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Font used for signs in the 11th Heaven BBQ Bar'n'Grill Casino in my game Trap Farmer Brer Brah.
See also:Rivet City
Original size: 8.25pt (use multiples of this value for pixel perfection)
Clone of 9x9 Strict. This font was originally made on my alternate account (winty5alt), but I don't plan on using that account anymore unless I have a problem logging on to this one.
Anyway, this font is a 9x9 strict pan-unicode font, great for LCD displays & stuff. Hope you enjoy! :)
This is a clone of 9x9 StrictHandwritten medieval pixel font in 5x5. This one has a subtle rightward momentum which is imparted by the slants of letters and the positions of curves/angle changes. The idea is a font that inspires one to continue forward and onward, or at least further to the right.
These Guild fonts are meant to convey different professions while using extremely small canvases. They're small enough to be used on practically any computer system or game console.
Original size: 4.5pt (use multiples of this value for pixel perfection)
Self-symmetrical/fractal pixel font. (x=2*Spx,y=5)
This is designed on 7x7 black boxes which act as superpixels. This ensures that inline and outline components are congruent.
Original size: 26pt (use multiples of this value for pixel perfection)
Self-symmetrical pixel fractal font. (x=3*Spx,y=25)
Hit the Pixel button for the best preview.
- ITERATIONS -
x=1 - ESOS Lite Terminal
x=2 - Amalgarmada
x=3 - Amalgarmada 2 & Fractal 2 by jonrgrover
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Original size: 131pt (use multiples of this value for pixel perfection)
This is a clone of AmalgarmadaOfficial font of AMFA (formerly ATMA), the main rival of MARENGI Omnisystems in Endless Sea Of Stars. Appears throughout my games (especially those using the ESOS and ESOS-Lite engines) and is used as the main font of ESOS Terminal A (the one doing the super-long survey).
Between 2012 and 2014, ESOS Journey-Depth AI entities collaborated to produce this specific arrangement of pixels as the most legible form of 1px wide, monochrome 8x8 Latin for electro-optical systems (Marinan Interpretability Value 9.29).
This font is useful if you want to write some really efficient text recognition software for a robot with a camera, or if you want a pixel font which elicits a high degree of reading accuracy. Some would argue that the uppercase makes it less readable, but you'll be hard pressed to find another font that is THIS readable in uppercase only!
This is a cloneA monospaced 3x5 font used in Vidora15 and later programmable electronic displays made by AMFA Cybernetics (formerly "ATMA Robotronics").
This font is made with AMFA encoding in mind. As such, the character set is very limited and there are no glyphs which require NKRO>1 or buckybits (Alt, Ctrl, Fn, Shift, Strg, option keys, etc). The glyphs normally present at these codepoints have been reverted so that any text displayed in this font is also effectively displayed in AMFA encoding. The encoding has 48 possible glyphs (including one which doubles as both "null" and "new line") so there are 96 glyphs in this font overall.
Hope this saves you some work, Feng! :^)
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Since this exact font and encoding scheme were used in other devices and software, some of which were (or had) games, I'm also tagging this with Game Recreations.
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Original size: 4pt (use multiples of this size for pixel perfection)
MIV: h6.24 @ 1x / m8.35 @ 1x
A spirally design which tries its best to be lineal. Check out the "M" to see the "ammonyte". :D
Well, for some time I've wanted to make a font entirely with spirals. This is not that font, but it's as close as I've gotten to actually carrying out the idea. This is also small enough to use for body text, which is likely more than will be able to be said about an actual 100% spiral font.
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Original size: 15.75pt (use multiples of this size for pixel perfection)
Variant of "Anycall Mono 6x14" that is more accurate to how the font is displayed in the BIOS, where the glyphs are rendered 5 pixels wide instead of 6.
This is a clone of Anycall Mono 6x14An alternative chatfont designed for lazy people who sit way back in their chairs and view LCD screens at non-optimal angles... like me!
This is made with two simple but highly effective techniques:
1. Not letting protuding lines go all the way to the edge of the glyph.
2. Drawing so that outline, rather than linework, determines the shapes of glyphs.
A 7x7 design inspired by bows, arrows, targets, and arrow slits in castle walls.
It seems slightly Art Nouveau to me, although pixel art is not really capable of those same kinds of curves and arches at this scale...
A 5x5 design inspired by architecture, geometric design principles, and terracing. Many letters look precarious - only a good architect could build structures that balanced so well.
Despite having achieved a satisfactory and distinct look with this, I'm not sure if Architecture is the best motif for it... it may evolve more...