An extension of ideas present in "Gehenna".

Pixelated demake of Nirvanite Fossil. It introduces more size variation than its predecessors, and proves even harder to read. The size variation was necessary to prevent these sprites from being too large and to make them more unique from the glyphs in Nirvanite Fossil.

Original size: 25pt (use multiples of this value for pixel perfection)

Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.

This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!

Experimental mosaic... or maybe a new mineral species?

This one started as a doodle. I began placing circles to see what kinds of complex shapes I could make, and this was the result.

It achieves a new visual effect at almost every size up to the original. Also try slowly moving the zoom slider for some interesting animations!

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This font is now nearly 1MB in size! I guess it has to do with the intrinsic complexity of circles.

rounded sans version of Heavy Vintage

Bubble - from FontPack 1 (and re-released in FontPack PLUS) for GEOS on the Commodore 64.  Basic 1980s outline font.  I'm hoping to remake as many GEOS fonts as I can that aren't readily-available typefaces.

Neon stripes is an all-caps experimental display typeface. The lowercase set is included as a repeat of the uppercase to make setting type just a little bit easier. This font was contructed with bubble like features, intended for use in larger sizes of type. Perfect for a design that wants a unique neon style - use it in Photoshop, Indesign, or Illustrator to add effects.

Created from the idea of using line within a font. Great for the idea of a race, whether it's running to car racing!

pixel version of a good sign

UPDATE 07 Oct 17: In February something happened to the font, re-arranging every single brick to somewhere else. I just now got around to fixing it.

Parentheses can be used as caps for the beginnings and ends of sentences.

I made this font because I like that the letters could be written in a vertical stack, horizontal row, or clumped (though I didn't make them touch vertically here, as was my intention).

I only created capital letters, and there are a minimal number of glyphs available.

I'm also aware that some of the letters are difficult to read; I was trying to keep the amount of design within each box low, though I'd appreciate improvements for letters like: P,U,V,L,F and for the punctuation.