Graphic is a simple font that is best used for big text.
This type was made in our class of typhografy, we are from Portugal and we want to show you our work. This font have very elegant forms and contrast between stems, so that's why our font called "alterna" that means alternate in english. It's apropriate for tittles but you can use it for other things only as long as it's bigger than 20pt.
I designed this font based on the word 'Thunderous'. My thinking in how the word relates is due to the Norse God Thor. I then started to look in to old Norse culture, this got me interested in runes. So with deeper research in to the Futharks spawned this type.
Error is typeface desinged to feel like static glitching - inspired by the theme 'unstable'.
MOS 2018 /moʊz twɛntɪ eɪtin/ is a minimalistic, designy font aiming to simplify English lowercase letterforms as much as possible while keeping them recognizable to some degree, using a 3x3 grid.
Designed for those members who want inspiration, it could guide them when they need ideas on which to base a font.
Use this like a font: close your eyes and type a 'word' with at least 5 letters -unless you can touch-type this word won't make much sense; you could instead write your own full name or your favourite film title etcetc. You don't need a real word, just hit different keys and then look at the line of glyphs ;)
One half of your word must be in upper case letters, the other half in lower case .
Then look at the [first or] second and the [last or] one before last letter of your 'word'.
The UC will give you an 'image', the meaning of this is transmitted (in the widest sense) by your font; the LC gives the type of look your font should have. You now have 2 guides/ideas/starting points which influence the kind of font you make.
Remember that you look at concepts, invisible messages and your own experience or lack of knowledge, as well as the visible things in the images I drew.
Your font design is guided by a main theme and a way to present it/a style of expression. This is influenced a little or a lot by each UC 'image', and you adjust the look of your font according to the "feeling"/a memory/a dream or wish/an experience/lack of familiarity that you have about the illustration. The presentation of the font, the style of the font, is determined by the LC. All you have to do is combine these two aspects.
In my 'comment' below I give you a few ideas of what could be linked to each of my UC letters; it is up to your areas of study or experience or interest, and the time you want to use for designing and building your fonts, which -if any- of the proposed words and concepts I mention you want to combine with the type of presentation you found in the LC letter.
Your font should "illustrate", convey your feeling about the images you 'wrote' if you don't want to make a font that shows the object itself or is directly based on it. Chose a good name for your font, it is not necessary to name it after an object or concept you based your font on.
Note: the "INSPIRED FONT" is in development; when I have more illustrations for objects, situations, feelings etc or styles of presentation (I am open to suggestions!) I will try to find a suitable design to add to the glyphs as there are still a few empty slots in the Basic Latin set ;)
the typeface was adapted from "nasi pecel" one of traditional food from indonesia. The food consisted of rice and a lot of vegetables. One of the vegetables is bean sprout that taken most of the idea to make this typeface especially the semi script one.
This font is not completed yet, and this font was made for school assigment. Please comment and vote. Thank you.
This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~This is a clone of Like a Tofu