Adarn I can Serif Typeface Pixel Looks Like this Font

This font has separate characters for Ð, Đ, and Ɖ!

Based off the font on Gary Numan's 1979 albums, Cars and The Pleasure Principle. I learned just now it's called Aquarius, a little font designed in 1972.

It took me 2 days to make this...

My first serif! If you have any alternates for this font post them below in the comments. And yes, I made the "y" like that on purpose. And no, most of this except the "y" is totally original. (I think?)

Giving a little bit of love to the quarter-size bricks.

Each glyph occupies a 3x3 grid space.

NO Kerning

In develiping...

Inspired by zpheres by elmoyenique.

This is my first ever made font. We used this program in our class to create a simple alphabet in our design. Please visit my Instagram @liliumquartz if interested in other stuff I do.

I wanted to make something kind of resembling late victorian advertising typography. So, heres that. I'll probably continue making edits as time goes on.

1:ae 2:ie 3:zh 4:ee 5:th 6:ch 7:oy 8:ooe 9:oo -:- ^:ah

q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:oe [:ue

a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:ow ::: ]:aw

z:z x:dh c:sh v:v b:b n:n m:m ,:, .:. /:?

!:AE ":IE #:ZH $: EE %:TH &:CH ':OY (:OOE ):OO =:( ~:AH |:)

Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:OE {:UE

A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OW *:; }:AW

Z:Z X:DH C:SH V:V B:B N:N M:M <:' >:" ?:!

This font is a Serif font. It means that there a little hooks on the end of most characters, similar to the Times New Roman font. For more information, visit this Wikipedia article on the difference between Serif and Sans-Serif fonts.
 

Font specifications: Average character size: 8x5, largest character size: 11x5; 7x7, smallest character size: 1x1. Avaliable versions: Regular, Not avaliable (yet) versions: Bold, Italic, Italicised bold

Enjoy!

Pixel version of "Microsoft Uighur".

@LILProductions ok, fixed it buddy :)

@swash.buckler Thanks. 

A Unicode version of "7:12 Serif". I am going to finish the font as soon as possible.

Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’

This typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.

This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.

The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.

Theo D'Cruz 2020

This is my first typeface as a first-year graphic design student at UWE. It has been created based on the theme ''Rebirth''. Inspired by the Renaissance which means ''rebirth'' in French the typeface is a transition from the old to the new. It is also connected to moon phases as a symbol of rebirth and change. The typeface is a combination of sharp elements and smooth shapes, has some futuristic and traditional motifs. Each letter is unique and can be used by itself or in a text with the others. Any comments are welcomed.

Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric.  It' s possible to work with him and maybe Emil will go one step further towards italics...?