721452217
Published: 16th February, 2010
Last edited: 16th March, 2010
Created: 14th February, 2010
I began this fontstruction as a challenge to create a seriffed pixel font with grid characteristics similar to iSlab’s 8 pt setting (bearing an x-height of four pixels). This inspiration began with similar shapes and roots as its predecessor, but evolved from there once it quickly became clear that those shapes really could not be reproduced with strict pixels.
Then I went on a bender creating the katakana and hiragana character set.
Then I went crazy with filters and single brick substitution.
1331410341
Published: 31st January, 2010
Last edited: 22nd February, 2010
Created: 29th January, 2010
The letter forms are based on solid square, where each letter form is created by removing only what is necessary to identify the letter and retaining consistency between the other letterforms.
730541
Published: 28th April, 2008
Last edited: 28th January, 2010
Created: 28th April, 2008
Second try. Still in progress. Let me know what you think so far.
681216322
Published: 24th October, 2009
Last edited: 9th December, 2009
Created: 24th October, 2009
edit 04 Nov;;
Now with (some) diacritics! And more fancy glyphs! And extra flourishes! Arlen is a part of a healthy balanced breakfast. Try it today.
edit 28 Oct;;
I am humbled by the recent Top Pick award, since I consider this set a constant work-in-progress! Pieces will be added and changed over the next few weeks. So hopefully it continues only to get better and not worse. ;P
711257015
Published: 24th October, 2009
Last edited: 28th November, 2009
Created: 17th October, 2009
More pxl love. And another expansion of Lex Kominek’s Trajedy majuscules.
The freshness of the original charmed me into creating an extended set of matching miniscules, diacritics, symbols and ligatures. But why stop there? :^)This is a clone
167137850
Published: 22nd November, 2009
Last edited: 22nd November, 2009
Created: 16th November, 2009
This font consists purely of elements of musical notation. Some of the letters are a bit far fetched and it is only barely legible, but I like it, and maybe you should use it for musical notes instead of text.
442314
Published: 21st April, 2008
Last edited: 21st October, 2009
Created: 21st April, 2008
Manually anti-aliased version of Low Orbit. This is a clone of Low Orbit
6731145
Published: 3rd July, 2009
Last edited: 20th October, 2009
Created: 30th June, 2009
I have made so many clones of the original design that I've decided to let this weight & width be the parent.This is a clone of Alchemy 42
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
4532712
Published: 20th November, 2008
Last edited: 26th September, 2009
Created: 16th November, 2008
Using only a clock, its hands and highlighted arcs of the outline I have made this handsome pixel font.
12122757
Published: 20th April, 2008
Last edited: 24th July, 2009
Created: 20th April, 2008
Clone of C64 multilingual, based on a pixel font of Commodore 64, a legendary computer from 1980s. Additional improvements of legibility and design consistency: Serifs were removed, narrow characters expanded, letters with descenders and ascenders now share x-height.This is a clone of C64 multilingual
85517612
Published: 5th July, 2009
Last edited: 13th July, 2009
Created: 4th July, 2009
Crackers pillowcase is basically an outlined version of Crackers.
No lines are connected (no blocky edges).
261176717
Published: 2nd March, 2009
Last edited: 1st July, 2009
Created: 17th February, 2009
Inspired by Em42's 'Dioptical' and various other Fontstructions carrier out by fellow Brothers of the Optical Cloth.
1303179518
Published: 20th June, 2009
Last edited: 28th June, 2009
Created: 19th June, 2009
My aim to to express the most information with the minimum amount of pixels. I have minimized basic Latin, More Latin, extended Latin A&B, Greek, katakana, hiragana, Hangul, Cyrillic, Armenian, Hebrew, Georgian, Tamil, and Telugu. The katakana and Armenian are clean. The hiragana is a bit harsh due to the many intricacies in the strokes. If someone who knows whatever language uses those can discern one from the other, then it is good. Hangul lacks quality because the glyphs were simple enough that I jammed them closer. Tamil is big because of the loops(or so it felt). Some need to be checked for positioning.
1875637
Published: 10th April, 2008
Last edited: 24th June, 2009
Created: 10th April, 2008
IN PROGRESS! If you want a complete version you have 2 options 1) wait for me to finish or 2) clone it and finish it yourself. will come back to this on and off as time permits.
20379840
Published: 3rd May, 2024
Last edited: 24th June, 2009
Created: 2nd October, 2008
My creepy version of famous 7x7 font.
Use uppercase to get more blood!
Characters _ $ % & # give you special symbols! Thx to everyone who will rate, comment and download! And thx to the original 7x7 Pixel Font by neon280!This is a clone of 7x7 Pixel Font
150212912
Published: 29th July, 2008
Last edited: 23rd June, 2009
Created: 28th July, 2008
A clone of Innocent When You Dream, made up of square blocks instead of round ones.This is a clone of Innocent When You Dream
292109831
Published: 8th January, 2009
Last edited: 23rd June, 2009
Created: 6th January, 2009
It's like Helvetica. But bitmap and not solid and all scraggly and stuff.