811416921
Published: 6th February, 2011
Last edited: 18th February, 2011
Created: 3rd January, 2011
More fun with composite stacks, packing more detail into smaller grids. The crosshatching is made less regular by alternating and rotating a set of three four similar, yet distinct bricks. correction made on 2/15This is a clone of Fat Bit
184614721
Published: 19th May, 2010
Last edited: 19th May, 2010
Created: 17th May, 2010
arabic typography experimentation in fontshop fontstruct, created by Abitar Mohamed.
8645218
Published: 2nd May, 2010
Last edited: 20th June, 2009
Created: 11th May, 2009
The Internet is a series of tubes, not a big truck. A sample can be viewed here:
http://yaegerwerks.deviantart.com/art/TubeNet-Experimental-Typeface-127945147
421912
Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 9th November, 2009
Monohype is a screen, non serif font. I got my inspiration from AndyChung.ca and NEUBAUWELT font.
To see the real size, please click on the pixel button. The smalest one, is the right one!
Take a look and told me, what you thing about it. thx
118144145
Published: 30th October, 2009
Last edited: 7th November, 2009
Created: 30th October, 2009
Maybe shifting to CCAN licensing will discourage pilferers from trying to make money out of my designs. Cheek!
893744
Published: 3rd June, 2009
Last edited: 23rd June, 2009
Created: 24th May, 2009
This is the first font I share. It's inspired by "Contemporary" made by Magic Sam, who showed me fontstruct.
I'm ot happy with the H, the Y and the s. So if you have good suggestions how I can improve those characters (or any other), please write it in the comments.
821652
Published: 13th April, 2009
Last edited: 20th June, 2009
Created: 13th April, 2009
My new Monotype Display-font, called Fiesta. Hope you like it, check out the example! More glyphs to come...
g = alt.G
q = alt.Q
4821749
Published: 13th March, 2009
Last edited: 16th June, 2009
Created: 28th February, 2009
Pixel font = relaxation. Less blocks to worry about makes for more fun.This is a clone
18443810
Published: 10th February, 2009
Last edited: 6th June, 2013
Created: 10th February, 2009
A gift for a tinkerer, this font is designed with a construction feel.
2201011
Published: 13th January, 2009
Last edited: 16th June, 2009
Created: 13th January, 2009
i always wanted to create such a font cause i couldn't find it... nowhere... so, this is a test font. :) and i want to perfect it ^.^
9331535
Published: 25th November, 2008
Last edited: 15th June, 2009
Created: 16th November, 2008
My take on Hellenic Wide, which I first saw in a Frank Chimero illustration. Some of his work looks ripped right out of the 50's and I love it. The capitals all fit pretty well into the FontStruct schema. I'd like to revisit this one sometime to see if it would work with a lighter stroke and skinnier character width.This is a clone
20428410
Published: 30th October, 2008
Last edited: 4th December, 2008
Created: 30th October, 2008
This is a font based on the Numbers on my Victorian tube station clock. Caps and Lower case are the same. Edit if you want.
5010813
Published: 29th September, 2008
Last edited: 16th June, 2009
Created: 29th September, 2008
Evolution of peecso 1.0This is a clone of Peecso Font 1.0 (small use)
12037116
Published: 18th September, 2008
Last edited: 16th June, 2009
Created: 16th September, 2008
Warning Road Signs (Triangular). ASCII 33 to 102 are in DfT Diagram order. Part 2 of set. See Road Signs for Regulatory and Information signs. This is a clone of Road Signs
180108520
Published: 16th September, 2008
Last edited: 15th June, 2009
Created: 13th September, 2008
UK Road Signs. ASCII 33 to 114 in order of the DOT diagram numbers. Check pattern represents red.
Chevrons and lane markings are spaced to butt together.
See RoadSigns2 for the other half!This is a clone
178131912
Published: 31st July, 2008
Last edited: 22nd June, 2009
Created: 27th July, 2008
Like Masphalt, the original inspiration for this one comes from Stefan Kjartansson's Black Slabbath. I think I played enough with it to make it my own. Like the two-story lowercase g and lowercase a. Squishing that middle stroke really gave this one a personality. I kept all the counters rectangular, try not to hide the hard edges. This is my first time going through the diacritics to give me a holler if you see something wrong.This is a clone
552532
Published: 29th June, 2008
Last edited: 22nd June, 2009
Created: 29th June, 2008
When the half-angle blocks were first introduced I thought I would be the last one to produce an old style or transistional sans-serif typeface. Looking through the gallery, I still don't see any attempts. Creating a serif font with blocks is very much a square peg for a round hole, but I enjoyed the challenge. I tried to emphasis all the minor details, like angled stress, or the bottom terminal of the lowercase b. I spent a lot of time on this months ago, but after a while, just lost the drive to complete all the characters. Maybe you're up to the task.
72666538
Published: 5th June, 2008
Last edited: 6th June, 2009
Created: 5th June, 2008
I tried to do some kind of a fraktur font with pixels. And this is the result. I hope you like it.