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Inspiration of the DMC5 logo font
V1:
Latin supplements are added
V2:
Cyrillic unicode are now introduced
V3:
More cyrillic extention
V4:
fixed И’s shape
Ring above and dot above differentiation
Fixed З’s shape
V5
Fixed bugs
Completed Cyrillic unicode
V6
fixed superscript numbers
completed Gogle Font Basic unicode
V7
Conscript added (Yarakee Tjantu)
V8
Greek unicode added
V9
Thai unicode added
InfiniMrGoogleStructMax is a Official Font.
A Good Font!
The InfiniMrGoogleStructMax font is required for the following Windows versions:
Windows 1.0✅
Windows 2.0✅
Windows 3.0✅
Windows 3.1✅
Windows NT 3.51✅
Windows 95✅
Windows NT 4.0✅
Windows NT 5.0✅
Windows Memphis✅
Windows 98✅
Windows 2000✅
Windows ME✅
Windows Neptune✅
Windows Whistler✅
Windows XP✅
Windows Server 2003✅
Windows Longhorn✅
Windows Vista✅
Windows 7✅
Windows Blackcomb✅
Windows 8✅
Windows 8.1✅
Windows Phone✅
Windows 10✅
Windows 11✅
Windows 12✅
That font supported other:
CarPlay✅
AirPods✅
AirPrint✅
WatchOS✅
The font is also available for Android users:
Samsung✅
LG✅
Lenovo✅
Vivo✅
Realme✅
Infinix✅
Xiaomi✅
Redmi✅
Honor✅
Google Pixel✅
Oppo✅
OnePlus✅
Motorola✅
HTC✅
The font is also available for iOS Users:
iPhone✅
iPad✅
The InfiniMrGoogleStructMax font is available for Handheld Game Console font display download:
Nintendo Switch✅
Supported Mac OS Versions:
Mac OS 1✅
Mac OS 2✅
Mac OS 3✅
Mac OS 4✅
Mac OS 5✅
Mac OS 6✅
Mac OS 7✅
Mac OS 8✅
Mac OS 9✅
Mac OS 10✅
Mac OS 11✅
Mac OS 12✅
Mac OS X✅
Versions:
1.0 - Initial
2.0 - Added Imperial Aramaic, Mandaic, Chit'de, Nooalf and Alfamejor.
3.0 - Added More Cadexian letters, Metelko and Latin Abkhaz, Pamphoneticon, Korean Dessert, Lisu, Redmi Logo, Xiaomi Logo, Bilibili Logo and Google Logo.
4.0 - Added Huewehnese, Ishinese, Gavinnese, Clydenese and Elbasan.
Links
The InfiniMrGoogleStructMax font is an official font that was founded in 1988.
It is powered by Mr. Google and Google.
Mr Google Computer Font Font is an Artistic Alphabet font.
My Font looks like "Justov"
This Font is only for Android, Windows 10, Windows 11, Windows 12, Windows 7, Windows 98, Windows XP, Windows 95, iOS, iPhone, iPad, Samsung, LG, Lenovo, Realme, Infinix, and Vivo.
Creating this font I was inspired by gothic architecture from the city of Bristol with the sharp shapes and crosses that it entails. My secondary inspiration was Early 2000s grunge clothing with its excessive crosses and wings ect, hence the wing motif on the "F", which I translated into pixel art style.
The Official Level Font, supporting glyphs from many Unicode blocks, including several alternate glyphs
Download this font only in Mac
Unicode® 16.0.0
Unicofonte is a sans-serif typeface which is designed by marcot_0425, not_cake, & Sed 4 type foundry for the Fake Bézier curves(geometric shapes only).
Latest update (v7.0.0):
March 3 at 11 a.m.:
Updated Cyrillic Omega Titlo and OT
Updated L with accent marks (especially L with stroke [small] as it looks like a T)
Fixed u0020 (spacebar)
I've updated tone six (looks like a cyrillic hard sign)
I've updated Cyrillic multi-eyed o (10 eyes) and F with stroke (Ua798) (looks like French franc symbol)
Fixed some bugs
Fixed all Latin extensions d character (a7d5) and medival exclamation and quesion mark(2E53-4)
Fixed Thorn with stroke
i used a diagonal brick to make it
Sun 24 Dec:
Today I added latin/greek/cyrillic unicode 16.0 chars
26 Dec 2023:
Better Kerning
Fixed most of the errors that I found
GEO-PROTESQUE - Geometric grotesque typeface
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This time I did an attempt at making a typical super rounded geometric gothic grotesque "workhorse" typeface. A sans serif style that is a very popular for headline and display text.
The idea for "Geo-Protesque" was to make a sans serif style that is strongly inspired by the pre- "International Typographic Style" -era. To dive deeper into a more decorative period of hand-lettering, pioneered mostly by architects and painters.
The most important difference as oposed to today's more traditional type design, is that during tose early days of the Modernism movement lettering usually was purpose made. Each letter had a unique role within a composition, making Lettering that was meant to be used in a unique configuration. These designs occasionally didn't even had full alphabets designed. And even more rarely getting manufactured and cast into full printing typefaces.
It was mainly inspired by those sans serifs seen in vintage sign paintings and show cards designs that often were more decorative artistic takes on the general basic stylistic concept of sans serif letters.
Although Geo-Protesque is essentially more of a contemporary looking design, I tried to incorporate some of that playfullness that came with these "free-form" sans serifs.
On the other hand this design sticks well within those realms where it remains faithful to simple geometric form. This created almost quirky looking letterwidth distribution in the upper set, and set somewhat of a funky rhythm. This gives the font a very strong early 1900's feel.
The lower case set has a much more uniform design that works well in a piece of body-copy text.
To pull this design off properly the font was created on a large grid using the 'faux'-Bézier approach. The rest just enfolded from there on out.
The design, (obviously) a very geometric grotesque, has some nice neo-grotesque features to it as well.
While many letters mostly have even stroke width, upclose you'll notice some stroke width variation is going on after all. This to bring more contrast into certain area's. Anther design feature is the font's generous and open letter-spacing.
The font is optimized for body copy in both digital and print use. Even at very small point sizes. In digital-display rendering it performs crisp even as low as 9pts. (Not bad I guess!)
Keep in mind that due to the nature in which 'faux'-Bézier curve fitting works this font might not be the best choice for a large size rendering. The linear interpolation method uses linear polynomials (straight lines) to construct glyph contours.
Beware that when using this font at very large point size rendering the remnants of this process will become visible!
Cheers
CONTAINS:
Latin ASCII, Latin Supplement, Latin Extended-A, Greek and Coptic Coptic, Cyrillic, Arabic, Hebrew, Georgian, IPA Extentions, Latin Ligatures, Gothic
SANS SERIFSCO — Humanist / Neo-Grotesque Sans-Serif
A contemporary neo-grotesque sans-serif design with regular weight.
I tried to add subtle diverse and nuanced visual elegance while still remaining minimalistic. Most significant feature is the subtle stroke modulations, distinguishing this from a more geometric style.
Designed to be versatile and suitable for a wide range of different purposes and optimized for legibility in small point size body copy.
The font was constructed on a large grid using linear interpolation (also known as faux-Bézier method). This allowed the most freedom for constructing more complex custom forms, curvatures and all the various stroke modulations.
The font has a total vertical height of 88 square grid units, this is including all optical compensations, ascends / descends and accents.
"Crypt" Is a gothic, serif font, inspired by the decorative and intricate details within many cathedrals and church architecture, influenced by such features such as stained glass, gargoyles, petroglyphs and spires.
This font was create around the theme Protect. I explored different areas within this theme and thought of claiming sanctuary in a church during medieval times and how that was a major form of protection. I constructed the letterforms using shapes I’d drawn from church floor plans and gothic architecture.
LITERA FACILIOR GOTI ― A 'Blackletter' script style with a twist
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Also known as Gothic script, Gothic Minuscule, or Textura, was a script used throughout Western Europe from approx. the 12th untill the 17th century.
This FontStruction was aimed at mimicing the aesthetic approach of a ― ‘Textura’ variant of the Gothic Minuscule script style, more accuratly refered to as ‘Littera Textualis’. This style is most characterized by its strong sturdy letterforms, with distinguishing sharp, straight and angular features as oposed to the other variations in this catagory.
In terms of authenticity to the original predecessing formal script family, my ‘Litera Facilior Goti’ didn't took a whole lot of care for authenticity. The idea was to take a more independent and experimental approach to shaping the letters and forms, so it wasn't necessarily inspired by any specific typeface in particular, it rather recycles certain characteristics of a ‘Textualis Quadrata’, but beyond those aspects of general guidelines it evolved on its own.
Some of the areas where the design tends to really stray away from the tradition is for example the serifs:
It's often that I have some trouble with the weight ratio distribution of serifs and such elements in simplified modular based geometric Blackletter fonts. In many of such designs they tend to have been left pretty static and equal in thickness throughout the full character set. Which I think is often either having some letters look clumsy or even weird, and generally speaking also often making them appear too thick.
So this was one of the things I had to try and adress, I experimented a little with the style and forms of the serifs. Eventually this resulted in multiple deviations in variety to mix and create a more dynamic distribution. similar to what was done in less formal scripts. Over time they became ever further simplified, letterforms that involved less reorientation of the pen, in pursuit of styles that were quicker to write.
But taken as a whole typeface I find that it is having this certain ‘random-ish’ characteristic that is simply working for the better of these particular style fonts.
I'm still working on improving its overall rhymes and reasons to a certain point that is acceptable, balanced and with enough consistency. But up to this stage I personally think that the concept worked out quite successfully so far. And that even despite the fact that its stripped down of most ornamental decorative calligraphic extravaganza, it still managed to capture a convincing portion of that ‘Medieval ’ looks and personal flavour.
But I think that in the end this became a pretty neat looking font and it would classify somewhere between a hybrid mix of simplified Blacklettering and a drunken man's ‘Textualis’.
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― No filters used!
Cheers!
This is a cloneELEPHANTSO is a sharp re-imagining of a handwriting style I have developed over the last few years. An alternative name is Gothin Nu Gothick. Other names include Fishbone and Skeleton Key. Enjoy and use responsibly.