Someone said that my fonts break their brains? So be it, my last deconstruction (maybe;).
Кто-то говорил, что мои шрифты ломают мозг? Так уж и быть, моя последняя деконструкция (возможно;).
The font is from primitives, while it is more complicated than it seems. The forms are inspired, among other things, by the graphics of Yves Saint Laurent patterns and sharp shapes (resembling a beak), and the name refers to a bird - magpie - which we consider to be a symbol of greed and greed for shiny jewelry (this is typical of these birds, probably a reflex for searching for prey) .
Шрифт из примитивов, при этом он сложнее, чем кажется. Формы вдохновлены в том числе графикой паттернов Ив Сен Лоран и острых форм(напоминающих клюв), а название отсылает к птице - сороке - которая у нас считается символом жадности и падкости на блестящие украшения (это свойственно этим птицам, вероятно, рефлекс для поисков добычи).
ultra grooves. these letters connect to each-other. you can use the '-' to connect letters from the top, and '_' to connect letters from the bottom. not all letters will connect, so try experimenting with the upper/lower cases to see which alts will connect to each other. i did my best to come up with as many combinations as possible, but if i missed any that you think could work, please let me know.
initial concept inspired by Drum and Bass LDR by Neoqueto. there is an alternate 'L' in the lowercase that looks better with double l's on words like 'yellow' as the regular 'L' looks weird when there is more than one.
while this was made for a logo, it is much more experimental and sci-fi than the others. it feels like an evolution of my previous font "pearl."
My first serious attempt at a font. Please leave comments and constructive criticism. My vision for this font is to be somewhat hard-to-read, futuristic, abstract, and modern.
My fontstruction inspired by building structures, each letters ascenders and descenders inspired me to shape each letter in their individual way. I tried to include different aspects of what you see in buildings throughout the alphabet like stairs, windows, doors, roofs etc.
My chosen theme name was systematic and I followed that theme through to my style of type face by how buildings and structures are systematic, they work together as a big system and fit into a city.
Re-creation of Technik®, a one-weight typeface originally designed by German design studio Bionic Systems™ in 2001. This re-creation contains 2 weight : Technik® Display, best for titles, and Technik® Text, best for small text.This is a clone of Technik® Display
Re-creation of Technik®, a one-weight typeface originally designed by German design studio Bionic Systems™ in 2001. This re-creation contains 2 weight : Technik® Display,best for titles, and Technik® Text, best for small text.
Agent Dagger is a font inspired by the 1983 Atari arcade game
"Cloak and Dagger" / "Agent X" featuring a full range of retro hacker styled characters with various glyphs and symbols
created by: Abstract Lion (Christian "Kiko" Lopez)
This is dedicated to everyone who complained that they couldn't read my other fonts!
When Your Plot Requires Cryptic, Secret, Code...
When Your Project Requires Concrete, Mysterious, Branding...
When You Dream Beyond Cliche Typography...
When Your Client Prefers Freehand Feel...
When Your Business Hints Exclusive Niche...
When Your Story Foreshadows Unique Supernatural Identity...
When Your Ad Begs Whimiscal Legibiblity...
Are you a <s>blind</s> bad enough dude to read the Esperhand?This is a clone of Esperhand
A highly abstract, mandala-like segmented display which turns bodies of text into primitive starfields, complete with constellations, planets, and space debris. As it turns out, there are quite a lot of ways to write, draw, and encode information with this! Check out the sample text views and try preparing some text of your own in the User Input field.
The name, and the background of the sample art, are inspired by some art/lore from a friend. <3
I might make more designs like this for generating different kinds of art/textures. If I do, I'll probably scramble the display pieces among the alphabet. I didn't with this one, and for certain kinds of text input, that might show.
LARGE AND CLUMPSY (THEREFORE VERY USELESS) BUT COOL LOOKING ART DECO TYPEFACE.
By request, a "junk font". Looks pointy, glitchy, fuzzy, janky, grungy, burned, rusty, distressed by power tools, or some superposition of ONE OF THESE OR MORE, depending on the size used and the rendering effects (antialiasing, smoothing, etc).
Rather than force the letters into convincing classical forms, I focused on making sure each letter was thoroughly scrambled. This design could in theory be used with an image-recognition script in order to be put to cryptographic uses... the result would be fun, but not very efficient or crackproof. UC is the same as LC, at least for now.
The original brick-of-bricks is located on ".". This is the template from which the other glyphs were made.
1. Up to 25 distinct bricks from the palette may be used in the overall construction.
2. Each glyph will incorporate a heterogeneous mix of these bricks.
3. Bricks may not be flipped, rotated, stacked or composited.
A general 2D endeme construction font designed to turn text into endemes, where the letters of each endeme are placed in each rectangle. With symbols used mostly for drawing within the grid.This is a clone of WordBuilder
By request, a "waffle stencil".
This is an E6x6 broken into nine 2x2 fields. The larger and the more precisely cut it is, the more readable it becomes!
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin charachters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.