Aaaaaahhhh... Won't You Please?
This is YET ANOTHER font based off of a song from LUMINES.
Why do I make these so much?
Another cursive font, once again based off of the song Big Elpaso from the puzzle game Lumines.
Yes, that's how they're spelled.
The name Pos Ya is my original thought to when I finished the font meaning it's done, there, finally, it is in spanish. It is a long and skinny font that can be used in different ways. Experimented different versions and this was a top version that is stil legiable to use.
Something "fun". Inspired by the many journeys I've made and by train travels. And by my grandchildren's train toys. The angular design echoes small table tops we sometimes use to put the tracks on ...
UC is normal weight and is used in the sampler (font name). LC has some thicker lines for increased legibility although this font is only meant to illustrate concepts (travel, finding new ways, diversification etc) or for logos, shop signs, invitations and similar. Not simple enough for use in anything long or complex that has to be easily read.
Inspired by raster scanning & horizontal synchronization for image & video display.
It's Monday, so I really didn't want to work too hard on this one.
A typeface inspired by the theme 'systematic', developed through finding hidden shapes within geometric architecture and using them as building blocks for the letterforms. Sister font to - STACKED BLACKOUT
Another font Inspired by a Lumines Song.
You're In The House!
This is my 3rd font here in FS and still improving some... My 1st and 2nd was inspired by "nal"...
Finally! Ancient Maze is available now its really hard and fun making this type of font.
A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!
"Absinthelyric Print" is an anagram for "Labyrinthine Script".
Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)
1. Square bricks and 90-degree angles only.
2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they terminate.
3. Glyphs must fill the 15x15 grid.
4. Ligatures and combinatorial glyphs must fit into one letter's space.
5. Draw from the outside in.
https://fontstruct.com/fontstructions/show/210139/funkadeliaThis is a clone of Motakku
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)
Reserved font name "Vertalics" (previously known as "Chicken Scratches") was created by and is Copyright Doug Peters 2018, and released as freeware under the SIL Open Font License. It is currently a limited character set novelty font and would require a lot of time and patience to develop it beyond that because of the nature of its design. You are welcome to carry on the work on your own, though I would like credit for the concept, initial design and the working start on it.
My Font Groups:
Another one from the great Dutch graphical designer revisited.
More than just a little inspired by cookielord's scanlines, mattyou's tripo and by jirinvk's overlay styles that create a complete visual when used together.
Just testing an idea. So far it has given me 2 eye aches ;) and has worn down the Fonstruct eraser to a small chunk. I'll add some more glyphs when Meek has put a big jar of new erasers into the Fontstructor :D WIP
Inspired by the starting point 'elegant' , this font was developed looking at the structure of constellations, and how a number of different points can be interpreted into images. The fine, interconnected lines of the typeface reflect the delicate and subtle connotations of the word 'elegant', and it is designed to be used as a display face. the name 'Cassiopeia' is taken from an existing constellation, initially listed in the 2nd century.
Topolegs was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font. This is a follow up of the font I previously created called Topo.This is a clone of Topo
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!This is a clone of MasterClass 1
Topo was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font.
One of those strange designs that sit in my note pad for ages and suddenly decides to become useful :)
A wicked track-looking font with every letter at least has a 180-degree-flip pair. Perfect for ambigram.
" ( " for left line cap
" ) " for right line cap
"space" for extending the lineThis is a clone