I hope you like it so far,
Cheers
LUCERNA — Neoclassical stencil serif
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Lucerna is a modern neoclassical stencil serif in the Didot style.
Simple & Elegant...
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Created primarily with the focus towards luxury fashion and marketing brand-oriented projects, aiming at luxurious and sophisticated design projects.
Although it’s a true and fully functional stencil, design focus wasn’t so much
concentrated around the 'functionality' part of the stencil concept. Instead it was more focussed on the stylish implementation of the concept and on making sure it looks pretty.
The stencil concept was achieved by way of stroke omissions. Some of which are large and drastic, leaving only critical parts of the stroke intact, while others are more subtle, like those detached crossbars or cuts seen in the hairlines.
Thin transitional bracketed serifs and a mixture of various sized teardrop- and pointy terminals, combined with the high stroke contrast, these make up for a sharp and interesting looking font that provokes this thoughtful stencil letter concept.
There is a lot of subtle dynamic height deviations going on, hoping to tune in to more of a lively rhythm, and introduce some playful characteristic properties.
Minute changes to optimize optical performance have also been implemented, such as overshoots. The relative low cap-height makes up for a somewhat short and stocky uppercase quality. Its accompanied by a relatively tall x-height that results in a fairly large lowercase size. Due to the lower cap-height of the font, the short ascenders parts of the lowercase letters still exceed above the Cap-Line, preserving some of that otherwise lost white space, improving legibility.
The design's missing segments and various random detached bits 'n pieces aren't as functional in smaller sizes. Making it harder to read or distinguish detached letter elements from puntuation marks. So it is best used for display purpose.
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A small number of glyph alternative forms are included as well:
• 2 forms of lowercase letter a:Single-storey and double-storey (default).
• 2 forms of upper- and lowercase letters Ss:Pointy terminals (default) and teardrop terminals.
• 2 forms of upper- and lowercase letter Tt: Uppercase letter T has two variations of pointy terminals, normal angled and extra angular. Lowercase letter t has alternative form with teardrop shaped terminal to use at the end of words, and can add a slightly more stylish look. The default version has better proportional width with just a small non-decorative curved terminal, this default form has smaller width for a improved horizontal text advance.
• 4 forms for lowercase letter g:Just 3 additional extra slightly alternate forms.
• 5 forms for lowercase letter f:Bracketed (default), curved, teardrop narrow, teardrop extra narrow, teardrop wide.
• Extra set of Copyright symbols:Cap-height size and x-height size.
• 5 forms of Pilcrow symbols:Just 4 additional extra alternate forms.
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It covers most basic Latin languages, 65 in total so far.
Several symbols and punctuation marks are included. (probably more later)
I hope you like it so far,
Cheers
This is a cloneInspired by the shapes of G1 Decoreus. Vertical serifs only (not sure if that makes sense, but seems to work)
Inspired by Speedometer.