10x7 (maximum) character size, 9x7 average character size. Bolded version of the font with the same name. Inspired by MS Sans Serif (Windows 95 version, not the modern version.)

WIP

https://www.fontstruct.com/fontstructions/show/938203/fs_ino

Name is a pun and a work-in-progress.

This is my first try at a serif-style font.

If you need any character set specifically, message me and I'll add them ASAP.

Contains:

-Basic Latin 100%!

-Latin Supplement 100%!

-Latin Extended A 100%!

-Latin Extended B ~65% (will most likely never be finished)

-Cyrillic (Basic Russian: 75%)

More coming soon!

Agent Dagger is a font inspired by the 1983 Atari arcade game 

"Cloak and Dagger" / "Agent X" featuring a full range of retro hacker styled characters with various glyphs and symbols

created by:                                                                                                Abstract Lion (Christian "Kiko" Lopez)

2019 (C)

Monospace pixel font

I saw a old poster on the internet and this is a remake of the font it used.

Moderne black letter font specifically made for the game Unburied with fixed width numerals

This is an enhanced version of the retro font you see on old games. Still WIP. The squares are just placeholders and will be removed shortly. I hope to make this have more characters than any other fonts in the future (this might take a while). This font can be used in retro-style games, computer graphics, or anything else you can imagine. This font is pixelated, meaning it is lightweight and easy to port to many devices.

Confidento is a typeface based and styled on the word Confident, aiming to produce a type which uses features that are strong and bold. One of the main characteristics I have aimed to encorporate throughout this process is the use of a balanced type design, enabling the design to not become too heavy. I achieved this through the means of having large variation in width across different aspects of the text. 

A font inspired by the lettering on the First Navy Jack, the original flag of the U.S. Navy. (No relation to the Gadsden Flag or the political movements which use it as a symbol. This was done for the sake of art, not politics.)

I attempted a blackletter style without any knowledge or references. The result reminds me of a vampire's writing!

The name "Dethzmezenger / Death's Messenger" comes from one of many old joke bands which I created.

Original size: 17.25pt (use multiples of this value for pixel perfection)

Another old-school font... Use Font sizes that are multiples of 3.

(3, 6, 9, 12, 15, 18, 21, 24, 27, 30)

Click the pixel button on the bottom right of the sample text screen.

My first time create typeface. Inspired by vintage patterned bricks Vietnam in the late 19th century and and Old English. Each glyph has same curves.  Suggestions and critiques are welcome. Thanks!

Eclectic old-fashioned font with short ascenders and single-width proportions.

See more:

https://www.fontstruct.com/fontstructions/show/1241678/at-bitter-love-2

https://fontstruct.com/fontstructions/show/985860/fs_hikinspdot

https://www.fontshop.com/families/dutch-mediaeval

https://yurigordon.livejournal.com/445722.html

http://revision.ru/work/18656/

Rossica (Vera Evstafeva)

https://www.myfonts.com/fonts/grummedia/good-taste/

https://www.myfonts.com/fonts/wiescherdesign/royal-romain/

https://www.myfonts.com/fonts/paratype/kis-bt/

https://www.myfonts.com/fonts/paratype/academy/

https://www.myfonts.com/foundry/ABSTRKT/

http://typefaces.temporarystate.net/preview/Manege

http://rastvor.com.ua/a-tsarpeter.htm

http://www.myfonts.com/fonts/atelier-laia/waskonia/

https://www.myfonts.com/fonts/tilde/belwe/

https://www.myfonts.com/fonts/oddsorts/bradley/

http://www.myfonts.com/fonts/insigne/boncaire-titling/

http://www.myfonts.com/fonts/itc/tiffany/

https://www.stormtype.com/families/tenebra 

To read: 

https://pt.slideshare.net/guest7a8aa4/cyrilliclatin-yesterdaynow

http://typejournal.ru/en/articles/Civil-Type

An oldstyle pixel font based on the Pabst Oldstyle typeface from the American Type Founders.

What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.

The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction. 

More intriguing is the 1-bit “anti-aliasing” scheme I found myself  progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.

At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.

Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).

Basic accented charaters and numerals are being added as I churn through the extended character set...

The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.

The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!

Brute force, now meet Elegance.

Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...

Please, vote kindly and stay tuned for more :)This is a clone