Logical evolution of zolid02, less experimental and more readable, complete and compact.

modern "font" i made in a 2x4 space with only 2 types of block. very y2k-ish.

This sort of comes from looking at Bauhaus fonts and other stuff, and somehow from the aesthetic of clowning (I think maybe.)

Before you download it, it is recommended to download the TrueType Font variant of this font.

Imperfect Font is a font which at first, looks like a normal font, but it has tiny details that tells and confirms that it was made with just poligons which simulate curves.

This font's meaning is that there is not such thing as perfect stuff, but it's object is to be as good as it can.

Changelog

Imperfect Font v1.1

-Added 'Latin-1 Supplement'.

-Slightly changed some symbols.

Imperfect Font v1.0

-Added 'Basic Latin'.

Please put your comments for improvements.

The magic's all in the lower case anyway. Tech startup circa 2008.

Republished with some accents, diacritics, etc. Likely still in progress (as if anything is ever really finished.)  Cheers,

A simplified version of Aurebesh that I made. For anyone who doesn’t know, Aurebesh is the Star Wars font, and is usually called the “Star Wars language”.

"Arbitrancantation" = "Arbitrary" + "Incantation".

Made using a brick from Rendez-Vous and (unintentionally) inspired by Kenyan Coffee.

EPOCH - Modern light-weight geometric display sans

───── 「 MEASURES 」
(in grid units)
X-Height:                       １
Cap-Height:                   ２
Descent:                         １
Optical  Corrections:       None
Stroke:                            １／８ ｔｈ
   
 4－Ｅｍ ／ ０.１２５ : １－Ｓｔｒｏｋｅ （０.１２５ ≍ １／８ ｔｈ）

― No filters used.

───── 「 SUMMARY 」
This is yet another deep dive into the very small and tiny quantum realm of FontStruct's small grid and light-weight stokes.
Unlike some of my previous endeavours into this dark corner of the FS-editor, which could have dizzying complexity in forms, this project for once didn't stress the sh....*t out of me by stretching the limits for my capabilities beyond what is still comfortable this time. Nor did it drain every last frigging bit of my knowledge or clever creative insight to pull it off.

On the contrary,
For once it remained largely a pretty straight forward and easy project in terms of forms and geometry. The absence for most of the 'bar-raising' features such as diagonal forms, rounded, transitions or stroke modulation made this 'FontStruction' that much more easy.

And when metaphorically breaking it down to the bare naked form and necessities, this design mainly consist of FS's (default)-brick set, resized modifications of those, combined with a set of stacked composites.

There a still a number of things I'd rather seen differently, and will see later attempts at making improvement, but taken in a broad perspective most of the included material so far look pretty fine to me already. And to point out one of the things that is still bugging actually are the 'accented' letters.
Some glyphs have odd values for their 'character'-width, and this makes it impossible to achieve 'grid to em-square'-bounding box allignement in FS's editor. So accents in these asymmetrical values look slightly ofset.

― "Changing character widths to nearest even value is simply far too destructive to the stylish characteristics of the fonts appearance"

───── 「 ABOUT  THE FONT 」
In the end it became a pretty cool looking light-weight geometric modernist sans-serif style that at the same time has strong hints of Art-Deco-style lettering as well.

And apart from the minor things it fell short with, I think there is a lot about its overall character-set design and forms that is looking pretty darn rad actually if you ask me.

Content-wise the font is a single case design in a 'all-caps' or Majuscule style. The (Lc)-string was kept empty for deliberately for the technical reason of preserving all the (default)-blank metrics data for any further design updates.

───── 「 WHATS INSIDE 」

A little bit of everything...
 
■ Body text formatting:
    □ Basic-Latin based character set with accented letters & numerals
    □ Most punctuation marks
    □ Numerous symbols

■ Decorative formatting
    □ Pictorial attributes
    □ Repeating patterns

───── 「 THE END 」

Let me know what you think so far,

Cheers

Fleurella - Simple modern yet elegant sans-serif typeface design.

WIP (See discription in the comment sections sample image posted bellow.

What I forgot to mention is that the big decorated "fleurella" monogram is in fact an experimental different weight that might become a new font.

All the decorative ornamental parts (animals, plants) are located in the "The Private Use Area (PUA)"

Accessing them on Windows is easiest using Character Map

- Start Menu, type ‘character map’ and select the relevant app

Cheers

MODERN TYPEWRITER - Typewriter style Slab-Serif

============================================

The idea was do a simple, clean  and solid looking design that mimics the looks of a classic typewriter style typeface used for form fill writing style.

The rectangular shaped concept was carefully chosen to provide this nice mechanical looking forms, and to further enhance the technical style concept of this design.

BLAYDES - A modern geometric Blackletter style

============================================

Playing around with some more experimental geometric forms for a Blackletter-ish font. It doesn't really involve or honors any actual calligraphic traditions. The font is actually just a simple geometric sans that was modified to sort of faking the looks and style of a Blackletter.

I tried replicating various elements that are traditionally seen in a Blackletter, such as: angular-styled segments such as strokes, transitions, tapered endings or serifs with a different approach. I used a set of circular shapes and variations to these in order to achieve a similar effect.

The end result sits somewhere between this obesed airport Grotesk, a contemporary Blackletter and the work of a bladesmith.

It has some very sharp and pointy tips, and for some reason this often very 'sword-like' forms.

HeavyComp entry

STF_SKYR SLAB - A modern slab serif design.

First of all, Hi everyone,

I hope you all doing great...

Seems that for now I have found my way back here, after being away from Fontstruct for nearly 2 years.

I got to admit that I experienced some ring rust at first. lol

Anyway, here is my latest fontstruction, the first one in 2 years.

So far the main design concept and the basic minimum glyph set is about completed, and I am pretty pleased with the result up untill this point.

More technical details on the design and concept as well as demo gfx can be found down in the comment section.

I hope you like it too so far

Cheers

Fractured writing system.

An experiment with stencil fonts.

Moto Verse is a bold, thick lettered and futuristic display font. It works incredibly well on logos, branding or pretty much anything that requires a modern vibe.

Angas is a cool, bold and thick lettered display font. It will look stunning on any poster, flyer or print.