This is a sans serif fonts with a decending crossbar and blocky looking. You can use it for something that have a strong looking vibes. Ex: album cover, concert poster or events,...

There are more sample if you scroll down!!

Weaving Score is a decorative font for musical notation. You can make ornamental musical scores with this font. The correspondence of notation and keys are shown below. You can download the HD image from this link: https://www.dropbox.com/sh/j85c5253qh644or/AADN8-pft-lH2IF3GYiYEduga?dl=0

Basic piano chords. Not sure if this is useful as a font, but I wanted to try something different.

Inspired by the Logo of The band Scorpions first created back in 1975.

All other letters were built based on the letters in the original logo by me.

I found the original font of the logo, called "Lady Starlight" (you can check it out here:https://www.dafont.com/lady-starlight.font?text=SCORPIONS) quite boring and thus made this like a recreation. Hope you find it much more interesting.

HeavyComp entry number 1

Enjoy!

Open to comments and suggestions

This font is a collection of musical accidentals for uses in musical and music-theoretical contexts. The symbols should, at the very least, line up at a common line and have similar size to regular characters, so you can use them to express just about anything relating to musical pitch, particularly microtonal theory.

The set includes (in no logical order, my apologies):

- Regular accidentals up to triple sharp and triple flat

- Stein-Zimmerman quarter tone accidentals up to double-semi-sharp and double-semi-flat

- Accidentals with arrows, up to two arrows up/down on both sets of regular accidentals (up to double flat/sharp) and Stein accidentals (up to sesqui-sharp/sesqui-flat)

- Wyschnegradsky 72-EDO accidentals, up to 11/12-tone sharp and 11/12-tone flat

- Turkish accidentals used in the Turkish 53-EDO-esque system, as well as x-comma sharps and flats

- Persian quarter tone accidentals, should they be needed

- Heimholtz-Ellis Just Intonation accidentals up to 29-limit JI, as well as symbols for tempered notes

- Simple arrows. Just two arrows; one up, one down.

 Voron means Raven in Russian. Alternative A H K M in russian А Н К М.

See more:

https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1

https://fontstruct.com/fontstructions/show/604263/viking-younger-space-viking-runes-bold

https://fontstruct.com/fontstructions/show/44785/greif_bleit

https://fontstruct.com/fontstructions/show/2138878/rockfest

https://fontstruct.com/fontstructions/show/2011132/lofty-2-1

https://fontstruct.com/fontstructions/show/1460015/kuliboni-punk

https://fontstruct.com/fontstructions/show/1594082/satana-1

https://fontstruct.com/fontstructions/show/2197826/goth-44

https://fontstruct.com/fontstructions/show/1018353/knossos

As per winty5's comment, this is an actual font for converting between MIDI and text; fa Musica is only meant to be keyboard-friendly.

If somebody wants to comment a code for a part of a song, feel free! :)

---Character Map---

Basic Latin - Basic Musical Notation {complete}

Latin-1 Supplement - Advanced Musical Notation {complete}

Latin Extended-A - Time Signatures & Miscellaneous Symbols {complete}

Latin Extended-B - Compatibility

IPA Extensions - Tempo Numerals

Spacing Modifier Letters - Beams

Greek & Coptic - Text

Cyrillic - MIDI Extensions

Cyrillic Supplement - Miscellaneous Symbols Supplement

Armenian - Beams Supplement

Devanagari - MIDI Extensions Extended-A

Music font based on Forte. W̶o̶r̶k̶ ̶i̶n̶ ̶p̶r̶o̶g̶r̶e̶s̶s̶.̶ Now complete!

NOTE: This font for US-QWERTY keyboards only.

Simple and fun keyboard note font.

Font created from the logo of Rock Band AC/DC

Only Basic latin almost all charecters are available

--...work in progress...--

Open to comments and Suggestions!

Inspired by the Metallica logo

How to use the font

First letter- Upper case letters

Last letter- Lower Case letters

Middle letters:-

1=A     2=B     3=C     4=D     5=E     6=F     7=G     8=H     9=I     0=J    !=K     @=L     #=M     $=N     %=O     ^=P     &=Q     *=R     (=S     )=T        -=U    _=V     ==W     +=X     /=Y      ?=Z

Open to comments and suggerstions!

The font seen on the album cover of "Redline" by Wolfgang Gartner.

EDIT: The font has been found! It's "Edit Undo Line BRK" by Ænigma Fonts, a font also used in some Analog Horror series.

A Japanese cyberpunk font inspired by Vocaloid logos.

The Katakana is mostly inaccurate. Only some glyphs are accurate.

The Latin is extremely inaccurate.

Letters + Numbers + Copyright and Trademark symbols only.

Edit: Good news! I cancelled to make this font in fontstruct because im going to transfer it to Inkscape (to design glyphs) and Fontforge (to copy paste the glyphs here from Inkscape for metrics, kerning, and font data stuff) so I don't have to rely on internet connection anymore. I even want to make lots of varieties of this font from sharp corners to gear looking corners to a bit of shifted glyph chaos.

I think I can let you use this font now.

I published this because I just want to know what would happen if I published a fontstruct. It was initially undownloadable.

Here's a preview of my first font I made in fontstruct. I initially made this font in Geometry Dash level editor (yeah, you've read it right) and left unfinished and I decided to reconstruct the font here in fontstruct.

Fontstruct is really good font creating website (I wish there was offline app/software version of fontstruct). I've encountered an annoying jumbled brick bug, but fortunately I've manage to fix the bug, by replacing "my bricks" with the correct bricks from below (don't know how to explain).

Aaaaaahhhh... Won't You Please?

This is YET ANOTHER font based off of a song from LUMINES.

Why do I make these so much?

Another cursive font, once again based off of the song Big Elpaso from the puzzle game Lumines.

Yes, that's how they're spelled.

Based off of a puzzle game Idea I have.

It's sort of like a cross between Gunpey and a 1-D Sudoku.

If you want to see the specific rules to the game, take a look at this document:

https://docs.google.com/document/d/1lXeDR1XjB7zTUVcm7y7BlOcOmg9rxpAkX7CK_rhQx_I/edit?usp=sharing

LET'S GET IT....

uh... crud.

This is another font named and based off of a skin from LUMINES. Not much else I can say about it...

Actually, here's a link  to the song!

https://www.youtube.com/watch?v=LQ1zykWQYrs

COME ON NOW!

This font is inspired by the Lumines II skin of the same name.

I think it's some sort of Hip-Hop... thing.

Another font Inspired by a Lumines Song.

You're In The House!

The current month seems to hold a meaning of threads: of fog, dew covered spiders' webs, barely-there things, feint perceptions defying scientific understanding and fine links with ancestors, to keep us in the present and enable open minds and caring souls to better the future.                                This abstract interpretation of Halloween has been designed to echo the traditionally mysterious mood to show the past (known glyphs, earlier FS bricks) linked in the present (on paper, in the FS previews, and using some of Meek's newest bricks I experiment with in this design) to create future (text will carry meaning to the reader, diversity of thought not experienced until after every glyph is finished, and beauty of text flow is visible only after it has been written). Totally within my personal plan for Night Pegasus' work: adventurous, alternative, divergent, different, exploring, experimental, unusual --  after all, the flying horse is free to visit any time any item or existence in this universe and any place in Fontstruct, to discover and weigh possibilities, to create its future from the past in it's present body and mind, and it does this cloaked in black as deepest night, undiscovered unless someone has their feelers tuned into mystery and taps into experiences of presence.

:.:.:.: Information to help you when using this font :.:.:.:

If a LC glyph follows a UC glyph: you need to use the space bar 6X to get the correct letter space (it will then match the natural spacing between LC); using only LC glyphs (or only UC glyphs) will give satisfactory text results as letter space is set by the programming. But you'll need to manually add the word space you want: between UC (or LC) words a minimum of 3 space taps for a just visible gap, use the space bar 6x for good spacing. Experiment!

Note: the full stop and comma have a line on the baseline to link with UC. There might be no need for a 'space' after those two marks even on LC? The apostrophy has a short line to link it to previous/following UC glyphs (note those link lines retain the meaning of the glyph when used with LC glyphs or an LC following an UC glyph).

SPACE BAR = a 1px space; tap 3x to get a small word space that's obvious

% key = a set of reasonably wide lines to match upper case verticals

_underscore = a space consisting of a long single line on base line only

I'm trying to figure out some diacritics before the 31st so this remains WIP

Another font based on a lumines song.

Another Font based on a skin from Lumines.

Inspired by the Lumines Song of the same name.

A pixel font for Western-style music notation. This allows treble and bass staff to be read and written at very small sizes, making it useful for pixel games, pixel comics, or anything else that needs to be at extremely low resolution.

Given the limits of the chosen method along with the limits of staff notation itself, this font won't please every musician. All suggestions are welcome for improving this one!

Original size: 10pt (use multiples of 10pt for pixel perfection)

------------------------------------------------------------------

USAGE 

Read the wiki article on scientific pitch notation if you need help understanding note-names.

_ draws staff lines.

` or ~ at the beginning mark your staff as either a bass or treble staff.

Use a letter from R-Z and then one from r-z to mark the time signature. (Most songs are in 4/4).

Use UPPER CASE to notate for bass staff.

Use lower case to notate for treble staff.

Use <.1234567890,> and {?!@#$%^&*()+} to mark sharps and flats respectively. I recommend using these markings to REPLACE the notes they are meant to alter, rather than writing them next to the notes as you would with traditional staff.

Create some new staff lines between each note to seperate the notes in time. When you place notes without these spaces, notes will stack up on one another. You can use this principle in different ways to create chords and arpeggios.

------------------------------------------------------------------

BASS STAFF 

A - A1, B - B1

C - C2, D - D2, E - E2, F - F2, G - G2, H - A2, I - B2

J - C3, K - D3, L - E3, M - F3, N - G3, O - A3, P - B3

Q - C4 (middle C)

------------------------------------------------------------------

TREBLE STAFF 

a - A3, b - B3

c - C4, d - D4, e - E4, f - F4, g - G4, h - A4, i - B4

j - C5, k - D5, l - E5, m - F5, n - G5, o - A5, p - B5

q - C6

------------------------------------------------------------------

SYMBOLS & MARGINALIA 

_ - blank staff

RSTUVWXYZ’"' - beat divisions

rstuvwxyz“”‘ - beat times

`~ - treble and bass clefs

- - 8va/octave up

<.1234567890,> - sharp symbol in various vertical positions

{?!@#$%^&*()+} - flat symbol in various vertical positions

There is no "natural" symbol. Your writing should take this into account.

------------------------------------------------------------------

Have fun!

This typeface was inspired by retro neon style images and 80’s rock music. The pointed edges and sides give a unique style to this typeface. Best used for display.