An art deco-esque font inspired by the blackboard bold or double struck typefaces often used to represent sets of numbers, such as ℤ for the integers.
https://fontstruct.com/fontstructions/show/1592394/tiles-9-3This is a clone of De Stijl C
A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.
Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including creative and artistic rights. Version 1.000 sporting over 125 proper glyphs.This is a clone of Tritanic FS
Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including creative and artistic rights. Version 1.000 sporting over 125 proper glyphs.This is a clone of Gigantic FS
Shadow Nose Wide font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!This is a clone of Shadow Nose FS
Shadow Nose Compressed font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!This is a clone of Shadow Nose Wide FS
Shadow Nose font Copyright Doug Peters 2020, and released as freeware under the Creative Commons CC0 (Public Domain Dedication) license. Version 1.003 with 102 proper glyphs. Have fun.Vote!
WiP/ kerning in progress
Another folded style.
There is a number of glyphs I would've rather seen different, like for example G, V, Y, 4, maybe 7. And the punctuation is very poorly done too. But I got kind of stuck and didn't know where to take it any further,
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin charachters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.
It's Monday, so I really didn't want to work too hard on this one.
Testing the new square connector bricks with a simple outline font.
I ran into an anomaly where one of the new bricks glitches out after saving. Easy to fix using other bricks, but I'm leaving it here to show some interesting effects the glitch is producing.
1. It looks like there is a boolean operation going on with it. Something we've been asking for for a while.
2. When grabbing the brick, it highlights an area of about 9 grid spaces, as if it were a group of bricks connected together. Another feature that has been requested for a while.
Anyways, the brick in question is the last one listed on the Bricks:Connect panel
I was trying to make a very narrow font that doesn't look just like a set of parallel sticks when used. I was inspired by Raranga by Aeolien, Log Beach by elw123 and Ladedan by zephram.
Font made for the logo of a particular project/video game of mine.
Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...
Current Version: 1.9
Lincoln Log-inspired font with a custom set of composite bricks. Feel free to clone this and make new creations from the composites!
B/8, S/Z, and 2/5 are exactly the same... still brainstorming on how to deal with it while adhering to the design rules...
Original size: 20pt
A font made by request for a certain Augmented Reality Game.
It is a functional blueprint - not meant to be used as-is, but designed to be embellished. Color it in, put effects on it, or whatever else you want. In this way the font can remystify itself and achieve distinctive looks which require particular art techniques to reach.
Fictional aliens' attempt at the Latin alphabet. The sticks and stems are repelled from the open parts of the letters. The result looks sort of like a hybrid of Latin and Korean!
Original size: 8.25pt (use multiples of this value for pixel perfection)
- 11x11 grid.
- Square bricks only.
- 90° angles only.
- 100% constant height.
- Forms must fill grid space as much as possible without becoming unrecognizeable.
A funky idea that started with the A and expanded from there. Most letters are drawn by a single line winding around, although some are just not willing to follow this mantra. I found this half-finished while scrolling through my private FontStructions, looking for ideas for the CounterComp, and decided it was already an interesting entry :-)
There's an alternate, narrow set of numbers that can be reached with Shift+number (on a QWERTY, Dvorak, etc. layout); not sure which set fits the style better. Suggestions and critiques welcome for anything, and feel free to clone and poke around with it. Thanks and enjoy!
Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation:
1) Every letter is filled with thinner version of itself (self-pattern fill).
2) Outline vs Inline, emphasizing the "opposite" meaning of counter.
Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.
This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.
Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)