…

INTENDED LANGUAGE SUPPORT

• BELARUSIAN

• BULGARIAN

• ENGLISH

• HAWAIIAN

• NORWEGIAN

• RUSSIAN

• SERBIAN (CYRILLIC AND LATIN)

• SLOVENIAN

• TE REO MĀORI

• UKRAINIAN

THIS IS BASED ON MY HANDWRITING. NOT MY REGULAR HANDWRITING — THAT DOESN’T ALLOW FOR LOWER-CASE LETTERS; SO WHENEVER I NEED TO WRITE SOMETHING WITH LOWER-CASE LETTERS (SUCH AS IN EXAMS.), I USE THIS STYLE.

I KNOW THAT IN PLACES IT LOOKS A BIT BROKEN. BUT AT THE SMALL SIZES OF BULK TEXT, IT SHOULDN’T BE TOO NOTICEABLE; IT’S NOT REALLY DESIGNED AS A DISPLAY FONT.

AND I ALSO KNOW THAT SOME SERIFS AND STROKES AREN’T EXACTLY COMMONPLACE (SEE THE UPPER SERIFS ON THE LETTER: “u”). IT’S JUST HOW MY HANDWRITING TURNED OUT.

INTENDED LANGAUGE SUPPORT

• ENGLISH

• RUSSIAN

• TE REO MĀORI

“WHAKAITI” IS A MĀORI WORD MEANING “TO MAKE SMALL”. IT’S ROUGHLY PRONOUNCED: “ɸɑkɑiti”.

A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.

8×9

WELL THAT WAS A BIT OF A WASTE OF TIME.

FOR ALL YOUR ANTIQUE SLAVIC NEEDS.

THIS FONT IS KERNED TO THE MAX..

ЭТО ПРОСТО РУССКИЙ КУРСИВ ДЛЯ ЗАГОЛОВКОВ.

КАЖЕТСЯ, ЧТО ЗАГРУЗИТ НЕ ПРАВИЛЬНО. НЕ ЗНАЮ ПОЧЕМУ.

2019 marks the 100th year of the existence of Bauhaus. In honour of this iconic art movement, I have designed my first Fontstruction based on the minimalist and structured design which embodied the movement from 1919 until the mid-1930s. In order to create this Bauhaus inspired font, I have kept to 5 different 'blocks', that create the form and a 5x7/6 size allowance to keep a uniform structure.

Kaylum

Ornate has been created based of the theme 'Elegant'. Through the process of producing this typeface I carried out various experiments by hand exploring different styles of typefaces which showcased the concept of elegant; such as Calligraphy and refined san serif/serif typefaces. This serif typeface is my interpretation of elegance and represents the characteristics I explored through researching and experimenting. It’s simple, refined and confident.

Mildly quirky serif font made for the signage/logos of a certain event. Limited character set.

An avantgarde serif with a mild horror theme. It takes advantage of the properties of antialiasing/text smoothing algorithms to render a convincingly handmade aesthetic.

Making attractive, consistent, nonpixel serif designs at this grid size is quite a challenge. Making them look handmade is even moreso. I've tried that many times, but this design is the first such one I felt was truly usable. It doesn't quite look typewriter-esque, but blends well with other designs that are.

For this I used many different serif shapes, with each one depending on how the line it was attached to wanted to bend or terminate. This is in contrast to most other serif designs I've seen, in which the serifs themselves are more consistent in shape. I decided against faux-bezier curves for this, because they all looked way too polygonal. I think this is one of few cases where a rectangular O and S enhance the overall design rather than weakening it.

Version 0.5

*

A font made for a Terraria mod. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken as seriously as other Didones. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.

The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade.

*

Notes

The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.

The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).

A Western-style font created by me…

Added Lowercase… (k and x were the hard ones to do)

Just some doodle grown into a whole font

it's a bit hard to read. I don't really consider kerning it. Suggestions are welcome.

My take on those classic serif style stencil designs.

Initially I started this design as a all caps display style, the desicion for a lowercase came once the uppercase already had been completed, and I truly had a hard time making a good looking lowercase for this one.

Also it felt like kerning this style was much harder to see and get right than most other fonts I made.

There still remains a number of things I had rather seen different, like those numerals, but this is the best I could do for now, I hope you like it!

Cheers

Same as DAZH, just with higher detail.

Pixelated, Serifed font.

I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.

Here is my Serif version of my Altrimaya alphabet. This alphabet is developed specifically for use with English and Kynaat (link can be found in comments). Unlike my Atemayar Extended font, this font only covers these following letters and currency symbols:

For English: ABCDEFGHIJKLMNOPQRSTUVWXYZ$

For Kynaat: AÅÃÂBČDĎÐEĚFGĞHIJKLŁMNŇOØÕPRŘSŠTUÛVXYÝZŽ₮

Experimenting with 5x3, 5x2, 5x1 composites. The Stems are 3/5 block wide.

Name is a pun and a work-in-progress.

This is my first try at a serif-style font.

If you need any character set specifically, message me and I'll add them ASAP.

Contains:

-Basic Latin 100%!

-Latin Supplement 100%!

-Latin Extended A 100%!

-Latin Extended B ~60%

Planned: Cyrillic, Greek & Coptic, Latin Extended Additional

More coming soon!

BBL

5x5

LOL