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The 5x5 pixel font used for the Virtual Gremlin, an old emulator/game I wrote. The standard font for ingame text.
This font was also designed to work well with IRC clients and ASCII games (see sample).
Breaking the 5x5 grid was unfortunate but necessary in order to make legible characters in non-Latin languages.
This is an objectively better version of my NEStyle font.
Not finished. Will add more glyphs soon. Some inconsistencies may be fixed. More versions of this font will be created.
Also, am I the only one who gets lagged out a ton when I scroll down the "All letters" list?
QUOTE:
"yesh moar pixel fontz"
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INFO:
This is a pixel font that has glyphs that are mostly 16x16, 12x12, or 12x16, with a few forced exceptions.
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COMPLETED SETS:
Basic Latin
More Latin
Greek and Coptic
Google Fonts Basic
Even More Latin
Hebrew
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EXTRA NOTES:
this is gonna be "WIP" for a while
im gonna try to make all the glyphs i can
then imma probably make different variations of this
like serif version
An "almost sans serif" text font with an alternate g on the § because I couldn't decide which g was nicer. I have made all Latin sets. This replaces one of my computer's sans-serif fonts.
The Santa in the sample is one of the christmas-sy fonts I made.
(!) NOTE: THIS PROJECT HAS BEEN ABANDONED AND WILL NO LONGER RECEIVE ANY FURTHER UPDATES. (!)
A generic pixel-optimized sans serif font. This font was inspired by JoohnyPlayz (JoohnyFonts)' Unicode font projects: BlockKie and Hasor Sans.
A mix of a variety of other well known fonts such as DejaVu Sans, Roboto, Helvetica, DIN, Verdana, etc.
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In progress of adding:
• More latin languages support (W.I.P.)
• Full cyrillic languages support (finished basic cyrillic support)
• Full Greek support (W.I.P.)
BUISJES — Geometric outlined sans-serif design
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[ INTRODUCTION ]
While at first I was just updating one of my custom brick tool sets with some additional new pre-build custom composite bricks which seemlessly fit and allign with the dimensions of FontStruct's default connection brick set, the font more or less materialized as this happy accident while I was fooling around and constructed several basic letterforms and shapes for testing these composite brick solutions I was making.
Before realizing it I had about half-a-alphabet's worth of random letter doodles. From there on out I simply decided to copy the letters that came from this test run and drop them into a new FontStruct project and just resumed building the remainder of what would later become this rather modernist clean looking geometric outline sans.
Now, keep in mind that working with the constraints of these (largely 'Composite'-like) and somewhat oddball physically natured 'Connection'-bricks is very limited, and can be quite tricky. They simply doesn't allow the same level of design freedom FS's 'Core'-bricks do (E.g. the centre allignement, their thickness and that 30-bricks-only limited palette size for each of the three variations). To acquire some of that more distinctive and specific tailor made geometry usually requires clever brick arrangements that consist from a mixture of both multi-stacked-composites and brick overlaps to patch gaps and smoothen curve contours.
This process can sometimes become very 'trial / error' -based and unpredictable when complexity increases. Distracting at times, as it gets in the way of primary objectives. To constantly having to invent different new solutions that work simply doesn't help creative workflow. Therefor I decided to dive a little deeper into expanding my pre-fabricated'ready-to-use' composite brick palette.
[ ANALYTICS ]
So far I'm very pleased with the final result, especially with how easy this new set of custom brick composites turn out to create new letters. The bricks feel very intuitive to work with, and unlock quick access to greater sophistication and shaping of more complex geometry. Opening up several new possibilities that are impossible to construct solely from the default 'Connection' -brick palette. So having them at my disposal in a pre-fab fashion is certainly gonna help streamline the workflow.
[ THE FONT ]
As far as for the font's aesthetica, there isn't all that much spectacular going on really. The basic geometry provides a rigid solid looking lettering that produces this fairly legible text. The modern yet clean characteristics making it the perfect match for a broad range application.
• Multi-Lingual (105 languages supported)
• Some glyph alternate forms
• Kerning (1922 stored pairs)
The font name refers to its tubular characteristics and comes from the Dutch word Buizen, which literally translate to Tubes in English.
I hope you like it,
Cheers
This is a cloneSTF_DAMAGE INC. - Tech inspired condensed geometric sans.
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It’s a modern rigid square-based geometric sans that was designed to work especially well in body style text. It was carefuly crafted to be a spacious but continuous fill.
The squarish geometry provides a slight mechanical looking, yet clean and very open basic design.
Each glyph was further constructed with more than enough negative space (white space), making sure any text will look brightly lit and feels well ventilated at all times. This is especially welcoming when having to read large chunks of body text.
The uppercase character set was constructed somewhat of a fraction disproportionally taller compared to the more naturaly proportioned lowercase character set. This to make any line of text that is set in 'all-caps' to bring the impression of being condensed.
This effect is then exaggerated even more by slightly pulling back on the extent of any ascenders and descenders on the lowercase characters.
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I am pretty pleased with the result, it's overall look is fairly consistent and legible. The condensed effect allows squeezing a good decent amount of horizontal text per one single line of type.
The only thing kind of dissapointing to me was it's smallest possible point size in digital display use. It doesn't do well bellow 20px (14.5pt)in digital format.
20px is the absolute smallest size for everything to look crisp and alligned with the pixel raster, going bellow this point and the font starts to become blurry and distorted.
I wonder what any of u type wizards think so far...
Cheers
STF_EIN BERLINER - Condensed geometric sans-serif typeface.
Inspired by the lettering seen on a variety of different Dutch and German street signs.
The simple and clean geometric letterforms provide this typeface with a strong legibility in both display & body style text.
(grid size 3,5 × 7 at 2x2 brick size filter)
Enjoy
STF_DERBY - Condensed Geometric Neo-Grotesk sans.
The idea was to make a typeface design that would suit small point size body style typography.
■ Multilingual support (94 languages)
■ Partial kerning WIP (8694 Pairs and counting)
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The fontstruction is a Faux Bezier style approach, to allow the most freedom in shaping the different letterforms and curves.
Font sample is best viewed at 2x pixel size or above for a sharp result.
I hope you like it!
— Current version: 1.5.0 (WIP) —
1.0.0 (14 March) — Made Basic Latin
1.0.1 (14 March) — Tweaked a few chars: 2 ‘ ’ “ ”
1.1.0 (15 March) — Added More Latin
1.1.1 (15 March) — Tweaked †
1.2.0 (15 March) — Added Extended Latin A and tweaked º
1.2.1 (15 March) — Fixed Ţ
1.3.0 (16 March) — Added Extended Latin B, fixed ¤ Ű ű, tweaked § ģ
1.4.0 (18 March) — Added Greek and Coptic and tweaked ȡ ȴ ȵ ȶ ´
1.4.1 (18 March) — Tweaked 0
1.5.0 (WIP) — Adding Cyrillic and tweaked Φ φ ͺ Ơ ơ
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Sports font inspired by "jugio" (https://fontstruct.com/fontstructions/show/2028116/jugio-1)
More updates and characters coming soon!
french-based deco-font i made
This is a clone of Sophistry Book ModularSwiss Int’l - a typeface with faux Bézier curves, straight lines and the most of the Swiss typefaces.