Ligatures ff and tt at the fi, ff and fl glyphs. Hope you like it.

A Bauhaus style with highlights.

Opening Day of Marvel's "Madame Web" movie!
Keeping it simple with a shaded 3D extrude and red spider-sense lines.
I wonder if the Spiderwomen have the Peter Tingle? 

Some alternates in lower case and filled counter glyphs also included.

Large pixel font similar to my own handwriting.

A Cyrillic Addition to MaxiGamer's Mercy Font.

Ʌ ʌ = Alt Л

a font that looks like ascii, but isn't

update 1.1 - added lowercase and numbers

זה הגופן הראשון שיצרתי כאן באתר!!! קרדיט לאיתן ברטל ולגופן שלו "קורינתי" לאותיות ג, ז, ל (למרות ששיניתי קצת את !הצורה) והאות ק!

WIP

Not  about x

See more:

https://fontstruct.com/fontstructions/show/1563198/yakut-brilliant

Recreation of the large pixel font from Technōs/Leland Interactive Media's "Double Dragon V: The Shadow Falls" (1994) on the SNES.

Only the characters present in the game's tile set have been included.

QbUabOabTaEabDa

use lowercase a for extending Q's line

and lowercase b for T's line

always use uppercase

usage sample coming...

UC roofs slanting down from the left, LC roofs slanting down from the right. To have pointed roofs on words use 1 UC followed by 1 LC ; if you want words covered by a 'typical' factory roof-look of the industrial past use only UC or LC.

Numbers, symbols and puctuation buildings are shorter and their roofs slant in both directions from the center; their lower roof corners join any other lower roof corner.

Word space is just that, if you want some decorative item to show gaps or word space use some of the designs shown on symbols, or use the underscore moon. The hanging lamps and sign scrolls are designed to fit on the taller sides of a letter unit.

An actually usable version of the "tag spam" font "N00B F0N7".

No need to thank me.

Opening day of Guardians of the Galaxy Vol. 3! 
Celebrating with a spacy star filled background texture, bombarded by comets infiltrating multiple dimensional planes of existence. "Guardare" is Italian for Guardian.  

Third font in a series of three colour pixel experiments, made after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari. This one has a double shadow, which gives an extruded 3D effect at a smaller scale.

When used for Minecraft Bedrock Marketplace items, please add credits to the original FontStruct page for the font you used. Thanks!

Minecraft Legends based font. You can use it for whatever logo you want or as a reference

a font made of h

lowercase h is just one single h

please do not ask me for character count.

sequel complete, starting triquel

extended latin B:

-makes no sense -most of it it's a jungle, but there are letters that make sense like IJ, NJ, DŽ... -their dicatrics mess up the Lucida Sans font -is totally the worst -has code-points from 0170-024F -what as a category would enter

INNERCITY — Geometric future retro display grotesque
════════════════════════════════════
Geometric unicase display sans with a stylistic filled counter-like (Uc) set and monolinear 'bare-boned' geometric grotesque (Lc) set.

— Full alphanumeric dual-variant font !!
════════════════════════════════════

Elmoyenique's "zenzura" (a very stylish work in it's own right, make sure to check that one as well) anyway,
His 'zenzura' font kind of struck me with a healthy fresh dose of motivation. In the past I've explored somewhat similar style designs, but none of those ever really got consolidated into the extensive and complete work Elmo delivered with his stunning zenzura.
So I decided to dig up one of my older such projects and see if this new motivational boost could turn 'half'-a-font into a complete piece.

Long story short, this update is the result of that venture.
════════════════════════════════════

Where previously this project came in just one style (filled counters), with no additional glyph alternates. Basically a complete absense of the lowercase-string all together, and only very limited complementary set of symbols and punctuation marks were present. Neither did the previous version had a great deal of refinement in terms of metrics / kerning and overall horizontal distribution of type-set material.  So, it was nothing more than a plain doodle of the idea I had back then, that had to be preserved for a later stage.  
But being drawn into more recent projects at the time I eventually ren dry on motivation to fully finalize this I ended up publishing it in its rough state.
════════════════════════════════════

ABOUT THE UPDATE:

The'bare-boned' lowercase is a somewhat futuristic geometric looking form, whereas the filled uppercase set has a strong retro vibe.  

Combined in 'mixed-case' it can make a cool optional decorative style capitalization for your text. Used in isolation the two styles (Uc, Lc) both could be used as two seporate fonts, allowing stylistic text hierarchy.

In addition to the stylish retro-like, and partially filled forms I included a glyph-alternative set that strips the letterforms down to their monolinear core-geometric essence.
The design of this set is characterized by the spacious, sharp and clear appearance, that looks slightly futuristic but fashionable still.

With this new addition being the more legible and clean form of the two style sets, I placed this variation into the lowercase-string, making this the default-style for the font.
For the numerals, symbols and punctuations, I tried to remain committed to the stylish filled nature of the uppercase set.

A full alternative monolinear and 'bare-boned' numeral counterpart is located in the 'Full Width' Unicode block. Two extra weight variations for the brackets are also included for a more precise personal preference..

— And so it finally could respectably considered being a full font after all.

Thats all folks.. Enjoy !

cheers

This is the main font used in the Panasonic GD67 cellphone.

Presenting Animation 20 and Taito's Puzznic, released in 1989 in the Arcade, and 1990 for the NES.

The main language seen in the videogame Stray, used by the robots as communication. However it's more of a cipher than a proper language. Therefore it can be transformed into a font/typeface for people to use.

Glyphs:
98

Version History:
9/5/2022 - First Release, only basic latin.

Original typeface credit given to developers of the game Stray, I only take credit for the portions added onto the already existing typeface.

A very very late update to Fuzzball.

A large set of custom brick composites aimed at small grid designs.

• 304 bricks inside

[INSIDE]

• Numerous corner bricks (curved & rectangular) in various weight ratios (even some transitional) most come with corresponding connector bricks as well
• A set of more decorative corner bricks, such as: inlined, multilined & knotted
• A collection of centered stroke sets in 4 weight ratios
• Some stroke intersection bricks
• A small set of serifs

All brick rotations come as seporate composite for easy further stacking

The idea for this was to encourage new Fontstruct users into looking past the editors limitations and work-arounds by way of demonstrating some hands-on examples and ideas. I hope this might inspire people to build upon these ideas and make their own sets of composites for their fonts.

The collection isn't a one stop shop for custom composites, but rather just a random useful set of bricks. To peek inside the stacked composite layout and find out how it was build enable "Expert Mode" inside the editor and press "o" on the keyboard, this switches the editor to "Outline" view mode.

Maybe I will include additional bricks to the set in the future, dunno yet, but perhaps.. If you like to request specific composite configurations, have ideas for future updates or simply having a question, just let me know in the comment section.

Thats it for now, the project is cloneable, feel free to copy, (re-)use, abuse, expand and /-or redistribute, Enjoy!

P.S. I'm also working on a similar FontStruction that covers slanted strokes and such for small grid designs. That one will be published soon as well.

Cheers