130522
Published: 6th May, 2008
Last edited: 6th May, 2008
Created: 6th May, 2008
An early attempt to understand and get used to the interface. Set on a pixel grid but not really worked upon much for perfect appearance. Feel free to edit...
370943
Published: 23rd May, 2008
Last edited: 5th June, 2008
Created: 23rd May, 2008
I like both the uppercase and lowercase part of this font, but togheter they produce a strange mix. Anyway, it could be an option for a solid and nice hybrid case.This is a clone of Futuristica
330790
Published: 1st October, 2008
Last edited: 2nd October, 2008
Created: 27th September, 2008
NON_proportional (FIXED) UPPER CASE CHARS, SEMIgraphic lines, Euro & Dollar sign,
lower "a" is a FIXED SPACE.
190552
Published: 1st December, 2008
Last edited: 6th December, 2008
Created: 30th November, 2008
A font for titles/posters
P.S: "Cabbage cake" is a phrase I use to test my fonts once I have designed letters a-k.
170812
Published: 19th November, 2008
Last edited: 3rd December, 2008
Created: 17th November, 2008
I used the "font" that my Texas Instruments TI-84 PLUS calculator uses.
2701033
Published: 3rd May, 2008
Last edited: 25th February, 2009
Created: 3rd May, 2008
An unfinished font...I`ll be working on it for the next 6 weeks...Enjoy & comment! And don`t forget to check my other FontStructed original fonts! :)
Contact me at: http://sahwar.deviantART.com
EDIT: Kerning should now be better!
3906162
Published: 18th July, 2009
Last edited: 14th July, 2009
Created: 8th July, 2009
‘int’ stands for ‘international’ as this font covers multiple scripts.
It’s not beautiful, but it has a lot of (uppercase) glyphs to start from. It’s more like a showcase of what is possible in a rectangle 5 pixels wide and 7 pixels tall.
50261
Published: 18th August, 2009
Last edited: 18th August, 2009
Created: 18th August, 2009
This is my first font, so I thought I would just make it free for everyone.
The font just consists of uppercase letters, no numbers, punctuations or lowercase letters.
80673
Published: 7th November, 2009
Last edited: 16th November, 2009
Created: 26th October, 2009
For my font I tried searching for a new meaning to explore the theme of curves. I did this by approaching it in a different manor by looking into the value of 3D curves, for example poles. This was then developed from phone masts into the forms of aerial and radar. Its name derives from my view that the font Arial could be updated and made more exciting and I did this in a literal way, its primarily a headline font, but could also be used for logos, especially within the telecommunication industry.
901592
Published: 25th June, 2010
Last edited: 25th June, 2010
Created: 19th June, 2010
A blocky font, best used in ONLY UPPERCASE or ONLY lowercase. I still think it looks funky weird when I do uppercase and lowercase at the same time.
Also best used large-sized, not Pixel base.
If you have any recommendation on how to make some characters that are missing, or some other characters that you think look a bit wonky, a comment is appreciated ~
210584
Published: 21st July, 2010
Last edited: 8th September, 2010
Created: 28th April, 2010
Enjoy the font!
(p.s: No matter what I cannot make an 'X' or 'D' look good. Any help with this would much be appreciated!)
(p.p.s: sorry, I only did it in UPPER CASE - update lower case is now being worked on.)
7001004
Published: 25th November, 2010
Last edited: 29th November, 2010
Created: 23rd November, 2010
A digital modular-font conceived to be used in LED matrix-based buss headsigns. It features upper and lower cases -- although the lack of descendants due to size constraints -- along with some basic figures and punctuation marks.
500423
Published: 9th November, 2010
Last edited: 8th December, 2010
Created: 7th October, 2010
Beat the Whites With the Red Wedge, a typeface inspired by the typographic work of the Russian constructivist artists. I wanted to communicate order my typeface, so I researched order within society and this led me to the Russian communist era, constructivism was an art movement within this period. The bold clear typorgraphy of this era influenced me to produce this slab serif version of a constructivist font. I chose to give this font serifs to give an added touch of order and formality. However I do intend to produce a sans serif version and also a bolder, headliner version of the font.
It is a weighty typeface with a strong presence. Due to this nature I would say that the font is best used for subtitles and signange, possibly not main headline text. Also designs that hold an essence of this era.
1302120
Published: 1st June, 2011
Last edited: 25th July, 2011
Created: 23rd May, 2011
A tidy font that looks good at any size. This font includes 'More Latin' characters.
310741
Published: 27th May, 2011
Last edited: 14th February, 2014
Created: 21st May, 2011
A calculator display including upper and lower case letters, numbers and some punctuation.