See more:
https://fontstruct.com/fontstructions/show/2231576/circ-14
https://www.fontstruct.com/fontstructions/show/1721148/lr-syche
https://www.fontstruct.com/fontstructions/show/851715/dolphin_sans_3
https://www.fontstruct.com/fontstructions/show/787470/fs_semi_circle
I finally made it: the font based on the few letters that my favourite Biscuit carries.
I wanted such a font to add to my font collection of unusual or art-craft-themed fonts (started when we had our first internet-capable computer in 1999). As I couldn't find this font I looked at Art Nouveau and AArt Deco style fonts, also at furniture and wall papers of that period --- that kind of guided me when working on the 'missing' letters of this font which must have been designed before it could be chosen for the biscuits, and which I neither have found nor do I know its real name.
The UC are on biscuits. The LC are only the letters, on the level they have on the biscuits to enable a kind of 'Majuscle' arrangement for texts.
Diacritics of more Latin are done, also useful symbols and punctuation. A crumb-free "+" is on the "%", a biscuit with surface dips is on the "(" and one with a flat surface is on the ")". The square brackets, when used without a space or letters, will make into a narrower biscuit, and are also used like round brackets.
Listening to cricket matches I saw a lot of trajectories in my mind when commentators discussed the balls' flight paths and where they landed, of some incredible bowling.
What a great inspiration for my first entry for the ReverseComp.
Maximum rectangle size is 16x20. The LC contains the flipped reversed UC.
I see many white-in-black designs coming in, I'm adding to them as we don't see this type very often ;)
I think that I managed to give the "impression" of those occasional graphics displayed in cricket, football, tennis and other ball-based sports (it might be hawk-eye linked) that show where balls have originated from or to predict/illustrate their continuation.
A blank space is on the underscore, a filled space on the space bar.
Numerals and very basic punctuation are done :)
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1723835/circularities-14-1-1-1
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of RaysanAn alternate slightly taller "a" is on the "µ" and another "x" on the "\". Kerning of really obvious pairs will be done. I'm showing this only because it's a clone that automatically replaced the compos, stacks and standard bricks with the square brick.
A while ago I mentioned encountering the swapped bricks and weird (=51) brick quantity in another cloned version of this design. At first I felt frustrated but then I thought it might work out as a useable font. Without the surprising swap there'd be no Romaeo as a pixel design!! Now I think the glyph shapes look really good with pixellated edges, I'd not have worked a chunky Romaeo into a pixellated chunky Romaeo. Proof that there might be unexplained and unwanted brick problems which don't deserve to be forgotten or deleted as the design can be used to develop a quite acceptable font.
This is a cloneNumerous single brick pattern fillers and connectors, ready for you to use/clone/copy/change and put into your own designs or whatever.
All patterns are designed to work as a selection fill. So in other words: the patterns will always look the same regardless of the dimensions of your selected area!
They come in a wide range of styles such as: Retro, Tile, Seemless, Textile, Composite, Glitch, Minimalism
All bricks are stored and saved in the custom brick pallet.
Enjoy!
For the moment this is the final version of Syngrapheis, reasonably extended. I'll add basic Greek and basic Cyrillic later because I think that the glyph shapes will look good in those writing systems. I've changed the 'g' since the sampler. I wish to offer this version to Google later so if you see any mistakes, strays or breaks etc please let me know.
This is a cloneTirrel font is Copyright 2019 Doug Peters.
This is the original version of Tirrel. Although a display caps font, the uppercase has a hard, bold, brash version of capitals while the lowercase holds the 'softer' alternates with more defined characters. If you only want one or the other and have the habit of using shift (or caps lock), there should be two other versions of this font accompanying it, one "Tirrel Hard" and the other Tirrel Soft" to relieve frustration of those who type well.
Categories: Monospaced Sans/Stencil.
Types: White Space, Striped, Display Caps, Logotype, & Novelty.
Weight: Heavy Bold.
Web font: Yeah, sure.
Commercial use: Yes.
Derivatives: No.
Redistribution: No.
https://www.Doug-Peters.com
https://Dougs.Work
https://SymbioticDesign.com
https://Worthful.com
https://Font-Journal.com
My best Domain Name registration service:
https://www.DomainHostmaster.com
My best web hosting solution:
https://HDWebHosting.com
PayPal donations (to encourage my continued design efforts):
https://paypal.me/sitedesigner
This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.
It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own.
Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.
The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.
I am already working on two additional fonts that came out of this exercise...and it might yield more.
Thank you for this incredible gift that is fontstruct, Rob. Always a joy.
Congratulation on achieving the first ten years today (April 1, 2018).
Best wishes, as ever.
This is a clone of tm FestConstructed on the bones of fs minimal.
See more:
https://www.fontstruct.com/fontstructions/show/1470403/high-at
https://www.fontstruct.com/fontstructions/show/694135/fs_nice_and_tall
This is a clone of BicycleIdeal for colouring in so it's a great 'tool' for letter work in playgroup and primary school with the added benefit of introducing the idea of serifs which links into historical lettering systems.
WIP
Rezkii chotkii shrift.
See more:
https://www.fontstruct.com/fontstructions/show/1537870/amd-revived
https://www.fontstruct.com/fontstructions/show/744986/razorblade_4
https://fontstruct.com/fontstructions/show/252135/shine_10
https://fontstruct.com/fontstructions/show/370890/edge_31
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/38623/next_level
https://fontstruct.com/fontstructions/show/19330/e_keet_beans
Pluranon
https://fontstruct.com/fontstructions/show/115164/sharp_progress
Kreased
https://fontstruct.com/fontstructions/show/857936/nt3_01
https://fontstruct.com/fontstructions/show/1179720/yg_rounded_redo
https://fontstruct.com/fontstructions/show/778404/ace_adventure
This is a clone of Femme fatale