62263
Published: 2nd June, 2014
Last edited: 2nd June, 2014
Created: 1st June, 2014
Clone of Zaratustra Gap. The stencil font has been made 1 brick higher to allow for the better-rounded S and B. However I couldn't make a good Y.This is a clone of Zaratustra Gap
52315
Published: 17th May, 2015
Last edited: 19th May, 2015
Created: 17th May, 2015
Another of my more kooky ideas masquerading as a pretty kosher cursive pixel typeface.
117622
Published: 15th July, 2014
Last edited: 22nd July, 2014
Created: 15th July, 2014
A roman typeface with short ascenders & descenders, inverse axes and stylised ink traps. Suggestions are welcome; I'm particularly uncomfortable with s, but also f, j, k, t, v, w, x, y and z.
196614
Published: 9th April, 2014
Last edited: 18th August, 2016
Created: 7th April, 2014
Clone of TRAIANVS. In the uppercase, light comes from the left and therefore lights up the right sides of the letters, and vice-versa for the lowercase.
@, _,*,#, and % are all marble vein textures that you can type in without taking up any space.
Lowercase in progress.This is a clone of TRAIANVS
2114284
Published: 7th April, 2014
Last edited: 9th April, 2014
Created: 7th April, 2014
A referential classic Trajan font for experimenting on when you can't be bothered to make your own pixel serif font.
1211933
Published: 15th February, 2014
Last edited: 19th February, 2014
Created: 15th February, 2014
A top heavy modern style serif font with lots of letter combinations which I will call ligatures but are not actually ligatures per se. For example, you may be surprised to see that the ampersand types the Latin 'et'.
148644
Published: 21st July, 2014
Last edited: 12th April, 2016
Created: 20th July, 2014
Combines curves, faux-curves, and triangle-brick edges. The title doesn't describe the typeface; it describes a possible application of it. Don't bother asking.
731622
Published: 11th April, 2014
Last edited: 16th April, 2014
Created: 11th April, 2014
Just some fun. A very narrow space allows you to unstick some glyphs that run into each other.
166353
Published: 30th November, 2014
Last edited: 1st December, 2014
Created: 26th November, 2014
Don't worry, it's (probably) not going to turn into a series.
113314
Published: 29th September, 2014
Last edited: 30th September, 2014
Created: 29th September, 2014
I haven't done anything in a while, but just felt like doing this. The idea came when contemplating axes: see the 'o' is made thick on either side conventionally because it is sliced through.
531502
Published: 11th April, 2014
Last edited: 15th April, 2014
Created: 11th April, 2014
Clone of Strange Square, for those who don't like pixel fonts.This is a clone of Strange Square
40352
Published: 10th May, 2014
Last edited: 10th May, 2014
Created: 28th April, 2014
I'll start uploading fontstructions that I never bothered to finish with a license for cloning.
1601455
Published: 25th March, 2014
Last edited: 26th March, 2014
Created: 25th March, 2014
A font based on Boris Bilinsky's poster for the 1927 film Metropolis' French release.
50231
Published: 2nd April, 2014
Last edited: 2nd April, 2014
Created: 1st April, 2014
This font is only old style non-lining numerals. It was only intended to be used as reference and cloned by anyone who can't be bothered making their own numerals (a disposition that I can relate to). If you're wondering, the few letters are only there to spell out the title of this font, and they look awful because they are all deformed numbers.
2731701
Published: 1st May, 2014
Last edited: 5th May, 2014
Created: 1st May, 2014
A universal alphabet with faux-Greek influence. You will find that there are two distinct types of sigma, in contradiction with the universal vein of the thing.
35535
Published: 14th May, 2014
Last edited: 15th May, 2014
Created: 14th May, 2014
This was going to be about experimenting with the new nudge feature, but I decided that it would look better without curves. But because I worked on the small grid, the nudging did come useful.
735544
Published: 17th April, 2014
Last edited: 17th April, 2014
Created: 17th April, 2014
This font is based on the signature of one of my favourite cartoonists, Al Hirschfeld. Because of this, I copied a few of the letters and invented many, and therefore I am unsure about the descenders for Q and J, and the widths of M, N, V, and W.
2311763
Published: 20th April, 2014
Last edited: 10th August, 2014
Created: 20th April, 2014
A font that combines the geometric simplicity of the Bauhaus fonts with traditional italic forms and swash capitals.
6259516
Published: 20th January, 2014
Last edited: 17th August, 2014
Created: 12th January, 2014
Slightly exaggerated rendition of the classic medieval 'textura' of Christian manuscripts. I mainly used Barbara Bundy's book 'Colour Calligraphy' for reference.(in progress)