this idea came out of nowhere, but i followed it and got this!

It's called ajicis because it is built upon the letters done for the wallpaper of Wipeout 3 game team AG Sys. It has the same grid structure but the letters look nothing like the original.

Also, this FS'tion was started on the phone (because I was too lazy to get off the bed and go to the computer). When I saw potential in the created letters, it was saved and opened on the iPad. The rest of the fs was done there. The only thing that couldn't be done on the iPad was adjusting of a composite brick. (It was fixed on the laptop days later.) So, 98% iPad. 

@RobMeek: The iPad version worked well. However, Menu->Edit->Copy, Menu->Edit->Paste, etc. got tedious. Can we have the menu commands in icon form docked or floating somewhere on (in?) the tablet version? The icons can be half the size of the Tools icons to save space. Also, can the tools and zoom be docked as well on the tablet version? It would be helpful. Thanks. 

withered

Special characters: < (My OC's head), > (A heart), § (FS, though it may not look like it), Capital A with ring under it (alternate glyph for a)

Feel free to use and/or clone.

Fun fact: this was originally named percentage, but I changed it so it fits the style more

The nudge tool was used for some glyphs, like the dollar sign and yen sign.

The "Make Composite" tool was used to make the gradient effect.

Currently working on Katakana

Recreation of the pixel font from Taito's "Cycle Shooting" (1986). Only the characters present in the game's tile set have been included.

Opening day of Ant-Man and the Wasp::Quantumania! So of course, this particular color font needs to emerge in this space and time. Spinning of the concept of quantum tunneling and Hank Pym's Quantum Tunnel van, this font spans multiple realms simultaneously. Shift dimensions at your own risk.

EXPERIMENT!!!!!!!!!!!!!!!

Recreation of the pixel font from Sega's "Columns II: The Voyage Through Time" (1990).

This recreation uses the special TTF+SVG format, which currently has limited support. For a monochrome version, see this recreation.

Only the characters present in the game's tile set have been included.

 A script mixed with a modular mixed with a serif!

An old project, finished now. 70s vibes. Hope you like it.

Sort of mixing ideas from "tuxedo blvd" and "tinseltown." Keeping with the "t" naming trend between them, here is yet another Art Deco font, "trailblazer," please enjoy~

A fun, jagged and crazy display font!

The lowercase are alternates to the uppercase, so feel free to shuffle them as much as you like!

UPDATE: I changed the "U" and "V", and i made some numbers and simple punctuation. I also made the lowercase/alternates. All thanks to @frongile and @riccard0

My ‘white bear’ font is based on my set brief: ‘protection.’ The font style proposes the idea of an atypical font, creating a distorted and experimental look, differing from the ‘norm’. The inspiration for my font is based on the black mirror episode ‘bandersnatch’ where the white bear logo is shown, which presents the idea of gaming, glitching and an overall digital ambience in visual text, leading to my outcome of the square pixel font.

LITERA FACILIOR GOTI ― A 'Blackletter' script style with a twist
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Also known as Gothic script, Gothic Minuscule, or Textura, was a script used throughout Western Europe from approx. the 12th untill the 17th century.

This FontStruction was aimed at mimicing the aesthetic approach of a ― ‘Textura’ variant of the Gothic Minuscule script style, more accuratly refered to as ‘Littera Textualis’. This style is most characterized by its strong sturdy letterforms, with distinguishing sharp, straight and angular features as oposed to the other variations in this catagory.

In terms of authenticity to the original predecessing formal script family, my ‘Litera Facilior Goti’ didn't took a whole lot of care for authenticity. The idea was to take a more independent and experimental approach to shaping the letters and forms, so it wasn't necessarily inspired by any specific typeface in particular, it rather recycles certain characteristics of a ‘Textualis Quadrata’, but beyond those aspects of general guidelines it evolved on its own.

Some of the areas where the design tends to really stray away from the tradition is for example the serifs:

It's often that I have some trouble with the weight ratio distribution of serifs and such elements in simplified modular based geometric Blackletter fonts. In many of such designs they tend to have been left pretty static and equal in thickness throughout the full character set. Which I think is often either having some letters look clumsy or even weird, and generally speaking also often making them appear too thick.

So this was one of the things I had to try and adress, I experimented a little with the style and forms of the serifs. Eventually this resulted in multiple deviations in variety to mix and create a more dynamic distribution. similar to what was done in less formal scripts. Over time they became ever further simplified, letterforms that involved less reorientation of the pen, in pursuit of styles that were quicker to write.

But taken as a whole typeface I find that it is having this certain ‘random-ish’ characteristic that is simply working for the better of these particular style fonts.

I'm still working on improving its overall rhymes and reasons to a certain point that is acceptable, balanced and with enough consistency. But up to this stage I personally think that the concept worked out quite successfully so far. And that even despite the fact that its stripped down of most ornamental decorative calligraphic extravaganza, it still managed to capture a convincing portion of that ‘Medieval ’ looks and personal flavour.

But I think that in the end this became a pretty neat looking font and it would classify somewhere between a hybrid mix of simplified Blacklettering and a drunken man's ‘Textualis’.

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―  No filters used!

Cheers!

This is a font where its 5x5 pixels, I took a little more time into this than usual. Thats all!

A more simple Art Deco concept, please enjoy~

I’m making new pixel font.                IN PROGGRESS

Hard to believe that 10 years have passed since joining Fontstruct. The years have truly flown by and typography went from an unknown, to a delightful hobby. Many many thanks to those who helped me learn and grow on this platform, it's been such a fun adventure with such a positive impact. To celebrate, may I present "magenta" an art deco font for any typing needs. Please enjoy

This also marks a little turning point. The name "time.peace" was chosen at random and was honestly something I’d never been thrilled with. After much thinking, a new moniker is being adopted: "tortoiseshell."

"tortoiseshell" pulls from the tortoiseshell butterfly. Butterflys are seen as both symbols of time and of peace, making it a simple homage to the old title. There is another connection to tortoiseshell glasses, a style popularized in the 1920's, an era that has been incredibly riveting with its Art Deco movement. Lastly, there is a genus of the tortoiseshell butterfly native to my home.

"tortoiseshell typography" looks build upon old ideas while also growing and evolving into the future.

Cheers to the next decade and the new chapter~

Recreation of the pixel font from LJN's "Back to the Future" (1989) on the NES. Only the characters present in the game's tile set have been included.

Pixel Slab

Venturing a little into Art Nouveau. A bit of unfamiliar territory, but it sure is an elegant style. This font builds on the ideas of "peach" and "just peachy," making this amalgamation, a potion of sorts. Please enjoy!

An Outline Pixel Font Based On @Teratoma's PFP.

Dusting off an old art deco design from the archives.  Please enjoy

A cool idea I thought of. This is a work in progress. Some letters in the preview above may look arrayed, but they really are not.

I recently found an old book of typefaces and one of the samples within sparked the creation of this, a classic/angled art deco font, inspired by the golden age of ocean liners. Please enjoy

Don't worry, this is not a font, this is a picture game. Please, type any uppercase character in the user input window from A to T, then the same character but in the lowercase and then press the space before repeat the operation with other character that you want: Aa (space) Bb (space) Cc (space)... And... Surprise! Here you are my crazy pixel friends. After this, you can mix the characters and play a little bit more creating some funny "monsters": Bd (space) Hp (space) Pt... There are 400 variations to try. Enjoy them!

WIP

See more:

https://www.fontstruct.com/fontstructions/show/1549017/warner-brazils

https://www.fontstruct.com/fontstructions/show/1326545/elion-italic

https://www.fontstruct.com/fontstructions/show/987287/fs_gfo_3

https://www.fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=9&tag=Pixel&tagType=fave

https://www.fontstruct.com/fontstructions/show/32758/leiria_bold

https://www.fontstruct.com/fontstructions/show/209183/raphigraphy

A lightly rounded art deco font inspired by the classics, with a new angular twist on some of the glyphs. Please enjoy

Collection of linear-interpolated circle attempts, or simply faux-Bezier circles and other curvature related materials.

This toolset basically is collection of pre-made fake circles and curves in numerous different sizes to make ones workflow easier. It could also simply serve as a educative tool that demonstrates the basic FontStruct technique used for making fake curves and circles.

Initially I intended this to be much more complete, but it is simply too much work, and would take forever to get published at once.

Please don't expect this to be perfect, a lot gets fairly close to the "real-deal".

But keep in mind that they remain raw approximations of their true Bezier counterparts. I will try to improve whatever is needed as time progresses, as well as most likely add more stuff.

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I hope you like it so far,

Feel free to copy, re-use, improve or even destroy!

enjoy!