A semi connected script style font design. It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (image shown in comments)
I completed the full alphabet, I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.
It is a semi connected script style lettering, so certain characters are deliboratly disconnect and some aren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect. This can also be seen in the original Ottomar poster.
For the lowercase characters that connect there has been made a alternative glyph that is disconnected and adjusted to make a more pleasing flow and better looking breaks. These are located in the Unicode Block “Halfwidth and Fullwidth Forms”.
It contains both proportional oldstyle (default) & lining numerals, which are located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.
I hope you like it!
Derived from Chisato by Zephram.
Copyright 2019 Zephram & Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).
Although Zephram's work is no longer apparent here, it exists in the underlying compressed letter forms and shapes of most of the characters that inspired me to give it a twist and make it monspaced with tapered ends.
Donations are super-appreciated. Credit for my contribution to this work IS also greatly appreciated.
Type: Monospaced Sans.
I guess I would classify this one as: Casual, Condensed.
Web font: Yes.
Commercial use: Yes!
Derivatives: You betcha.
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Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DPThis is a clone of Chisato
Somewhat of a accidental goofy future retro style font.
This initially started as a experiment into discovering new ways within small grid designs to gradually increase the radius of a small curve and find new transitions in their shape for making asymmetrical curvatures, all without compromising the smooth edges (2x2 for this one, with hairline stroke weight of 1/8th of a square grid unit). But, it quickly became a real font.
I have kept the variations for a number of eliptical shapes and curves I made so far in order to demonstrate what the goal for this was.
I hope you like it.
a quickly thrown together experiment in using four letters to form a fifth; lowercase, letters, punctuation come soon.
inspired by https://fontstruct.com/fontstructions/show/1620737/paradoxy-effect of zephram, who is back creating innovative fonts as always
All caps geometric gothic sans-serif project. Its a semi bold display design that looks a little like those early grotesque types.
The uppercase O has a distinctive circular shape and has a unusual 3x3 grid square dimension. A number of glyphs still need modifications to achieve better solutions. Also is the character set far from complete yet.
I hope you like it so far
Recreation of the small pixel font from the european/north american release of Sonic! Software Planning's "Shining Force II" (1993) on the Sega Mega Drive/Genesis.
Only the characters present in the game's tile set have been included.
Recreation of the small pixel font from the japanese release of Climax Entertainment/Sonic! Software Planning's "Shining Force" (1992) on the Sega Mega Drive/Genesis.
Compared to the european/north american release, the alphanumeric and punctuation characters are all shifted by one pixel to the left, and one pixel down. The "U" is also different, and the font lacks a lowercase.
This font includes a full set of hiragana and katakana characters. In the game's tileset, the dakuten and handakuten are separate tiles, positioned in the line above the character they relate to. In this recreation, these characters are pre-combined into a single glyph.
Only the characters present in the game's tile set have been included.This is a clone of Shining Force (Small)
A little bit of a experiment in finding interresting letterforms in the most basic of geometric shapes and without the use of any complex fontstructing techniques. And the only expert mode feature used for this was making composite brick to get the different slants and stroke weights.
Bellow I will include some further in-depth info about this design.
But, I'm very pleased with the final result.
A modular block font inspired by themes of construction. It takes reference from typeface found in New York. Free for dowload and any use you like. @cgbrow
Futuristic maze like logotype.
It was designed as part of the renewed visual identity for one of my music labels.This is a clone
Dresde Serif displays chiseled uppercase and flared terminals to give extra sturdyness.This is a clone of Dresde Sans