Unicase font inspired by Block02, the only FS published by the interesting Mexican type designer Manolo Guerrero from BlueTypo. I've put some "soft" alternatives -a, e, f, i, m, n, q, w- in the lowercase (I've taken also more creative freedom than the original font, which used a limited set of bricks). Enjoy.
another display logotype. this one is a recreation of the logotype used in the logo for "Triakis" from WipEout.
also, out of curiousity, I am asking fellow fontstructors to leave a comment saying how much time they spend designing typefaces. I feel like I'm cranking these out and should probably spend more time fine-tuning.
also want to thank everyone for their constructive comments & compliments. it is very encouraging to see such talented designers leaving nice comments.
inspired by the logo for auricom from the wipeout games. used for a company logo. also my first time messing around with the connect bricks. not too ambitious, but makes for good displays and still interesting i think.
this font was created for the logo of my discord server, "DOLPHIN." it was actually my first fontstruction, but has undergone some revisions and is now being released publically. it is heavily inspired by the font "FUTU" by emil bertell.
commission for starstruck (@starstruckboye on twitter).
Synthetic font
See more:
https://www.fontstruct.com/fontstructions/show/112834/brusselmans_1
https://www.behance.net/gallery/34402715/Custom-Typefaces-for-Sentralen-Oslo
https://www.instagram.com/p/B3yvfnMiqOP/
https://www.behance.net/gallery/86527427/Coanda-Font?tracking_source=for_you_feed_featured_category
https://www.fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr
https://www.fontstruct.com/fontstructions/show/1656445/tunrelia
https://www.instagram.com/p/B2UAmplhqPW/
https://www.fontstruct.com/fontstructions/show/1563198/yakut-brilliant
https://www.fontstruct.com/fontstructions/show/1647546/stf-type-o-neg4tive
https://www.fontstruct.com/fontstructions/show/219548/bravado_slant
https://www.fontstruct.com/fontstructions/show/1573318/stf-gravitational-lensing
https://www.fontstruct.com/fontstructions/show/1570835/stf-randstruct-data-2
https://fontstruct.com/fontstructions/show/1399486/new-azbuka-easy-to-read
https://www.instagram.com/p/BqS3jOThJWO/
https://www.behance.net/gallery/83447021/BROZAS-Free-font
https://www.fontstruct.com/fontstructions/show/399237/pas_de_grille_pli_isom_trique_plomb
Arturito Semi-Slab Font
https://fontstruct.com/fontstructions/show/175111/irksome
https://fontstruct.com/fontstructions/show/1544279/digitalis-6-4
https://fontstruct.com/fontstructions/show/1587122/enisey-1
https://www.fontstruct.com/fontstructions/show/392321/paxel_2
This font is based on a freely-distributed "Stop" font with a few line joints. This is a sci-fi Retro font that is normally used on sci-fi movies and video games. It currently supports basic Latin, but I will add more characters on the future version.
This is a low fantasy font I created for a sci-fi race in a story I am currently writing. Each letter corresponds to a letter in the English alphabet. You can use it for your own writing if you desire!
Let me know what you think of it!
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
Sort of revival of the retro sci-fi letters used by the Atlantic Toy Company for their "Galaxy Serie". A science fiction themed toy line that was manifactured from 1978 to the early 1980s.
I had to make a couple of compromises on some glyphs due to FS limitations, so the fontstruction isn't 100% accurate, but i'd say still very recognizable.
A display typeface that revisits the classic Randstad alphabet originally designed by Ben Bos in 1969 working at Total Design. Some changes have been made to a number of characters and letter spacing in order to improve the overal ballance and legibility. In other words, more a semi-recap rahter than a exact replica.
- Okay, this requires a little bit of heads-on info first, to prevent any misunderstanding.
It's a attempt to struct the (I think) pretty well known typeface
"Cyber Monkey"
by none other than Fontspring founder & Fonthead Design Inc.'s:
- Ethan Dunham.
The original typeface by Ethan has been around quite some time and has been used a lot over the years in various of my design projects.
The original Cyber Monkey digital typeface by Dunham was commercially published back in 1998 by Fonthead Design and can still be purchased online via multiple font shops.
My fontstruction, despite its notable clear resemblances is by no means meant to commercially violate or abuse the original intellectual property of Dunham.
About Cyber Wolf (my fontstruction)
Actually it came into existance when I was fooling around in the editor and was building some ideas on chord-like letters. (And since I dont know a lot of typefaces in this style) I soon realized that through most of the time I kept on structing letters that I could sort of remember from Ethan's typeface. so I tried working from that point out to guide, but absolutely did not lead anywhere. lol
So I decided to quit the whole idea and turned the project into a fontstruction that heavily copied Ethan's Cyber Monker typeface to begin with!
It's not a real recap or accurate copy of the original, but does show striking similarities.
Enjoy none the less!
This is a cloneAnother 5x5 pixel design. This one splits one line or intersection per letter for most letters, leading to a tech/sci-fi look.
Only the comma is allowed to go below the line; all other glyphs fit onto the 5x5 grid. Because this font is quantized to the grid, diacritic accents won't be possible. Feel free to move the comma above the line to suit your global matrix.
Original size: 3.75pt (use multiples of this value for pixel perfection)
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See also: Byzantine Exasperation