Ideal for colouring in so it's a great 'tool' for letter work in playgroup and primary school with the added benefit of introducing the idea of serifs which links into historical lettering systems.
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1One of those strange designs that sit in my note pad for ages and suddenly decides to become useful :)
Made for German texts.This means that it will also do English texts ;) In fact it will work for all languages that use the Latin set of letters, numerals, punctuation and symbols in text -- as long as no diacritics and other national specifics are desired.
This is a cloneInspired by dpla's comment about an animation showing the transformation of a standard font into the shattered look of "Bruch 01". Such animation will be easier to comprehend if the non-Bruch design is reasonably close to the Bruch design; however the transformations won't be spectacular ;)
Although rather 'basic' this design would work well for such a presentation. Sadly I don't have an animation program to show this.
This is a clone of Bruch 01inspired by old computer fonts
This is a clone of Gamaeo reglrAfter Dmitriy added the beautiful Cyrillic set I added More Latin and some of that set's punctuation and symbols. That explains the "C+ML" of the name ;) I thought about adding Latin A but at the moment I can't figure out how to set the accents without breaking the ratio between UC-LC heights even further.
This is a clone of ABC CInspired by a video showing a hairdresser creating a wig for a play........
Many LC glyphs are an alternate to corresponding UC.
I haven't mastered creating good joints between FS bricks and the compos I need to make ""to join"" the two types of brick. Trying to get them to flow into each other produces more or less untidy joining in many places which I find frustrating. Maybe I have to sketch out simpler designs for easy Fontstructing.
Looking at the caron I wonder if the center cross-over brick needs replacing with the one that dips downwards? See the two different bricks in the caron of E and e.
This is a cloneReverse in the visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery pendants.
I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.
This is a cloneListening to cricket matches I saw a lot of trajectories in my mind when commentators discussed the balls' flight paths and where they landed, of some incredible bowling.
What a great inspiration for my first entry for the ReverseComp.
Maximum rectangle size is 16x20. The LC contains the flipped reversed UC.
I see many white-in-black designs coming in, I'm adding to them as we don't see this type very often ;)
I think that I managed to give the "impression" of those occasional graphics displayed in cricket, football, tennis and other ball-based sports (it might be hawk-eye linked) that show where balls have originated from or to predict/illustrate their continuation.
A blank space is on the underscore, a filled space on the space bar.
Numerals and very basic punctuation are done :)
A bit of artistic flying ;) This design would have benefitted from the original 8x8 composite possibility but 5x5 or 4x6 would have worked, too. Done as far as I need it for normal communication in modern English.
Raysan in custom wrapping ;)
This is a clone of Raysan No-arrA much blacker Raysan version. I wanted to name it "Raysan Chunky" but " Raysan No-arr" is way quirkier :D.
This is a clone of Raysan BlackWider lines on this version of Raysan. As it is a display font it only needs upper case and some essential punctuation. It would be useful for shop signs, headers and (part of) logos. It belongs to the Raysan family but I changed some spacings.
Yes,I didn't follow my design rule for J,T,Z,1,2,3,7 nor for .,+-+ and the different types of >< I found the left lines with the a in @ and e in & unpleasant and unnecessary.
This is a clone of Raysan GreatI wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of Raysan