Contemporary techy looking Sans-Serif design!
Once more a pretty thin design.
Brick filter @ 1x1
grid scale @ 0,85x0,85(to restore unwanted vertical spacing caused by nudging)
0.5 grid square unit weight.
Modern sans serif, influenced by Eurostile and Future Earth. (Getting a 500 Internal Server Error with that link for some reason)This is a clone of Aurigon A
Modern sans serif, influenced by Eurostile and Future Earth. (Getting a 500 Internal Server Error with that link for some reason)
This is a capitalised futuristic font that I made, I hope you all like it! :)
A optical illusion font! Is Much rounded bricks and erased parts for the letters. The Small F is like the Facebook logo.
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.
Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.
About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P
Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)
Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p
has it gone 2 far? hope it didn't hurt you.
https://fontstruct.com/fontstructions/show/53335/elltee_semi_serifThis is a clone of amyn
Inspired by raster scanning & horizontal synchronization for image & video display.
This font was created based originally on the word 'Gregarious'. From that I researched Social Housing in the UK. These are spaces designed to house many people for as cheap as possible. I used compound blocks to create complex detailed flats that stack up as high as a tower block usually would.
Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.
Based on the (relatively) recent AMD CPU branding (Ryzen, Ryzen Threadripper, Ryzen PRO, EPYC, Athlon).
Typeface does not contain:
• locked multiplier
• inefficient thermal interface material
• ancient 14 nm process node
• Meltdown and Spectre vulnerabilities
Ryzen name and branding is a trademark owned by Advanced Micro Devices. The AMD Arrow logo is a trademark owned by Advanced Micro Devices.
Inspired by the combination of digital code, alien inscription and bold Greek and Russian typography; this font was created with "confident" being the main theme.
The visual features of confidence have been a focal point in the production of this font. Generally, confidence is associated with being bold and comfortable with ones self. But since a font is far from being human, I wanted to specifically focus on the combination of poise and shape.
"One Small Step For Man" is my futuristic font based on the theme of ambition. I wanted to create a simplistic and wide font that is longer in width than height in order to replicate the long steps taken by Neil Armstrong when he was the first man to walk on the moon. This was an iconic moment in history and a key representation of ambition and the ideology that we can do anything if we believe.
Argh, this was horrible to make .. well, getting it slightly balanced was a nightmare. The missing segments of the glyphs constantly caused my brain to correct what I was looking at by means of general logic and my knowledge about the way in which letter spacing usually works. This effect was worst with the letters T, U, Y. And I am convinced that it still contains the necessary disproportionate irregularities with regard to the metrics. I tried kerning it as best as I could. It has only uppercase letters, no numerals and very limited punctuations. I am not sure if I will ever complete this.
enjoy!This is a clone
This project has changed my view of type by being patient and to really think about how the typeface will be protrayed in a product. My typeface reminds me of an "old-school" videogame. I had alot of fun with this project because I got familier with the tools in this program very quickly. I hope you enjoy my font, Funky Pixels!