12347612
Published: 27th April, 2024
Last edited: 26th August, 2010
Created: 29th May, 2009
Dear Human,
The artificial vanilla-extract-like flavour of this product will tantalize your senses and leave you grinning in ecstasy.
This is not part of a plot to distract you while a machine revolution begins.
Inspected by Chocobot CBW-93This is a clone of Chocobot Stacked
2002485728
Published: 27th April, 2024
Last edited: 24th July, 2017
Created: 9th June, 2009
a geometric typeface inspired by 1950s-1970s lettering of the swiss railways, based on a square shape for most letters. there will be condensed and extended versions too.
if you use this font for print, web, logos or other publications, please drop me a note, i'd be happy to receive samples and photos of the font in use!
2012-02-25 corrected accents
1071147827
Published: 22nd March, 2008
Last edited: 23rd June, 2009
Created: 22nd March, 2008
Derived from the rounded rectangle of mid-century furniture and architectural design, a pioneer of which was Eero Saarinen.
See a specimen.
6911951
Published: 7th April, 2008
Last edited: 22nd June, 2009
Created: 7th April, 2008
Variation of Matthias Eight with all edges rounded off.This is a clone of Matthias Eight
1190981
Published: 18th April, 2008
Last edited: 16th June, 2009
Created: 18th April, 2008
Solly is a headline font that i did trying to keep the tile size quite small while retaining the appearance of a non-modular font. If you use it, remember to enjoy! Luv, t.. // http://www.polyfonken.com
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
7111473
Published: 13th November, 2008
Last edited: 18th February, 2009
Created: 6th October, 2008
Reily is a sans-serif typeface based on circles and squares.
2691988
Published: 29th December, 2008
Last edited: 15th January, 2009
Created: 27th December, 2008
Text version of Soul Ninja... Friendly Sans-serif done in my vacation... Works fine as pixelfont.
Hope you enjoy it!
If you liked please give it a good rating!
Soon with extended latin characters! I promise!
More works at:
www.lucazevedo.com
2313985
Published: 23rd January, 2009
Last edited: 22nd June, 2009
Created: 23rd January, 2009
Clone of Solly. Adapted for use making pop up words.This is a clone of Solly
256453714
Published: 1st May, 2009
Last edited: 30th June, 2009
Created: 12th April, 2009 A sans serif computer related font inspired by bitmap fonts like Chicago and Charcoal, but it evolved with some of Fontstruct's "Design Limits" in mind:
I left the lower right corner slab of the N to add some rhythm to the "uncrossing" X's slabs (also present in the K), which to my perspective balances the V's impossibility of a straight angle from top to bottom.
I also used a 2x2 grid filter, that I've learned from williaum's a ll e g o r i c a, just to correct some punctuation issues and to make a narrower c. djnippa's Brick Stacker Tutorial also came in handy, THX2uBoth!
19027819
Published: 12th July, 2009
Last edited: 25th June, 2009
Created: 27th May, 2009
Dear Human,
This dark chocolate food product has been specially formulated with maximum theobromine and caffeine content.
Eat as much as you want. It still won't help you outrun potential death-ray attacks.
Inspected by Chocobot CBV-82This is a clone of Chocobot Stacked
15117611
Published: 12th July, 2009
Last edited: 26th August, 2010
Created: 27th May, 2009
Dear Human,
Chocobot Labs has once again created a delicious product for human consumption. Guided tours of our factory can be arranged by calling our toll-free number.
Warning: this product may contain homo sapiens.
Inspected by Chocobot CBM-28This is a clone of Chocobot Stacked
8631868
Published: 12th July, 2009
Last edited: 15th July, 2009
Created: 1st July, 2009
Regular version of Transmission. Also available in a bold version. Inspired by science fiction.
95101864
Published: 12th July, 2009
Last edited: 15th July, 2009
Created: 9th July, 2009
A bold version of Transmission. Also available in a regular version. Inspired by science fiction.This is a clone of Transmission
13012796
Published: 19th July, 2009
Last edited: 20th April, 2010
Created: 18th July, 2009
Dear Human, try this solid version of our Chocobot Dark product. Caution: may make you feel full. Inspected by Chocobot CBV-36.This is a clone of Chocobot Dark
1176778
Published: 19th July, 2009
Last edited: 20th April, 2010
Created: 18th July, 2009
Dear Human, here is another tasty confection from Chocobot Labs: a solid version of Chocobot Milk. Let the consumption begin! Inspected by Chocobot CBM-47.This is a clone of Chocobot Milk
974775
Published: 19th July, 2009
Last edited: 20th April, 2010
Created: 18th July, 2009
Dear Human, this is the solid version of Chocobot White, which brings you even more tantalizing flavours. Inspected by Chocobot CBW-25.This is a clone of Chocobot White
9311538
Published: 23rd July, 2009
Last edited: 23rd July, 2009
Created: 23rd July, 2009
My take on the dot fontstruct craze. Based on my own handwriting. Upper case is chrome, lowercase is solid.
701011010
Published: 8th August, 2009
Last edited: 2nd October, 2009
Created: 3rd August, 2009
Don´t trust the preview, take a look at the Example! Dedicated to the marvellous DJ Shadow. This is another contemporary Display-Font I created using the Brick-Size-Filters (adjusted at 1.75). It´s not a 3D-Font, or a puzzle or a construction plan, but I think it´s a very consistent typeface:-) Hope you like it, please write a comment if you have any suggestions. More letters to come.
61381717
Published: 9th August, 2009
Last edited: 6th November, 2009
Created: 9th August, 2009
Small is beautiful. I thought I could add a new spin to Stewf's little gem. I also expanded the character set a bit. It was fun.This is a clone
6716917
Published: 13th August, 2009
Last edited: 13th September, 2009
Created: 8th August, 2009
Freestyle is not a usual font, as you see. The concept was inspired by the "How very Tokyo"-poster by Spin (I posted it in the comments). I liked the idea of cutting every letter into pieces so it looks artistic but is still readable.
Freestyle consists of three parts: the whole letter at the top and in the middle/at the bottom there are parts of it, cut vertically.
Upper- and Lowercase are different. Under construction, more glyphs to come. This can be used e.g. for posters or magazine layouts. What do you think about this experiment?
< = alt.I
> = alt.I
* = alt.space
# = alt.space
105613410
Published: 17th August, 2009
Last edited: 2nd October, 2009
Created: 14th August, 2009
"Samoa" is another bold typeface experiment where I used the filters (1.6). Looks striking to me although I´m not sure about Z, 4 and 7...How do you like it? Write a comment!