This is an enhanced version of the retro font you see on old games. Still WIP. The squares are just placeholders and will be removed shortly. I hope to make this have more characters than any other fonts in the future (this might take a while). This font can be used in retro-style games, computer graphics, or anything else you can imagine. This font is pixelated, meaning it is lightweight and easy to port to many devices.This is a clone of Ndless Default Font
This is the 2nd version (cloned) from "Matilda"This is a clone of Matilda
Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
Original size: 20.75pt (use multiples of this value for pixel perfection)
Font used for signs in the 11th Heaven BBQ Bar'n'Grill Casino in my game Trap Farmer Brer Brah.
See also:Rivet City
Original size: 8.25pt (use multiples of this value for pixel perfection)
This font is based around the theme of 'Filth' and took direct inspiration from a piece of dirty netting. The convex effect the grid pattern has on the letters reminds me of 3D digital drawing software, could be used for something within that field. Intended to be used for display text.
This font is based on the construction of origami. When creating any kind of origami a system must be followed in order for it to be successful, so I realise this linked in well. With all variations of my systematic designs the main idea behind them was the combination of basic shapes. With this font I mainly used squares and triangles, creating something complex by using a rule and a combination of geometric shapes.